| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 1 |
Three Riders |
|
1902 |
| Call number at the BM Institute |
Type |
Digital copy |
| 001/AP
|
Autograph parts |
 |
| 001/CS
|
Copy of the score |
|
| 001/D
|
Draft |
|
|
| 2 |
The Village Feast |
for flute and string orchestra |
1907 |
| Call number at the BM Institute |
Type |
Digital copy |
| 002/A
|
Autograph score |
|
| 002/AP
|
Autograph parts |
|
|
| 3 |
Elegy |
for violin and piano |
1909 |
| Call number at the BM Institute |
Type |
Digital copy |
| 003/A
|
Autograph |
|
|
| 4bis |
Piano Sketch of an Orchestral Composition |
|
1909 |
| Call number at the BM Institute |
Type |
Digital copy |
| 004bis/D
|
Sketch |
|
|
| 5 |
Five Waltzes |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 005/A
|
Autograph |
|
|
| 6 |
Before You Know |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 006/A, 010/A
|
Autograph |
|
|
| 8 |
The Pastel |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 008/A
|
Autograph |
|
|
| 10 |
When We Are Old |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 006/A, 010/A
|
Autograph |
|
|
| 11 |
Workmen of the Sea |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 011/D
|
Draft |
|
|
| 13 |
Concerto |
for violin and piano |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 013/A, ASP
|
Autograph |
|
|
| 14 |
Two Little Songs in the Folk Tone |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 014/A1
|
Autograph score |
|
| 014/A2
|
Autograph score |
|
| M 001a–b/A
|
Autograph |
|
|
| 15 |
Death of Tintagiles |
music to the puppet drama by Maurice Maeterlinck |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 015/A
|
Autograph |
|
|
| 17 |
Angel of Death |
symphonic poem for large orchestra |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 017/A
|
Autograph |
|
| M 002a–d/D
|
Draft |
|
|
| 17bis |
Entry into My Sister’s Album |
Oh, Come to Me |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 017bis/A1
|
Autograph |
|
| 017bis/A2
|
Autograph |
|
| M 002a–d/D
|
Draft |
|
|
| 19 |
The Sleeper |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 019/A
|
Autograph |
|
| M 002a–d/D
|
Draft |
|
|
| 21 |
Two Songs |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 021/A
|
Autograph |
|
|
| 22 |
Maiden`s Dreams |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 022/A
|
Autograph |
|
|
| 24 |
Ballade |
for piano |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 25 |
Sousedská |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 26 |
A Winter Night |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 009a-b/D
|
Sketch |
|
|
| 27 |
Kiss, My Sweetheart, Kiss |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 28 |
A Fairy-Tale of Goldilocks |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 028/A
|
Autograph |
|
| M 003a–i/D
|
Sketch |
|
|
| 29 |
Moody Picture |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 029/A
|
Autograph |
|
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 009a-b/D
|
Sketch |
|
|
| 30 |
At Night |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 030/A1
|
Autograph |
|
| 030/A2
|
Autograph |
|
| 030/A3
|
Autograph score |
|
| M 002a–d/D
|
Draft |
|
|
| 31 |
Two Songs |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 031/A1
|
Autograph score |
|
| M 001a–b/A
|
Autograph |
|
|
| 34 |
Three Little Songs |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 034/A1
|
Autograph score |
|
| 034/A2
|
Autograph score |
|
| 034/CS
|
Manuscript in foreign hand |
|
| M 003a–i/D
|
Sketch |
|
|
| 35 |
Piano Quintet |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 035/A
|
Autograph score |
|
| 035/AP
|
Autograph parts |
|
|
| 36 |
Chanson Triste |
in d minor |
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 036/A
|
Autograph |
|
|
| 37 |
Jašek’s Song |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 037/A
|
Autograph score |
|
| M 005a–m/D
|
Sketch |
|
|
| 41 |
Tears |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 041/A
|
Autograph |
|
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 005a–m/D
|
Sketch |
|
|
| 42 |
From Andersen’s Fairy-Tales |
six piano pieces |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 042/A1
|
Autograph |
|
| 042/A2
|
Autograph |
|
| M 005a–m/D
|
Sketch |
|
|
| 43 |
The End of All |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 44 |
Dead Love |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 044/A
|
Autograph score |
|
| M 005a–m/D
|
Sketch |
|
|
| 45 |
Symphony for Orchestra (1st movement) |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 045/APR
|
Autograph piano reduction |
|
|
| 46 |
Song without Words |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 046–7/A
|
Autograph |
|
|
| 47 |
Nocturne |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 046–7/A
|
Autograph |
|
|
| 48 |
You Write to Me |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 007a–c/A1,D
|
Autograph |
|
|
| 49 |
Early in the Morning, I Weed the Grain |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 50 |
Lucie |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 51 |
From Childhood |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 52 |
Hoarfrost Fell on the Field |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 007a–c/A1,D
|
Autograph |
|
|
| 53 |
Marry Me, Mother |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 54 |
The Rose |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 55 |
That's All What Remains |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 56 |
Ballad |
to the Krzesz's picture Last Chords of Chopin |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 056/A1
|
Autograph |
|
| 056/A2
|
Autograph |
|
|
| 57 |
I See You Every Night, My Dear |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 057/A
|
Autograph |
|
| M 006a-k/D
|
Sketch |
|
|
| 58 |
Offertorium [auth.] |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 59bis |
Five Piano Pieces for Easter 1912 |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 65 |
Ballad of Miss Vilma’s Umbrella |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 65bis |
Chanson |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 66 |
Keep Talking to Me |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 066/A
|
Autograph |
|
|
| 67 |
Abandoned Sweetheart |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 008a–d/A
|
Autograph |
|
|
| 68 |
Nipponari |
seven songs for female voice and small orchestra |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 068/A
|
Autograph |
|
| 068/P
|
Parts in copyist’s hand |
|
|
| 68 A |
Nipponari |
version for voice and piano |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 068A/A1
|
Autograph |
|
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 008a–d/A
|
Autograph |
|
|
| 69 |
Once upon a Time |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 008a–d/A
|
Autograph |
|
|
| 70 |
About Blue Eyes |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 070/A
|
Autograph |
|
| M 003a–i/D
|
Sketch |
|
|
| 71 |
The Fiery Man |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 071/A
|
Autograph |
|
|
| 72 |
Song of the 1st November |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 072/A
|
Autograph |
|
|
| 73 |
Three Maidens on a Bright Night |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 74 |
An Old Song |
|
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 074/A1
|
Autograph |
|
| 074/A2
|
Autograph |
|
| 074/D
|
Draft |
|
|
| 75 |
The Gnat`s Wedding |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 76 |
Let the Dawn Come, Oh God |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 77 |
In the Garden at the Roost |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 78 |
The Swans |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 79 |
I Like Old Parks |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 079/A
|
Autograph |
|
| M 006a-k/D
|
Sketch |
|
|
| 80 |
The Song about Hanička |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 008a–d/A
|
Autograph |
|
|
| 81 |
Enough of Happiness |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 081/A2
|
Autograph |
|
| 081/CS
|
Copy of the score |
|
| M 007a–c/A1,D
|
Autograph |
|
|
| 82 |
Three Melodramas |
Evening |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 082–4/A1
|
Autograph score |
|
| 082–4/A2
|
Autograph score |
|
| 082–4/AL
|
Autograph libretto |
|
|
| 83 |
Three Melodramas |
Dragonfly |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 082–4/A1
|
Autograph score |
|
| 082–4/A2
|
Autograph score |
|
| 082–4/AL
|
Autograph libretto |
|
| 083–4/AP
|
Autograph parts |
|
|
| 84 |
Three Melodramas |
Dancers from Java |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 082–4/A1
|
Autograph score |
|
| 082–4/A2
|
Autograph score |
|
| 082–4/AL
|
Autograph libretto |
|
| 083–4/AP
|
Autograph parts |
|
|
| 85 |
Prelude |
(on the theme of Marseillaise) |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 085/A
|
Autograph |
|
|
| 86 |
Prelude No. 2 |
in F Minor |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 086/A
|
Autograph |
|
| 086/D
|
Sketch |
|
|
| 86bis |
Prelude |
|
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 086bis/A
|
Autograph |
|
|
| 87 |
Song to an Old Spanish Text |
for alto and piano |
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 087/A
|
Autograph |
|
| 087/D
|
Draft |
|
|
| 88 |
