General information
Type of the document Varia
SenderMartinů, Bohuslav
Sender (corporation)
Sender‘s locationNew York, NY
Send date1941
Send date note[Miloš Šafranek in book Domov, hudba a svět gives a note at the end of the text: "New York, jaro [Spring] 1941"]
Recipient
Recipient (corporation)
LanguageCzech
Language 2French
AcquiredCopy from Martinů Centre in Polička, taken from Miloš Šafránek collection
Owner of the sourceCentrum Bohuslava Martinů v Poličce
Former ownerŠafránek, Miloš
Owner‘s call number75/95/16
Former call number at IBMPBM Na 24
Call number at IBMŠafM 1941-00-00
Content and physical description
ContentAutograph biography of Bohuslav Martinů, probably from Spring 1941
Total number of leaves17 (vč. přílohy)
Number of pages bearing text17 (vč. přílohy)
NoteThis Martinů biography was later published as Autobiografie in ŠAFRÁNEK, Miloš, ed.: Bohuslav Martinů – domov, hudba a svět: deníky, zápisníky, úvahy a články. 1. vyd. Praha: SHV, 1966. pp. 317–324
FixationHandwriting
AttachmentsHandwritten transcription of a Robert Aloyse Mooser´s review to Martinů DOUBLECONCERTO from Feb 8, 1940 [according to the book ŠAFRÁNEK, Miloš, ed.: Bohuslav Martinů - domov, hudba a svět: deníky, zápisníky, úvahy a články, was this review published on February 3, 1940 in Genevan newspaper La Suise]
Digitisation
Quality of digitisationProfessional
Digitized atBohuslav Martinů Centre

Preview only available at the Institute.

Location as subject
Basel
Czechoslovakia
Darney
France
Moravia, Czech republic
New York, NY
Paris
Polička
Prague
Person as subject
Bruckner, Anton
Debussy, Claude
Dvořák, Antonín
Kusevickij, Sergej Aleksandrovič
Lindbergh, Charles
Mahler, Gustav
Martinů, Bohuslav
Mooser, Robert Aloys
Mozart, Wolfgang Amadeus
Neveux, Georges
Roussel, Albert
Smetana, Bedřich
Strauss, Richard
Stravinskij, Igor
Suk, Josef st.
Wagner, Richard
Corporation as subject
Česká filharmonie
Elizabeth Sprague Coolidge Foundation
Mistrovská škola pražské konzervatoře
Národní divadlo v Praze
Pražská konzervatoř
Pražské jaro
Composition as subject
Bergerettes, H 275
Czech Rhapsody, H 118
Concerto Grosso, H 263
Theatre Behind the Gate, H 251
Duo for Violin and Violoncello No. 1, H 157
Double Concerto, H 271
Half-time, H 142
The Voice of the Forest, H 243
The Plays of Mary, H 236
Inventions [auth.], H 234
Istar [auth.], H 130
Juliette (The Key to Dreams), H 253
Piano Quintet, H 35
Piano Quintet No. 1, H 229
Piano Trio No. 1 (Five short pieces), H 193
Concerto for Harpsichord and Small Orchestra, H 246
Concerto for Flute, Violin and Orchestra, H 252
Concerto for Piano and Orchestra No. 1, H 149
Concerto for Piano and Orchestra No. 2, H 237
Concerto for Piano Trio and String Orchestra, H 231
Concerto for Violoncello and Orchestra No. 1, 1st version, H 196 I
Concerto for Violoncello and Orchestra No. 1, 2nd version, H 196 II
Concerto for Violoncello and Orchestra No. 1, 3rd version, H 196 III
La Bagarre (The Tumult), H 155
Vanishing Midnight, H 131
Partita (Suite No. 1), H 212
Field Mass, H 279
Promenades, H 274
Rhapsody, H 171
Serenade, H 199
Serenade No. 1, H 217
Serenade No. 2, H 216
Serenade No. 3, H 218
String Trio No. 1, H 136
String Trio No. 2, H 238
String Quartet, H 60
String Quartet No. 1, H 117
String Quartet No. 2, H 150
String Quartet No. 3, H 183
String Quartet No. 4, H 256
String Quartet No. 5, H 268
String Quartet with Orchestra, H 207
String Quintet for Two Violins, Two Violas and Violoncello, H 164
String Sextet, H 224
Sonata for Violoncello and Piano No. 1, H 277
The Chap-Book, 1st version, H 214 I
The Chap-Book, 2nd version, H 214 II
Tre Ricercari, H 267
Tre Ricercari, H 267
Comedy on the Bridge, H 247
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