Three Songs to French Texts |
|
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 088/D
|
Draft |
|
|
| 89 |
The Night |
Nocturne. Meloplastic scene in 1 act |
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 089/A
|
Autograph score |
|
|
| 90 |
Composition for Large Orchestra |
|
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 090/A
|
Autograph |
|
|
| 91 |
Nocturne No. 1 |
|
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 091/A
|
Autograph |
|
|
| 92 |
Puppets III |
four pieces for piano |
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 092/A1
|
Autograph |
|
| 092/A2
|
Autograph score |
|
| M 012a–c/D
|
Draft |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 93 |
Dances with Veils |
|
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 012a–c/D
|
Draft |
|
|
| 94 |
Four Little Songs to Goethe`s Text |
|
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 094/D
|
Draft |
|
|
| 95 |
Nocturne |
to the picture 'Přečtený román" by J. Mánes |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 095/A
|
Autograph |
|
|
| 96 |
Nocturne (Roses in the Night) |
symphonic dance No. 2 |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 96/A
|
Autograph |
|
|
| 97 |
Ballad on Böcklin´s Painting “Villa by the Sea” |
Symphonic dance No. 4 |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 097/A
|
Autograph |
|
| 097/CS
|
Copy of the score |
|
|
| 98 |
Three Lyric Pieces |
for piano |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 098/A
|
Autograph |
|
|
| 99 |
Spring song |
|
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 099/CS
|
Copy of the score |
|
|
| 100 |
Ruyana |
Sea Phantasy |
1916 |
| Call number at the BM Institute |
Type |
Digital copy |
| 100/A1, D
|
Autograph |
|
| 100/A2
|
Autograph |
|
|
| 101 |
Six Polkas |
|
1916 |
| Call number at the BM Institute |
Type |
Digital copy |
| 101/A1
|
Autograph |
|
| 101/A2
|
Autograph |
|
| 101/A3
|
Autograph |
|
| 101/CS
|
Copy of the score |
|
| 101/D
|
Sketch |
|
|
| 102 |
The Shadow |
ballet in one act |
1916 |
| Call number at the BM Institute |
Type |
Digital copy |
| 102/A
|
Autograph score |
|
| 102/D
|
Sketch |
|
|
| 103 |
String Quartet in E flat major |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 103/A1
|
Autograph |
|
| 103/A2
|
Autograph |
|
| 103/D
|
Draft |
|
|
| 106 |
What a Nice Time |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 106/A
|
Autograph |
|
| 106/D
|
Draft |
|
|
| 107 |
Valse Capriccio |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 107/A
|
Autograph |
|
| M 010a–c/D
|
Draft |
|
|
| 109 |
Furiant |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 109/D
|
Draft |
|
|
| 110 |
Six Simple Songs |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 110/A
|
Autograph |
|
| M 024a–d/D
|
Draft |
|
|
| 112 |
Christmas Carol |
ballet in four acts with singing, dancing and recitation |
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 112/AL
|
Autograph libretto |
|
| 112/D1
|
Draft |
|
| 112/D2
|
Draft |
|
| 112/L1
|
Libretto |
|
| 112/L2
|
Libretto |
|
|
| 114 |
Lullabies |
|
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 024a–d/D
|
Draft |
|
|
| 115 |
Three Songs |
|
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 024a–d/D
|
Draft |
|
|
| 116 |
Puppets II |
five pieces for piano |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 116/A1
|
Autograph |
|
| 116/A2
|
Autograph |
|
| 116/A3
|
Autograph |
|
| 116/PSA
|
Printed score |
|
| M 012a–c/D
|
Draft |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 117 |
String Quartet No. 1 |
|
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 117/A1
|
Autograph |
|
| 117/A2
|
Autograph |
|
| 117/AP
|
Autograph parts |
|
|
| 118 |
Czech Rhapsody |
for orchestra, baritone, mixed choir and organ |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 118/A
|
Autograph score |
|
| 118/D
|
Draft |
|
|
| 119 |
Magic Nights [auth.] |
three songs for soprano and orchestra |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 119/A1
|
Autograph score |
|
| 119/A2
|
Autograph score |
|
| 119/D
|
Draft |
|
| M 011a–e/Varia
|
Varia |
|
| M 024a–d/D
|
Draft |
|
|
| 120 |
Sonata in C Major for Violin and Piano |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 120/A
|
Autograph score |
|
| 120/D
|
Draft |
|
|
| 122bis |
The Little Lullaby [auth.] |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 122bis/A
|
Autograph |
|
|
| 122 |
The Cat`s Procession in the Solstice Night |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 122/A
|
Autograph score |
|
|
| 123bis |
Foxtrot born “On the Corner” |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 123bis/ARR
|
Arrangement |
|
|
| 123 |
Little Dance Suite |
for large orchestra |
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 123/A
|
Autograph |
|
| 123/P
|
Parts in copyist’s hand |
|
| M 010a–c/D
|
Draft |
|
|
| 124 |
A Dream of the Past |
for large orchestra |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 124/A
|
Autograph |
|
|
| 124ter |
Windows into the Mist |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 124ter/AL1
|
Autograph libretto |
|
| 124ter/AL2
|
Autograph libretto |
|
| M 014a-b/D
|
Draft |
|
|
| 124bis |
Andante |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 124bis/APR
|
Autograph piano reduction |
|
|
| 125bis |
The Ceremonial March of "Kytara" |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 125bis/RA
|
Mechanical copy |
|
|
| 126 |
Slovak Songs |
30 songs in two sets |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 126/A
|
Autograph |
|
|
| 127 |
Butterflies and Birds of Paradise |
three pieces for piano |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127/A
|
Autograph |
|
|
| 127bis |
One-step [auth.] |
for piano |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127bis/RA
|
Mechanical copy |
|
|
| 127ter |
The Spring |
small piano piece |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127ter/A
|
Autograph |
|
|
| 128 |
Evening at the Shore |
three little piano pieces |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 128/A
|
Autograph |
|
|
| 129 |
Three Songs for the Cabaret "Red Seven" |
|
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 129/CS
|
Copy of the score |
|
|
| 129bis |
Victory March |
of the R.U.R. Sports Club in Polička |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 129bis/A
|
Autograph score |
|
|
| 130 |
Istar [auth.] |
ballet in 3 acts |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 130/A
|
Autograph score |
|
| 130/AL
|
Autograph libretto |
|
| 130/APR
|
Autograph piano reduction |
|
| 130/CS
|
Copy of the score |
|
| 130/D
|
Draft |
|
| 130/L
|
Libretto |
|
| 130/P
|
Parts in copyist’s hand |
|
| 130/PR1–4
|
Klavírní výtah |
|
| 130/PSYA
|
Synopsis |
|
|
| 130 C |
Istar: The Dance of the Priestesses |
addition to the first act |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 130C/A
|
Autograph score |
|
|
| 131 |
Vanishing Midnight |
cycle of symphonic poems for large orchestra |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 131/A
|
Autograph |
|
| 131/D
|
Sketch |
|
| 131/P
|
Parts in copyist’s hand |
|
| M 011a–e/Varia
|
Varia |
|
|
| 133 |
Who is the Most Powerful in the World |
ballet comedy in 1 act |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 133/CS
|
Copy of the score |
|
| 133/L1–L3
|
Libretto |
|
| 133/L4
|
Libretto |
|
| 133/PR
|
Klavírní výtah |
|
|
| 134 |
Folk Dances and Customs of the Slovácko Region |
music for the documentary film |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 134/CS
|
Copy of the score |
|
|
| 135 |
The Months |
three songs with piano |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135/A1
|
Autograph score |
|
| 135/A2, CSA
|
Autograph score |
|
| 135/TS
|
Textual source |
|
|
| 135bis |
Two Songs on Russian Poetry |
|
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135bis/A1
|
Autograph |
|
| 135bis/A2
|
Autograph |
|
| M 010a–c/D
|
Draft |
|
|
| 136 |
String Trio No. 1 |
for violin, viola and violoncello |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 136/A
|
Autograph |
|
| 136/AP
|
Autograph parts |
|
|
| 137 |
Puppets I |
five pieces for piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 137/A
|
Autograph score |
|
| 137/ARR
|
Arrangement |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 138bis |
Scherzo [auth.] |
for piano |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 138bis/A
|
Arrangement |
|
|
| 139 |
Quartet for Clarinet, French Horn, Violoncello and Snare Drum |
in C major |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 139/A
|
Autograph score |
|
|
| 140 |
Prelude [auth.] |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 140/A
|
Autograph |
|
|
| 141 |
Piano piece (without title) |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 141/A
|
Autograph |
|
|
| 142 |
Half-time |
rondo for large orchestra |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 142/ARR
|
Arrangement |
|
| 142/CS
|
Copy of the score |
|
|
| 143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 143/A
|
Autograph score |
|
| 143/CS
|
Score in copyist's hand |
|
|
| 144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 144/A
|
Autograph |
|
| 144/D
|
Draft |
|
| 144/P
|
Parts in copyist’s hand |
|
| 144/P(Pf)
|
Part in copyist's hand |
|
|
| 146bis |
Three Lullabies |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 146bis/A
|
Autograph score |
|
|
| 148 |
Film en Miniature |
cycle of piano pieces |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 148/A
|
Autograph score |
|
| 148/CSA
|
Score in copyist's hand |
|
|
| 149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 149/ASP
|
Autograph solo part |
|
| 149/CS
|
Copy of the score |
|
| 149/PR
|
Klavírní výtah |
|
| 149/RCS
|
Mechanical copy |
|
|
| 150 |
String Quartet No. 2 |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 150/A1
|
Autograph score |
|
| 150/A2
|
Autograph score |
|
| 150/AP (Vl I)
|
Autograph part |
|
| 150/PSA1
|
Printed score |
|
| 150/PSA2
|
Printed score |
|
|
| 151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 151/A
|
Autograph score |
|
| 151/APR
|
Autograph piano reduction |
|
| 151/ASY
|
Autograph synopsis |
|
| 151/CS
|
Copy of the score |
|
| 151/D
|
Draft |
|
| 151/PR
|
Klavírní výtah |
|
|
| 152 |
Sonata in D Minor for Violin and Piano |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 152/A
|
Autograph |
|
|
| 153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153A/CS
|
Score in foreign hand |
|
|
| 153 |
The Butterfly that Stamped [auth.] |
ballet in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153/A1
|
Autograph score |
|
| 153/A2
|
Autograph score |
|
| 153/APR
|
Autograph piano reduction |
|
|
| 154 |
Three Czech Dances |
for piano |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 154/A1
|
Autograph |
|
| 154/A2-1
|
Autograph |
|
| 154/A2-2
|
Autograph |
|
| 154/A3
|
Autograph |
|
| 154/PSA
|
Arrangement |
|
|
| 155 |
La Bagarre (The Tumult) |
Allegro for large orchestra |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 155/A1
|
Autograph |
|
| 155/A2
|
Autograph |
|
| 155/CS
|
Copy of the score |
|
| 155/PS
|
Printed score |
|
|
| 157bis |
The Hands |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 157bis/P
|
Parts in copyist’s hand |
|
|
| 157 |
Duo for Violin and Violoncello No. 1 |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 157/A
|
Autograph score |
|
| 157/CSA
|
Copy of the score |
|
| 157/PSA1
|
Printed score |
|
| 157/PSA2
|
Printed score |
|
|
| 159 |
The Amazing Flight |
a mechanical ballet |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 159/A
|
Autograph score |
|
| 159/AL
|
Autograph libretto |
|
|
| 160 |
Three Sketches |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 160/A
|
Autograph |
|
|
| 161 |
The Kitchen Revue |
jazz ballet in one act |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 161/A
|
Autograph |
|
| 161/L1
|
Libretto |
|
| 161/L2
|
Libretto |
|
| 161/LA
|
Libretto |
|
|
| 161 A |
The Kitchen Revue |
jazz-suite from the ballet |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 161A/A
|
Autograph score |
|
|
| 161 B |
The Kitchen Revue |
for piano |
|
| Call number at the BM Institute |
Type |
Digital copy |
| 161B/A
|
Autograph |
|
|
| 162 |
The Soldier and the Dancer |
comic opera in 3 acts |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 162/A
|
Autograph score |
|
| 162/D1
|
Draft |
|
| 162/L
|
Libretto |
|
| 162/LA1
|
Libretto |
|
| 162/LA2
|
Libretto |
|
| 162/P
|
Parts in copyist’s hand |
|
| 162/PR1
|
Klavírní výtah |
|
| 162/PR2
|
Klavírní výtah |
|
| M 014a-b/D
|
Draft |
|
|
| 163 |
On Tourne! |
ballet in 1 act |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 163/A
|
Autograph score |
|
| 163/AL
|
Autograph libretto |
|
| 163/APR, Aa
|
Autograph piano reduction |
|
|
| 164 |
String Quintet for Two Violins, Two Violas and Violoncello |
for Two Violins, Two Violas and Violoncello |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 164/A1
|
Autograph |
|
| 164/A2
|
Autograph |
|
| 164/D
|
Draft |
|
| 164/PSA
|
Printed score |
|
| 164/R(A1)A
|
Reproduction of the autograph score |
|
|
| 165 |
Black Bottom |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 165/A
|
Autograph |
|
|
| 166 |
Impromptu |
three compositions for violin and piano |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 166/A
|
Autograph score |
|
|
| 167 |
Christmas |
three pieces for piano |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 167/A
|
Autograph |
|
| 167/PSA
|
Printed score |
|
|
| 168 |
Le Jazz |
|
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 168/A
|
Autograph score |
|
|
| 169 |
Tears of the Knife |
opera in one act |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 169/A
|
Autograph score |
|
| 169/APR
|
Autograph piano reduction |
|
| 169/ASY
|
Synopsis |
|
| 169/L1
|
Libretto |
|
| 169/L2
|
Libretto |
|
| 169/SY
|
Synopsis |
|
|
| 170 |
Four Movements |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 170/A
|
Autograph |
|
|
| 171 |
Rhapsody |
for large orchestra |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 171/A1
|
Autograph score |
|
| 171/A2
|
Autograph score |
|
| 171/P
|
Parts in copyist’s hand |
|
|
| 172 |
Jazz Suite |
for small orchestra |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 172/A
|
Autograph |
|
| 172/D
|
Sketch |
|
|
| 173 |
Divertimento (Concertino) |
for piano left hand and orchestra in G |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 173/A
|
Autograph |
|
| 173/PR
|
Klavírní výtah |
|
|
| 173bis |
Par T.S.F. |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 173bis/A
|
Autograph |
|
|
| 174 |
Sextet |
for wind instruments and piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 174/A
|
Autograph score |
|
|
| 175 |
Three Wishes or Life’s Vicissitudes |
Film-opera in 3 acts |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 175/A
|
Autograph |
|
| 175/APR
|
Autograph piano reduction |
|
| 175/ARR
|
Arrangement |
|
| 175/ASY1
|
Synopsis |
|
| 175/ASY2
|
Synopsis |
|
| 175/D
|
Draft |
|
| 175/L1
|
Libretto |
|
| 175/L2
|
Libretto |
|
| 175/L3
|
Libretto |
|
| 175/LA
|
Libretto |
|
| 175/P
|
Parts in copyist’s hand |
|
| 175/R
|
Reproduction of the autograph score |
|
| 175/SY1
|
Synopsis |
|
| 175/SY2
|
Synopsis |
|
| 175/SY3
|
Synopsis |
|
| 175/SY4
|
Synopsis |
|
| 175/SYA1
|
Synopsis |
|
| 175/SYA2
|
Synopsis |
|
| 175/SYA3
|
Synopsis |
|
|
| 177 |
The Dance |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 177/A
|
Autograph |
|
|
| 178 |
Prelude |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 178/A
|
Autograph |
|
|
| 180 |
Fantasia |
for two pianos |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 180/A
|
Autograph score |
|
| 180/CS
|
Manuscript in foreign hand |
|
|
| 181 |
Eight Preludes |
for piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 181/A
|
Autograph |
|
| 181/ARR(P,PR)
|
Arrangement |
|
| 181/PS
|
Printed score |
|
|
| 181bis |
Tango and Allegretto |
for piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 181bis/A
|
Autograph |
|
|
| 182 |
Sonata for Violin and Piano No. 1 |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 182/A
|
Autograph |
|
| 182/ASP
|
Autograph solo part |
|
| 182/D
|
Draft |
|
| 182/PS
|
Printed score |
|
| 182/PSA
|
Printed score |
|
|
| 183 |
String Quartet No. 3 |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 183/A
|
Autograph score |
|
| 183/PSA
|
Printed score |
|
|
| 184bis |
Three Christmas Songs |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 184bis/A
|
Autograph score |
|
|
| 184 |
Five Short Pieces |
for violin and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 184/A
|
Autograph |
|
| 184/ASP
|
Autograph solo part |
|
| 184/D
|
Draft |
|
| 184/PSA
|
Printed score |
|
|
| 185 |
With One Finger |
piano piece for three hands |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 185/A
|
Autograph |
|
|
| 186bis |
Romance |
for violin and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 186bis/A
|
Autograph |
|
|
| 186 |
Check to the King |
jazz-ballet in 1 act |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 186/APR
|
Autograph piano reduction |
|
| 186/L
|
Libretto |
|
| 186/R
|
Reproduction of the autograph score |
|
|
| 188 |
Vocalise |
étude for middle voice and piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 188/A
|
Autograph |
|
|
| 189 |
Nocturnes |
four études for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 189/A
|
Autograph |
|
|
| 190 |
Pastorals |
six pieces for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 190/A
|
Autograph |
|
| 190/D
|
Draft |
|
|
| 191 |
Easy Etudes for Two Violins |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 191/A
|
Autograph |
|
| 191/D
|
Draft |
|
|
| 192 |
Miniature Suite |
seven easy pieces for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 192/A
|
Autograph score |
|
|
| 193 |
Piano Trio No. 1 (Five short pieces) |
for violin, violoncello and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 193/A
|
Autograph score |
|
| 193/AP
|
Autograph parts |
|
| 193/PS, PP
|
Printed score |
|
|
| 194 |
The Day of Charity / The Day of Good Deeds |
Opera in 3 acts |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 194/A
|
Autograph |
|
| 194/APR
|
Autograph piano reduction |
|
| 194/L
|
Libretto |
|
|
| 195 A |
Borová (Czech Dance No. 1) |
for small orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 195A/CS
|
Score in foreign hand |
|
|
| 195 |
Borová |
seven Czech dances |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 195/A
|
Autograph score |
|
| 195/PS
|
Printed score |
|
| 195/PSA
|
Printed score |
|
|
| 196 I |
Concerto for Violoncello and Orchestra No. 1, 1st version |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 I/A
|
Autograph |
|
| 196 I/APR
|
Autograph piano reduction |
|
| 196 I/ASP1
|
Autograph solo part |
|
| 196 I/ASP2
|
Autograph solo part |
|
| 196 I/D
|
Draft |
|
| 196 I/PPR
|
Printed piano reduction |
|
| 196 I/PSP1
|
Printed solo part |
|
| 196 I/PSP2
|
Printed solo part |
|
|
| 196 II |
Concerto for Violoncello and Orchestra No. 1, 2nd version |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 II/A
|
Autograph |
|
| 196 II/P
|
Parts in copyist’s hand |
|
| 196 II/PPR
|
Printed piano reduction |
|
|
| 196 III |
Concerto for Violoncello and Orchestra No. 1, 3rd version |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 III/A
|
Autograph score |
|
| 196 III/PFPR, PFSP
|
Mechanical copy |
|
| 196 III/PPRA, PSPA
|
Printed piano reduction |
|
| 196 III/PR
|
Klavírní výtah |
|
| 196 III/R([R])
|
Mechanical copy |
|
| 196 III/RA
|
Reproduction of the autograph score |
|
|
| 197 |
Three Songs after Poems by Guillaume Apollinaire |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 197/A
|
Autograph |
|
| 197/TS
|
Textual source |
|
|
| 198 |
Sonatina for Two Violins and Piano |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 198/A
|
Autograph |
|
|
| 199 |
Serenade |
for chamber orchestra |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 199/A
|
Autograph score |
|
|
| 200 |
Les Rondes |
Suite of dances for oboe, clarinet, bassoon, trumpet, piano and two violins |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 200/A
|
Autograph score |
|
| 200/AP
|
Autograph parts |
|
|
| 202 |
Rhythmic Etudes |
for violin and piano |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 202/A
|
Autograph |
|
|
| 203 |
Sketches |
first series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 203/A
|
Autograph |
|
|
| 205 |
Four Pieces without a Title |
Games, first series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 205/A
|
Autograph |
|
|
| 206 |
Games |
six easy pieces for piano, second series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 206/A
|
Autograph |
|
|
| 207 |
String Quartet with Orchestra |
|
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 207/A
|
Autograph score |
|
| 207/PP
|
Printed parts |
|
| 207/PS
|
Printed score |
|
| 207/PSP1
|
Printed solo parts |
|
| 207/PSP2
|
Printed parts |
|
| 207/SP
|
Manuscript in foreign hand |
|
|
| 208 |
Sonata for Violin and Piano No. 2 |
|
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 208/PSA
|
Printed score |
|
|
| 209 |
Czech Nursery Rhymes |
six female choruses |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 209/CHS1
|
Choral score |
|
| 209/CHS2
|
Mechanical copy |
|
|
| 212 |
Partita (Suite No. 1) |
for string orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 212/A
|
Autograph score |
|
| 212/PR
|
Klavírní výtah |
|
|
| 213 |
Sonata for Two Violins and Piano |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 213/PS
|
Printed score |
|
|
| 213bis |
Two Songs |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 213bis/R
|
Mechanical copy |
|
|
| 214 I |
The Chap-Book, 1st version |
ballet with singing in 3 acts |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 I/A1
|
Autograph score |
|
| 214 I/A2
|
Autograph score |
|
| 214 I/A3
|
Autograph score |
|
| 214 I/A4
|
Autograph score |
|
| 214 I/APR1
|
Autograph piano reduction |
|
| 214 I/APR2
|
Autograph piano reduction |
|
| 214 I/APR3
|
Autograph piano reduction |
|
| 214 I/APR4
|
Autograph piano reduction |
|
| 214 I/ASY
|
Synopsis |
|
| 214 I/CHS1
|
Choral score |
|
| 214 I/CHS2
|
Choral score |
|
| 214 I/P1
|
Parts in copyist’s hand |
|
| 214 I/P2
|
Parts in copyist’s hand |
|
| 214 I/PR1
|
Klavírní výtah |
|
| 214 I/PR2
|
Klavírní výtah |
|
| 214 I/PR3
|
Klavírní výtah |
|
|
| 214 II |
The Chap-Book, 2nd version |
ballet with singing in 3 acts |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 II/A
|
Autograph score |
|
| 214 II/ASY
|
Synopsis |
|
| 214 II/CS
|
Score in foreign hand |
|
| 214 II/PR1
|
Klavírní výtah |
|
| 214 II/PR2
|
Klavírní výtah |
|
| 214 II/PR3
|
Klavírní výtah |
|
|
| 214 I A |
The Spectre´s Bride |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 I/A4
|
Autograph score |
|
| 214 I/ASY
|
Synopsis |
|
| 214 I/CHS1
|
Choral score |
|
| 214 I/CHS2
|
Choral score |
|
| 214 I/P1
|
Parts in copyist’s hand |
|
| 214 I/P2
|
Parts in copyist’s hand |
|
| 214 I/PR1
|
Klavírní výtah |
|
| 214 I/PR2
|
Klavírní výtah |
|
| 214 I/PR3
|
Klavírní výtah |
|
|
| 215 |
Divertimento (Serenade No. 4) |
for chamber orchestra |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 215/A
|
Autograph |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 216 |
Serenade No. 2 |
for two violins and viola |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 216/A
|
Autograph |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 217 |
Serenade No. 1 |
for clarinet, french horn, three violins and viola |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 217/A
|
Autograph score |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 218 |
Serenade No. 3 |
for oboe, clarinet, four violins and violoncello |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 218/A
|
Autograph score |
|
| 218/PR
|
Klavírní výtah |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 219 |
Sinfonia Concertante |
for two orchestras |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 219/A
|
Autograph score |
|
| M 016a-b/D
|
Draft |
|
|
| 220 |
Dance Sketches |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 220/A
|
Autograph |
|
| 220/PSA
|
Printed score |
|
|
| 221 |
To Božánek and Sonička |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 221/A
|
Autograph |
|
|
| 222 |
Note into a Scrapbook |
(No. 1) |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 222/A
|
Autograph |
|
|
| 224 |
String Sextet |
for two violins, two violas and two violoncellos |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 224/A
|
Autograph |
|
| 224/AP
|
Autograph parts |
|
| 224/P
|
Parts in copyist’s hand |
|
| 224/RA
|
Reproduction of the autograph score |
|
| M 016a-b/D
|
Draft |
|
|
| 224 A |
String Sextet |
arrangement for string orchestra |
|
| Call number at the BM Institute |
Type |
Digital copy |
| 224/AP
|
Autograph parts |
|
| 224/RA
|
Reproduction of the autograph score |
|
|
| 225 |
Four children`s songs and rhymes |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 225/A
|
Autograph |
|
|
| 226 |
Concerto for Violin and Orchestra No. 1 |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 226/A1
|
Autograph |
|
| 226/A2
|
Autograph |
|
| 226/D1
|
Sketch |
|
| 226/D2
|
Sketch |
|
| 226/P
|
Parts in copyist’s hand |
|
| 226/SP
|
Solo part in copyist’s hand |
|
|
| 227 |
Ritornellos |
six piano pieces |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 227/A
|
Autograph |
|
| 227/PS
|
Printed score |
|
| 227/PSA
|
Printed score |
|
|
| 228 |
Two Ballads to Folk Poetry Lyrics |
for alto and piano |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 228/A
|
Autograph |
|
|
| 229 |
Piano Quintet No. 1 |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 229/A
|
Autograph |
|
|
| 230 |
Easter Song |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 230/R
|
Reproduction of the autograph score |
|
|
| 231 |
Concerto for Piano Trio and String Orchestra |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 231/R
|
Reproduction of the autograph score |
|
|
| 232 |
Concertino for Piano Trio and String Orchestra |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 232/A
|
Autograph score |
|
|
| 232bis |
Two Songs to the Texts of Negro Folk-Poetry |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 232bis/CS
|
Score in foreign hand |
|
|
| 233 |
Marijka the Unfaithful |
music for the film |
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 233/D
|
Draft |
|
|
| 234 |
Inventions [auth.] |
for large orchestra |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 234/A
|
Autograph score |
|
|
| 235 |
Four Songs About Mary |
for mixed chorus |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 235/A
|
Autograph |
|
| 235/D
|
Draft |
|
|
| 236/2 I |
Mariken of Nimègue |
first version of the 2nd act from the Miracles of Mary |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 236/2_I/A
|
Autograph score |
|
| 236/2_I/APR
|
Autograph piano reduction |
|
| 236/2_I/ASY
|
Synopsis |
|
| 236/2_I/L
|
Libretto |
|
| 236/2_I/SY
|
Synopsis |
|
| 236/2_I/TS1
|
Textual source |
|
| 236/2_I/TS2
|
Textual source |
|
| 236/2_I/TSA
|
Textual source |
|
|
| 236 |
The Plays of Mary |
|
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 236/A1
|
Autograph |
|
| 236/A2
|
Autograph |
|
| 236/APR1
|
Autograph piano reduction |
|
| 236/APR2
|
Autograph piano reduction |
|
| 236/CS
|
Copy of the score |
|
| 236/D1
|
Draft |
|
| 236/D2
|
Draft |
|
| 236/DLA
|
Textual source |
|
| 236/L
|
Libretto |
|
| 236/PR1
|
Klavírní výtah |
|
| 236/PR2
|
Klavírní výtah |
|
| 236/SY
|
Synopsis |
|
| R(PR3)
|
Reproduction of the piano reduction |
|
|
| 237 |
Concerto for Piano and Orchestra No. 2 |
|
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 237/A1
|
Autograph |
|
| 237/A2
|
Autograph |
|
| 237/APR1
|
Autograph piano reduction |
|
| 237/ASP
|
Autograph solo part |
|
| 237/D, APR2
|
Draft |
|
| 237/PA, R(PA)
|
Parts in copyist’s hand |
|
|
| 238 |
String Trio No. 2 |
for violin, viola and violoncello |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 238/A
|
Autograph |
|
| 238/CS
|
Score in foreign hand |
|
|
| 239 |
Lady's Shoe |
music for a documentary and promotional film |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 239/A
|
Autograph |
|
|
| 240 |
City of the Water of Life: Mariánské Lázně |
music for the documentary film |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 240/A
|
Autograph |
|
|
| 240 A |
Interlude |
from the film City of the Water of Life: Mariánské Lázně |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 240 A/A
|
Autograph |
|
|
| 242 |
Composition for Little Evas |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 242/A
|
Autograph |
|
|
| 243 |
The Voice of the Forest |
radio-opera in 1 act |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 243/A1
|
Autograph score |
|
| 243/A2
|
Autograph |
|
| 243/L
|
Libretto |
|
|
| 244 |
Two Pieces |
for harpsichord |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 244/A
|
Autograph |
|
|
| 246 |
Concerto for Harpsichord and Small Orchestra |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 246/PR
|
Klavírní výtah |
|
| 246/RA
|
Reproduction of the autograph score |
|
| 246/SPA
|
Solo part in copyist’s hand |
|
|
| 247 |
Comedy on the Bridge |
radio-opera in 1 act |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 247/A
|
Autograph score |
|
| 247/CS1
|
Copy of the score |
|
| 247/CS2
|
Copy of the score |
|
| 247/CS3, P
|
Performance material |
|
| 247/D
|
Sketch |
|
| 247/L
|
Libretto |
|
| 247/LC
|
List of corrections |
|
| 247/PR1, PR2
|
Klavírní výtah |
|
| 247/R(PR3), RALC, LC
|
Reproduction of the piano reduction |
|
|
| 247 A |
Little Suite |
from the Opera "Comedy on the Bridge" |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 247 A/ARR
|
Arrangement |
|
| 247 A/RAP
|
Reproduction of handwritten parts |
|
|
| 248 |
Oidipus |
stage music to the play by André Gide |
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 248/A
|
Autograph |
|
| 248/TS1
|
Textual source |
|
| 248/TS2
|
Textual source |
|
|
| 250 |
Dumka (No. 2) |
|
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 250/ARR
|
Arrangement |
|
|
| 251 |
Theatre Behind the Gate |
opera-ballet in 3 acts |
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 251/A
|
Autograph score |
|
| 251/APR
|
Autograph piano reduction |
|
|
| 252 |
Concerto for Flute, Violin and Orchestra |
|
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 252/A
|
Autograph |
|
| 252/CS
|
Copy of the score |
|
|
| 253 |
Juliette (The Key to Dreams) |
lyric opera in 3 acts |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 253/A
|
Autograph score |
|
| 253/APR
|
Autograph piano reduction |
|
| 253/D
|
Draft |
|
| 253/L1
|
Libretto |
|
| 253/L2
|
Libretto |
|
| 253/PF
|
Proof of score |
|
| 253/PPR1
|
Printed piano part |
|
| 253/PPR2
|
Printed piano reduction |
|
| 253/PRA
|
Klavírní výtah |
|
| 253/TS
|
Textual source |
|
| 253/TSA
|
Textual source |
|
|
| 253 A |
Three Fragments from the Opera Juliette |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 253 A/A1
|
Autograph |
|
| 253 A/A2
|
Autograph |
|
| 253 A/APR
|
Autograph piano reduction |
|
| 253 A/ASP
|
Autograph solo part |
|
|
| 254 |
Sonata for Flute, Violin and Piano |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 254/A
|
Autograph score |
|
| M 017a-b/D
|
Draft |
|
|
| 255 |
Alexander Bis |
opera buffa in 1 act |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 255/A
|
Autograph score |
|
| 255/Aa
|
Autograph score |
|
| 255/APR
|
Autograph piano reduction |
|
| 255/D
|
Draft |
|
| 255/L
|
Libretto |
|
|
| 256 |
String Quartet No. 4 |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 256/A
|
Autograph |
|
| 256/D1
|
Draft |
|
| 256/R
|
Reproduction of the autograph score |
|
| M 017a-b/D
|
Draft |
|
|
| 257 |
Crotchets and Quavers |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 257/CS
|
Copy of the score |
|
|
| 258 |
The Hounted Train |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 258/A
|
Autograph |
|
|
| 260 |
Bouquet of Flowers |
a cycle of compositions to folk texts for mixed chorus (children`s chorus), soli and small orchestra |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 260/A
|
Autograph score |
|
| 260/CS
|
Copy of the score |
|
|
| 261 |
Intermezzo |
four pieces for violin and piano |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 261/A
|
Autograph score |
|
|
| 262 |
Sonatine for Violin and Piano |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 262/A
|
Autograph score |
|
|
| 263 |
Concerto Grosso |
for chamber orchestra |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 263/PS
|
Printed score |
|
| 263/R
|
Reproduction of the autograph score |
|
|
| 264 |
Duo Concertant |
for Two Violins and Orchestra |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 264/A
|
Autograph score |
|
| 264/APR
|
Autograph piano reduction |
|
|
| 266 |
Four Madrigals |
for oboe, clarinet and bassoon |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 266/A
|
Autograph score |
|
|
| 267 |
Tre Ricercari |
for chamber orchestra |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 267/A
|
Autograph score |
|
| 267/CS
|
Copy of the score |
|
| 267/D
|
Draft |
|
| 267/PS
|
Printed score |
|
| 267/PSA
|
Printed score |
|
|
| 268 |
String Quartet No. 5 |
|
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 268/A
|
Autograph score |
|
| 268/Aa
|
Autograph |
|
| 268/D1
|
Draft |
|
| 268/D2
|
Draft |
|
| 268/PA
|
Part in copyist's hand |
|
|
| 269 |
Concertino for Piano and Orchestra |
|
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 269/A
|
Autograph score |
|
|
| 270 |
Windows to the Garden |
cycle of piano pieces |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 270/A
|
Autograph |
|
| 270/R
|
Reproduction of the autograph score |
|
|
| 271 |
Double Concerto |
for two string orchestras, piano and timpani |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 271/P1
|
Parts in copyist’s hand |
|
| 271/P2
|
Parts in copyist’s hand |
|
|
| 273 |
I Know a Grove |
To Vitulka's Mother For Birthday |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 273/A
|
Autograph |
|
|
| 274 |
Promenades |
for Flute, Violin and Harpsichord |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 274/A
|
Autograph |
|
| 274/AP
|
Autograph parts |
|
|
| 275 |
Bergerettes |
for Violin, Violoncello and Piano |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 275/R
|
Reproduction of the autograph score |
|
|
| 276 II |
Suite Concertante for Violin and Orchestra [auth.] |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 276 II/D
|
Draft |
|
| 276 II/PRA
|
Klavírní výtah |
|
| 276 II/R
|
Reproduction of the autograph score |
|
|
| 276 I |
Suite Concertante for Violin and Orchestra |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 276 I/A
|
Autograph |
|
| 276 I/D
|
Draft |
|
|
| 277 |
Sonata for Violoncello and Piano No. 1 |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 277/A
|
Autograph |
|
| 277/D
|
Draft |
|
|
| 277bis |
Czech Riddles |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 277bis/A
|
Autograph |
|
|
| 278 |
Czech Madrigals |
eight madrigals for mixed voices |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 278/A
|
Autograph |
|
| 278/CS
|
Manuscript in foreign hand |
|
| M 018a-d/D
|
Draft |
|
|
| 279 |
Field Mass |
cantata for baritone, male chorus and orchestra |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 279/A1
|
Autograph score |
|
| 279/A1a
|
Autograph score |
|
| 279/A2a
|
Autograph |
|
| 279/ASP
|
Autograph |
|
| 279/CS
|
Copy of the score |
|
| 279/D1
|
Draft |
|
| 279/D2
|
Draft |
|
| 279/CHS1
|
Choral score |
|
| 279/CHS2
|
Choral score |
|
| 279/L2
|
Libretto |
|
| 279/L3
|
Libretto |
|
| 279/P
|
Parts in copyist’s hand |
|
| 279/PS, PPR, PCHS, PP
|
Performance material |
|
| 279/PSA
|
Printed score |
|
|
| 279bis |
Wishes to Mamma |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 279bis/A
|
Autograph |
|
|
| 281 |
Fantasy and Toccata |
for piano |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 281/A1
|
Autograph score |
|
| 281/R(A1)
|
Reproduction of the autograph score |
|
| 281/R(A2)1
|
Reproduction of the autograph score |
|
| 281/R(A2)2
|
Reproduction of the autograph score |
|
|
| 282 |
Sinfonietta Giocosa |
for piano and small orchestra |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 282/APR
|
Autograph piano reduction |
|
| 282/P
|
Parts in copyist’s hand |
|
| 282/PR
|
Klavírní výtah |
|
| 282/R1
|
Reproduction of the autograph score |
|
| 282/R2
|
Reproduction of the autograph score |
|
| 282/RPR
|
Reproduction of the piano reduction |
|
| M 018a-b/D
|
Draft |
|
|
| 282bis |
Four Songs on Czech Folk Poetry |
for voice and piano |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 282bis/A
|
Autograph |
|
|
| 283 |
Sonata da Camera |
for violoncello and small orchestra |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 283/A
|
Autograph score |
|
| M 018a-b/D
|
Draft |
|
|
| 283bis |
Rhymes and Songs on Lyrics of Czech Folk Poetry |
|
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 283bis/A
|
Autograph |
|
|
| 284 |
Mazurka |
for piano |
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 284/RPS
|
Reproduction of the printed score |
|
|
| 285 |
Concerto da Camera |
for Violin and String Orchestra with Piano and Percussion |
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 285/A1
|
Autograph score |
|
| 285/APR
|
Autograph piano reduction |
|
| 285/D
|
Draft |
|
| 285/DPSP1
|
Draft |
|
| 285/PFA
|
Proof of score |
|
| 285/PFP
|
Proofs of parts |
|
| 285/PFSP1
|
Proofs of piano reduction |
|
| 285/PP(Pf)
|
Printed piano part |
|
| 285/PS
|
Printed score |
|
| 285/R(A2)1
|
Reproduction of the autograph score |
|
| 285/R(A2)A
|
Reproduction of the autograph score |
|
| 285/R(SP2)A
|
Reproduction of the solo part |
|
| 285/SP1
|
Solo part in copyist’s hand |
|
| 285/SP4, RSP4
|
Solo part in copyist’s hand |
|
|
| 285bis |
Dumka No. 3 |
|
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 285bis/A
|
Autograph |
|
|
| 286bis |
A Merry Christmas 1941 |
|
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 286bis/A
|
Autograph |
|
|
| 286ter |
Birthday 1942 |
|
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 286ter/A
|
Autograph |
|
|
| 287 |
Piano Quartet |
|
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 287/R
|
Reproduction of the autograph score |
|
| 287/RAP
|
Reproduction of autograph parts |
|
|
| 288 |
New Chap-Book |
cycle of songs on Moravian folk poetry |
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 288/A
|
Autograph score |
|
| 288/ARR
|
Arrangement |
|
| 288/CS
|
Copy of the score |
|
| 288/R1
|
Reproduction of the autograph score |
|
| 288/R2
|
Reproduction of the autograph score |
|
| M 020/D
|
Draft |
|
|
| 289 |
Symphony No. 1 [auth.] |
|
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 289/A
|
Autograph score |
|
| 289/D
|
Draft |
|
| 289/R1
|
Reproduction of the autograph score |
|
| 289/R2
|
Reproduction of the autograph score |
|
|
| 290 |
Variations on a Theme of Rossini |
for violoncello and piano |
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 290/CS
|
Copy of the score |
|
| 290/D1
|
Draft |
|
| 290/R
|
Reproduction of the autograph score |
|
| 290/SP
|
Solo part in copyist’s hand |
|
| M 018a-d/D
|
Draft |
|
|
| 291 |
Madrigal-Sonata |
for flute, violin and piano |
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 291/D
|
Draft |
|
|
| 292 |
Concerto for Two Pianos and Orchestra |
|
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 292/D
|
Draft |
|
| 292/R
|
Reproduction of the autograph score |
|
|
| 293 |
Concerto for Violin and Orchestra No. 2 |
|
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 293/A
|
Autograph score |
|
| 293/APR
|
Autograph piano reduction |
|
| 293/ASP
|
Autograph solo part |
|
| 293/D
|
Draft |
|
| 293/P
|
Parts in copyist’s hand |
|
| 293/PFSP
|
Proof of solo part |
|
| 293/PR
|
Klavírní výtah |
|
| 293/R
|
Reproduction of the autograph score |
|
| 293/R(APR)
|
Reproduction of the autograph piano reduction |
|
| 293/R(ASP)1
|
Reproduction of the autograph solo part |
|
| 293/R(ASP)2
|
Reproduction of the autograph solo part |
|
| M 020/D
|
Draft |
|
|
| 294 |
Songs on One Page |
cycle of songs on Moravian folk poetry for voice and piano |
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 294/A
|
Autograph |
|
| 294/ARR1
|
Arrangement |
|
| 294/ARR2
|
Arrangement |
|
| 294/CS
|
Copy of the score |
|
| 294/R1
|
Reproduction of the autograph score |
|
| 294/R2
|
Reproduction of the autograph score |
|
| M 018a-d/D
|
Draft |
|
|
| 295 |
Symphony No. 2 |
|
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 295/A
|
Autograph score |
|
| 295/D
|
Draft |
|
| 295/R1
|
Reproduction of the autograph score |
|
| 295/R2
|
Reproduction of the autograph score |
|
|
| 296 |
Memorial to Lidice [auth.] |
for symphony orchestra |
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 296/A
|
Autograph score |
|
| 296/ARR
|
Arrangement |
|
| 296/P
|
Parts in copyist’s hand |
|
| 296/RA
|
Reproduction of the autograph score |
|
|
| 297 |
Five Madrigal Stanzas |
for violin and piano |
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 297/R
|
Reproduction of the autograph score |
|
| 297/R(ASP)
|
Reproduction of the solo part |
|
|
| 298 |
Piano Quintet No. 2 |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 298/A
|
Autograph score |
|
|
| 299 |
Symphony No. 3 [auth.] |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 299/A
|
Autograph score |
|
| 299/PF
|
Proof of score |
|
| 299/R1
|
Reproduction of the autograph score |
|
| 299/R2
|
Reproduction of the autograph score |
|
| M 020/D
|
Draft |
|
|
| 300 |
Trio for Flute, Violoncello and Piano |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 300/A
|
Autograph score |
|
| 300/R
|
Reproduction of the autograph score |
|
|
| 301 |
Fantasia |
for theremin, oboe, piano and string quartet |
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 301/CS
|
Copy of the score |
|
| 301/R
|
Reproduction of the autograph score |
|
|
| 302 |
Songs on Two Pages |
cycle of songs on Moravian folk poetry for voice and piano |
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 302/A
|
Autograph score |
|
| 302/ARR1
|
Arrangement |
|
| 302/ARR2
|
Arrangement |
|
| 302/ARR3
|
Arrangement |
|
| 302/PSA
|
Printed score |
|
| 302/R
|
Reproduction of the autograph score |
|
| M 018a-d/D
|
Draft |
|
|
| 303 |
Sonata for Violin and Piano No. 3 |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 303/D
|
Draft |
|
| 303/R
|
Reproduction of the autograph score |
|
|
| 304 |
Concerto for violoncello and orchestra No. 2 |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 304/APR
|
Autograph piano reduction |
|
| 304/ASP
|
Autograph solo part |
|
| 304/R1
|
Reproduction of the autograph score |
|
| M 021/D
|
Draft |
|
|
| 304bis |
Berceuse |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 304bis/A
|
Autograph |
|
| M 021/D
|
Draft |
|
|
| 305 |
Symphony No. 4 [auth.] |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 305/A
|
Autograph score |
|
| 305/CS
|
Copy of the score |
|
| 305/D1
|
Draft |
|
| 305/D2
|
Draft |
|
| 305/D4
|
Draft |
|
| 305/P2
|
Parts in copyist’s hand |
|
| 305/R4
|
Reproduction of the autograph score |
|
| 305/RA1
|
Reproduction of the autograph score |
|
| 305/RA2
|
Reproduction of the autograph score |
|
| 305/RA3
|
Reproduction of the autograph score |
|
|
| 306 |
Sonata for Flute and Piano [auth.] |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 306/R(ASP)
|
Reproduction of the autograph solo part |
|
| 306/R(ASP)A
|
Reproduction of the solo part |
|
| 306/RA1
|
Reproduction of the autograph score |
|
| 306/RA2
|
Reproduction of the autograph score |
|
| 306/SP
|
Solo part in copyist’s hand |
|
|
| 307 |
Czech Rhapsody [auth.] |
for violin and piano |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 307/A
|
Autograph score |
|
| 307/ARR
|
Arrangement |
|
| 307/R
|
Reproduction of the autograph score |
|
|
| 308 |
Etudes and Polkas [auth.] |
sixteen piano pieces in three books |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 308/A
|
Autograph score |
|
| 308/ARR
|
Arrangement |
|
| 308/PS
|
Printed score |
|
|
| 309 |
Thunderbolt P-47 [auth.] |
scherzo for orchestra |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 309/A
|
Autograph score |
|
| 309/R
|
Reproduction of the autograph score |
|
|
| 310 |
Symphony No. 5 [auth.] |
|
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 310/R
|
Reproduction of the autograph score |
|
|
| 311 |
Toccata e due canzoni |
for small orchestra |
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 311/A
|
Autograph score |
|
| 311/PS
|
Printed score |
|
| 311/R1
|
Reproduction of the autograph score |
|
| 311/R2
|
Reproduction of the autograph score |
|
| 311/RP
|
Reproduction of handwritten parts |
|
|
| 312 |
String Quartet No. 6 |
|
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 312/A
|
Autograph score |
|
| 312/PA
|
Parts in copyist’s hand |
|
| 312/R(PA)
|
Reproduction of handwritten parts |
|
| 312/R(R2)
|
Reproduction of the autograph score |
|
| 312/R3
|
Reproduction of the autograph score |
|
|
| 313 |
Three Madrigals (Duo No. 1) |
for violin and viola [auth.] |
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 313/A
|
Autograph score |
|
| 313/R
|
Reproduction of the autograph score |
|
|
| 314 |
String Quartet No. 7 (Concerto da camera) |
|
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 314/A
|
Autograph score |
|
| 314/PA
|
Parts in copyist’s hand |
|
| 314/R1
|
Reproduction of the autograph score |
|
| 314/RA
|
Reproduction of the autograph score |
|
|
| 315 |
Quartet for Oboe, Violin, Violoncello and Piano |
|
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 315/A
|
Autograph score |
|
| 315/AP
|
Autograph parts |
|
| 315/D
|
Draft |
|
| 315/R
|
Reproduction of the autograph score |
|
|
| 316 |
Concerto for Piano and Orchestra No. 3 |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 316/A
|
Autograph score |
|
| 316/R
|
Reproduction of the autograph score |
|
|
| 317 |
The Strangler [auth.] |
A Rite of Passage [auth.] |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 317/A
|
Autograph score |
|
| 317/L1
|
Libretto |
|
| 317/L2
|
Libretto |
|
| 317/L3
|
Libretto |
|
| 317/P
|
Parts in copyist’s hand |
|
| 317/PR
|
Klavírní výtah |
|
| 317/R1
|
Reproduction of the autograph score |
|
| 317/R2
|
Reproduction of the autograph score |
|
| 317/RP
|
Reproduction of handwritten parts |
|
| 317/RPR1
|
Reproduction of the piano reduction |
|
| 317/RPR2
|
Reproduction of the piano reduction |
|
|
| 318 |
The Fifth Day of the Fifth Moon [auth.] |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 318/A
|
Autograph |
|
|
| 319 |
The Bouquinistes from the Quai Malaquais |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 319/A
|
Autograph |
|
| 319/R
|
Reproduction of the autograph score |
|
|
| 320 |
Greeting to Sokols and Sokol Gathering |
Festive fanfare for wind instruments |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 320/ARR
|
Arrangement |
|
|
| 321 |
Five Czech Madrigals |
for mixed voices |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 321/A
|
Autograph score |
|
| M 022a-b/D
|
Sketch |
|
|
| 322 |
Sinfonia Concertante [auth.] No. 2 |
for oboe, basson, violin, violoncello and small orchestra |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 322/A
|
Autograph score |
|
| 322/R1
|
Reproduction of the autograph score |
|
| 322/R3
|
Reproduction of the autograph score |
|
| 322/RA
|
Reproduction of the autograph score |
|
|
| 323 |
Bagatelle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 323/R
|
Reproduction of the autograph score |
|
|
| 324 |
Three Czech Dances [auth.] |
for two pianos [auth.] |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 324/A
|
Autograph |
|
| 324/R
|
Reproduction of the autograph score |
|
|
| 325 |
Mazurka – Nocturne |
for oboe, two violins and violoncello |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 325/A
|
Autograph score |
|
| 325/CS, P
|
Manuscript in foreign hand |
|
|
| 326 |
Barcarolle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 326/A
|
Autograph score |
|
|
| 327 |
Piano Trio No. 2 |
for violin, violoncello and piano |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 327/A
|
Autograph score |
|
| 327/D
|
Draft |
|
| 327/PFPA
|
Proofs of parts |
|
| 327/R
|
Reproduction of the autograph score |
|
|
| 328 |
Sinfonietta La Jolla [auth.] |
for chamber orchestra [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 328/A
|
Autograph score |
|
| 328/PP
|
Printed parts |
|
| 328/PS
|
Printed score |
|
| 328/PSA
|
Printed score |
|
| 328/R1
|
Reproduction of the autograph score |
|
| 328/R2
|
Reproduction of the autograph score |
|
| 328/RA
|
Reproduction of the autograph score |
|
|
| 329 |
Concerto for Two Violins and Orchestra [auth.] |
|
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 329/A
|
Autograph score |
|
| 329/RA
|
Reproduction of the autograph score |
|
|
| 330 |
Intermezzo |
for large orchestra |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 330/R
|
Reproduction of the autograph score |
|
|
| 331 |
Duo No. 2 [auth.] |
for violin and viola [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 331/A
|
Autograph score |
|
|
| 332 |
Piano Trio No. 3 |
for violin, violoncello and piano |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 332/A
|
Autograph score |
|
| 332/D
|
Draft |
|
| 332/RA1
|
Reproduction of the autograph score |
|
| 332/RA2
|
Reproduction of the autograph score |
|
| 332/RA3
|
Reproduction of the autograph score |
|
|
| 334 |
Serenade [auth.] |
for two clarinets, violin, viola and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 334/A
|
Autograph score |
|
| 334/R
|
Reproduction of the autograph score |
|
|
| 335 |
Stowe Pastorals [auth.] |
for five recorders, clarinet, two violins and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 335/A
|
Autograph score |
|
| 335/P
|
Parts in copyist’s hand |
|
| 335/R1
|
Reproduction of the autograph score |
|
| 335/R2
|
Reproduction of the autograph score |
|
| 335/RA
|
Reproduction of the autograph score |
|
|
| 336 |
What Men Live by [auth.] |
Opera-pastoral in one act [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 336/A
|
Autograph score |
|
| 336/AL
|
Autograph libretto |
|
| 336/AVS
|
Autograph vocal score |
|
| 336/PPR
|
Printed piano part |
|
| 336/R
|
Reproduction of the autograph score |
|
| 336/RAVS1
|
Reproduction of the autograph vocal score |
|
| 336/RAVS2
|
Reproduction of the autograph vocal score |
|
|
| 337 |
Rhapsody-Concerto [auth.] |
for viola and orchestra [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 337/APR
|
Autograph piano reduction |
|
| 337/P1
|
Parts in copyist’s hand |
|
| 337/P2
|
Parts in copyist’s hand |
|
| 337/P3
|
Parts in copyist’s hand |
|
| 337/R(APR)
|
Reproduction of the autograph piano reduction |
|
| 337/RA1
|
Reproduction of the autograph score |
|
| 337/RA2
|
Reproduction of the autograph score |
|
| 337/RA3
|
Reproduction of the autograph score |
|
|
| 338 |
Three Part-Songs |
for female voices |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 338/A1
|
Autograph |
|
| 338/R(A2)
|
Reproduction of the autograph score |
|
|
| 339 |
Three Sacred Songs (Three Legends) |
for female choir and violin |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 339 A |
Virgin Mary Walked around the World |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 340 |
Sonata for Violoncello and Piano No. 3 |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 340/A
|
Autograph score |
|
| 340/D
|
Draft |
|
| 340/R
|
Reproduction of the autograph score |
|
| 340/RA
|
Reproduction of the autograph score |
|
| 340/SP1
|
Part in copyist's hand |
|
| 340/SP2
|
Part in copyist's hand |
|
|
| 341 |
The Marriage [auth.] |
comic opera in two acts |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 341/A
|
Autograph score |
|
| 341/Aa
|
Autograph |
|
| 341/D
|
Draft |
|
| 341/L
|
Libretto |
|
| 341/RA
|
Reproduction of the autograph score |
|
| 341/TSA1
|
Textual source |
|
| 341/TSA2, LA
|
Textual source |
|
| 341/VS
|
Vocal score |
|
|
| 342 |
Concerto for Violin, Piano and Orchestra [auth.] |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 342/A
|
Autograph score |
|
|
| 343 |
Symphony No. 6 (Fantaisies Symphoniques) |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 343/A
|
Autograph score |
|
| 343/D
|
Draft |
|
| 343/PF
|
Proof of score |
|
| 343/PS, LC
|
Printed score |
|
| 343/R
|
Reproduction of the autograph score |
|
| 343/RA1
|
Reproduction of the autograph score |
|
| 343/RA2
|
Reproduction of the autograph score |
|
| 343/RA3
|
Reproduction of the autograph score |
|
| 343/RA4
|
Reproduction of the autograph score |
|
|
| 344 |
Accusation Against the Unknown |
opera in three acts |
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 344/AL
|
Autograph libretto |
|
| 344/R
|
Reproduction of the autograph score |
|
| 344/R(AVS)
|
Reproduction of the vocal score |
|
| 344/R(Sk)
|
Sketch |
|
| 344/TS
|
Textual source |
|
|
| 345 |
Overture [auth.] |
for orchestra [auth.] |
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 345/A
|
Autograph score |
|
|
| 346 |
Mirandolina |
comic opera in three acts |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 346/A
|
Autograph score |
|
| 346/ATS
|
Textual source |
|
| 346/L
|
Libretto |
|
| 346/LA
|
Libretto |
|
| 346/P, PR
|
Performance material |
|
| 346/PRA1
|
Klavírní výtah |
|
| 346/PRA2
|
Klavírní výtah |
|
| 346/R
|
Reproduction of the autograph score |
|
| 346/R(PRA1)
|
Reproduction of the autograph score |
|
| 346/RA
|
Reproduction of the autograph score |
|
| 346/SP
|
Solo parts in copyist’s hand |
|
| 346/TS
|
Textual source |
|
| 346/TSA1
|
Textual source |
|
| 346/TSA2
|
Textual source |
|
|
| 347 |
Hymn to St. James |
for soli, mixed chorus, organ and instrumental accompaniment |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 347–8/D
|
Draft |
|
| 347/R1
|
Reproduction of the autograph score |
|
| 347/R2
|
Reproduction of the autograph score |
|
| 347/R3
|
Reproduction of the autograph score |
|
|
| 348 |
Primrose |
duets after lyrics of Moravian folk poetry |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 347–8/D
|
Draft |
|
| 348/A
|
Autograph score |
|
| 348/R
|
Reproduction of the autograph score |
|
|
| 349 |
Mount of Three Lights [auth.] |
for male choir and organ [auth.] |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 349/A
|
Autograph score |
|
| 349/CS1
|
Score in foreign hand |
|
| 349/CS2
|
Score in foreign hand |
|
| 349/CS3
|
Score in foreign hand |
|
| 349/CS4
|
Score in foreign hand |
|
| 349/CHS
|
Choral score |
|
| 349/R1
|
Reproduction of the autograph score |
|
| 349/R2
|
Reproduction of the autograph score |
|
|
| 350 |
Sonata for Piano |
|
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 350/A
|
Autograph |
|
| 350/RA1
|
Reproduction of the autograph score |
|
| 350/RA2
|
Arrangement |
|
|
| 351 |
The Epic of Gilgamesh [auth.] |
oratorio for soli, mixed choir and orchestra |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 351/A
|
Autograph score |
|
| 351/D
|
Draft |
|
| 351/PFA
|
Proof of score |
|
| 351/PFPRA
|
Proofs of piano reduction |
|
| 351/PS2
|
Printed score |
|
| 351/RA2
|
Reproduction of the autograph score |
|
|
| 352 |
The Frescoes of Piero della Francesca |
for large orchestra |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 352/A
|
Autograph score |
|
| 352/D
|
Draft |
|
| 352/PFA1
|
Proof of score |
|
| 352/PFA2
|
Proof of score |
|
| 352/PFP
|
Proofs of parts |
|
| 352/PS1 (& PS2, PP)
|
Printed score |
|
| 352/RA
|
Reproduction of the autograph score |
|
|
| 353 |
Concerto for Oboe and Small Orchestra |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 353/A
|
Autograph score |
|
| 353/PS
|
Printed score |
|
| 353/R1
|
Reproduction of the autograph score |
|
| 353/R2
|
Reproduction of the autograph score |
|
| 353/RA
|
Reproduction of the autograph score |
|
|
| 354 |
The Opening of the Springs / The Opening of the Wells |
cantata for soli, female chorus and instrumental accompaniment |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 354/A
|
Autograph score |
|
| 354/CHS2
|
Choral score |
|
| 354/P1(CHS1a)
|
Choral score |
|
| 354/P1(CHS1b)
|
Choral score |
|
| 354/PS1bA1
|
Printed score |
|
| 354/PS1bA2
|
Printed score |
|
| 354/PS1bA3
|
Printed score |
|
| 354/R1
|
Reproduction of the autograph score |
|
| 354/R2
|
Reproduction of the autograph score |
|
| 354/TSA
|
Textual source |
|
|
| 355 |
Sonata for Viola and Piano |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 355/A
|
Autograph score |
|
| 355/D
|
Draft |
|
|
| 356 |
Sonatina for Clarinet and Piano [auth.] |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 356/A
|
Autograph score |
|
| 356/RA
|
Reproduction of the autograph score |
|
| 356/SP
|
Solo part in copyist’s hand |
|
|
| 357 |
Sonatina for Trumpet and Piano |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 357/A
|
Autograph score |
|
| 357/RA
|
Reproduction of the autograph score |
|
|
| 358 |
Incantation. Concerto for Piano and Orchestra No. 4 |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 358/A
|
Autograph score |
|
| 358/P
|
Parts in copyist’s hand |
|
| 358/PS, RP
|
Performance material |
|
| 358/R([R1])
|
Reproduction of the autograph score |
|
| 358/R(RA3)
|
Negative copy |
|
| 358/RA1
|
Reproduction of the autograph score |
|
| 358/RA2
|
Reproduction of the autograph score |
|
| 358/RA3
|
Reproduction of the autograph score |
|
| 358/SP
|
Solo part in copyist’s hand |
|
|
| 359 |
Impromptu |
for Two Pianos |
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 359/A
|
Autograph |
|
|
| 360 |
The Legend of the Smoke from Potato Tops |
cantata for soli, mixed choir and instrumental accompaniment |
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 360/A
|
Autograph score |
|
| 360/CHS
|
Choral score |
|
| 360/PP(T,B)
|
Printed part |
|
| 360/RCS
|
Score in foreign hand |
|
| 360/TS
|
Textual source |
|
| 360/TSA
|
Textual source |
|
|
| 361 |
Brigand Songs |
ten male choruses |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 361/A
|
Autograph score |
|
| 361/CSA
|
Mechanical copy |
|
| 361/D
|
Draft |
|
| 361/RA
|
Reproduction of the autograph score |
|
| 361/TS
|
Textual source |
|
|
| 362 |
Adagio (Memories) |
|
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 362/A
|
Autograph |
|
|
| 363 |
The Rock [auth.] |
symphonic prelude for large orchestra |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 363/A
|
Autograph score |
|
| 363/PF
|
Proof of score |
|
|
| 364 |
The Romance from the Dandelions |
cantata for mixed choir and soprano solo |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 364/A
|
Autograph score |
|
| 364/RCS1
|
Mechanical copy |
|
| 364/RCS2
|
Mechanical copy |
|
| 364/TSA
|
Textual source |
|
|
| 365 |
Divertimento [auth.] |
for two recorders [auth.] |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 365/R
|
Reproduction of the autograph score |
|
|
| 366 |
Fantasia concertante. Concerto for Piano and Orchestra No. 5 |
in B flat |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 366/A
|
Autograph score |
|
| 366/D
|
Draft |
|
| 366/PF
|
Proof of score |
|
| 366/PFP
|
Proofs of parts |
|
| 366/PFPR
|
Proofs of piano reduction |
|
| 366/PFPRA
|
Proofs of piano reduction |
|
| 366/PR1
|
Klavírní výtah |
|
| 366/PR2
|
Klavírní výtah |
|
| 366/PS1a, PS1b, PPR1, PP1
|
Printed score |
|
| 366/R(PR1)1
|
Klavírní výtah |
|
| 366/R(PR1)2
|
Klavírní výtah |
|
| 366/R3
|
Reproduction of the autograph score |
|
| 366/RA1
|
Reproduction of the autograph score |
|
| 366/RA2
|
Reproduction of the autograph score |
|
| 366/SPA
|
Solo part in copyist’s hand |
|
|
| 367 |
The Parables [auth.] |
for large orchestra |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 367/A
|
Autograph score |
|
| 367/P
|
Parts in copyist’s hand |
|
| 367/R1
|
Reproduction of the autograph score |
|
| 367/R2
|
Reproduction of the autograph score |
|
| 367/RP2, PS
|
Reproduction of handwritten parts |
|
|
| 368 |
Sonata for Harpsichord |
|
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 368/R
|
Reproduction of the autograph score |
|
|
| 369 |
Estampes [auth.] |
for orchestra [auth.] |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 369/R
|
Reproduction of the autograph score |
|
| 369/RA
|
Reproduction of the autograph score |
|
|
| 370 |
Ariadne |
Lyric opera in 1 act |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 370/A
|
Autograph score |
|
| 370/APR
|
Autograph piano reduction |
|
| 370/L1
|
Libretto |
|
| 370/L2
|
Libretto |
|
| 370/LA1
|
Libretto |
|
| 370/LA2
|
Libretto |
|
| 370/LA3
|
Libretto |
|
| 370/PP
|
Printed parts |
|
| 370/R(APR)
|
Reproduction of the autograph piano reduction |
|
|
| 371 |
Duo for Violin and Violoncello No. 2 |
|
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 371/A
|
Autograph score |
|
| 371/RA
|
Reproduction of the autograph score |
|
|
| 372 I |
The Greek Passion, 1st version |
Opera in 4 acts |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 372 I/Aa1
|
Autograph score |
|
| 372 I/Aa2
|
Autograph score |
|
| 372 I/AL
|
Autograph libretto |
|
| 372 I/D2
|
Draft |
|
| 372 I/D3
|
Draft |
|
| 372 I/L1
|
Libretto |
|
| 372 I/L3
|
Libretto |
|
| 372 I/LA
|
Libretto |
|
| 372 I/PR
|
Klavírní výtah |
|
| 372 I/RA
|
Reproduction of the autograph score |
|
| 372 I/RAa
|
Reproduction of the autograph score |
|
| 999 – Pravoslavné chrámové sbory
|
Autograph |
|
| 999 – Songs of Greece
|
Autograph |
|
| 999 – Studie k Řeckým pašijím
|
Autograph |
|
| M 022a-b/D
|
Sketch |
|
|
| 372 II |
The Greek Passion, 2nd version |
Opera in 4 acts |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 372 II/R
|
Reproduction of the autograph score |
|
|
| 374 |
Nonet No. 2 |
for flute, oboe, clarinet, bassoon, french horn, violin, viola, violoncello and double bass |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 374/A
|
Autograph score |
|
| 374/RA1
|
Reproduction of the autograph score |
|
| 374/RA2
|
Reproduction of the autograph score |
|
|
| 375 |
Mikesh from the Mountains |
cantata for soli, mixed choir and instrumental accompaniment |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 375/A
|
Autograph score |
|
| 375/CHS
|
Choral score |
|
| 375/R2
|
Reproduction of the autograph score |
|
| 375/TSA
|
Textual source |
|
|
| 376 |
Chamber Music No. 1 |
for clarinet, violin, viola, violoncello, harp and piano |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 376/A
|
Autograph score |
|
|
| 378 |
Variations on a Slovak Folk Song |
for violoncello and piano |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 378/A
|
Autograph score |
|
| 378/ARR
|
Score in foreign hand |
|
|
| 379 |
The Bird Feast |
|
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 379/A
|
Autograph score |
|
| 379/R
|
Reproduction of the autograph score |
|
|
| 380 |
Madrigals (Part-Song Book) |
four madrigals for mixed choir |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 380/A
|
Autograph score |
|
| 380/D
|
Draft |
|
|
| 381 |
Two Impromptus |
for harpsichord |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 381/A2
|
Autograph |
|
| 381/R(A2)
|
Reproduction of the autograph score |
|
|
| 382 |
Vigil |
for organ |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 382/A
|
Autograph |
|
| 382/CS
|
Score in foreign hand |
|
| 382/R1
|
Reproduction of the autograph score |
|
| 382/R2
|
Reproduction of the autograph score |
|
|
| 383 |
The Prophecy of Isaiah [auth.] |
cantata for soli, male choir and instrumental accompaniment |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 383/A
|
Autograph score |
|
| 383/CS
|
Score in foreign hand |
|
| 383/R
|
Reproduction of the autograph score |
|
|
| 384 |
Greeting |
for children's choir |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 384/A
|
Autograph |
|
|
| 888 |
Unrealised Stage Works |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 888 – Běsi – AL
|
Textual source |
|
| 888 – Pomluva – SY1
|
Synopsis |
|
| 888 – Pomluva – SY2
|
Synopsis |
|
| 888 – Večery na dědince – ASY1
|
Synopsis |
|
| 888 – Večery na dědince – ASY2
|
Synopsis |
|
| 888 – Večery na dědince – ASY3
|
Synopsis |
|
| 888 – Večery na dědince – ASY4
|
Synopsis |
|
|
| 999 |
Martinů's Manuscripts: Arrangements, Copies |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 999 – Aisha
|
Autograph |
|
| 999 – Dalibor
|
Autograph |
|
| 999 – Dvě vdovy
|
Autograph |
|
| 999 – Dvořák: Symfonie č. 8, II. Adagio
|
Autograph |
|
| 999 – Dvořák: Symfonie č. 9, II. Largo
|
Autograph |
|
| 999 – Chodské písně
|
Autograph |
|
| 999 – Jazzové aranže
|
Autograph |
|
| 999 – Kouzelná flétna
|
Autograph |
|
| 999 – La nuit
|
Autograph |
|
| 999 – Lidové písně z Českého lidu
|
Autograph |
|
| 999 – Lidové písně z Poličska a Litomyšlska
|
Autograph |
|
| 999 – Moc spěchám
|
Autograph |
|
| 999 – Obrazy, 1. řada
|
Autograph |
|
| 999 – Overtura Libuše
|
Autograph |
|
| 999 – Peer Gynt
|
Autograph |
|
| 999 – Pelléas a Mélisanda
|
Autograph |
|
| 999 – Písně Závišovy
|
Autograph |
|
| 999 – Pravoslavné chrámové sbory
|
Autograph |
|
| 999 – Slovenská hymna
|
Autograph |
|
| 999 – Songs of Greece
|
Autograph |
|
| 999 – Studie k Řeckým pašijím
|
Autograph |
|
| 999 – Werther
|
Autograph |
|