General information
Type of the document Varia
SenderLöwenbach, Jan
Sender (corporation)
Send date20.11.1945
RecipientBartoš (skladatel, muzikolog), František
Recipient (corporation)
LanguageCzech
Acquiredcopy from Jan Löwenbach paper at Památník národního písemnictví
Owner of the sourcePamátník národního písemnictví
Call number at IBMLöwJ 1945-11-20
Content and physical description
Total number of leaves11
Number of pages bearing text11
NotePagination 1–6 and 8–12, page 7 is missing.
Published in Tempo 18 (1946), no. 2–3 and also in Martinů: Domov, hudba, svět, pp. 330–344.
FixationTypescript, handwritten inscriptions
Digitisation
Quality of digitisationNot professional black-and-white
Digitized atBohuslav Martinů Institute
Note on digitisationScan of the paper copy

Preview only available at the Institute.

Location as subject
Aix-en-Provence
Bordeaux
Boston, Massachusetts
Cauterets
Cleveland, Ohio
Darien, Connecticut
Philadelphia, Pennsylvania
Italy
Jamaica - New York City, New York
Canada
Lisbon
London
Manomet, Massachusetts
Marseille
Martha's Vineyard, Massachusetts
Middlebury, Vermont
Germany
Paris
Pleasantville, New York
Rancon
Ridgefield, Connecticut
South Orleans, Massachusetts
St. Louis, Missouri
Switzerland
USA
Vieux-Moulin
Washington, D.C.
Geneva
Person as subject
Ansermet, Ernest
Bartoš (skladatel, muzikolog), František
Downes, Olin
Dushkin, Samuel
Elman, Mischa
Firkušný, Rudolf
Fournier, Pierre
Hajný, Emanuel Jan
Hindemith, Paul
Ježek, Jaroslav
Korbel, Josef Mario
Kreisler, Fritz
Kundera, Rudolf
Kusevickij, Sergej Aleksandrovič
Kusevickij, Natalie
Leinsdorf, Erich
Luboshutz, Pierre
Macháček, Josef
Macháčková, Marie
Macháčkovi,
Martinů, Charlotte
Martinů, Bohuslav
Munch, Charles
Münzer Le Comte, Mia
Nemenoff, Genia
Neveux, Georges
Ondříček, Emanuel
Puc, Čestmír
Rodziński, Artur
Rybka, Frank
Sacher, Paul
Šafránek, Miloš
Šostakovič, Dmitrij
Spengler, Oswald
Stein, Erwin
Stravinskij, Igor
Švec, A.
Szell, George
Ziegler, William Jr.
Ziegler, Helen
Corporation as subject
Alfred A. Knopf, Inc., New York
Basler Kammerorchester
Berkshire Chamber Music Festival
Biennale di Venezia
Boston Symphony Orchestra
Carnegie Hall, New York
Česká filharmonie
Dissonance
League of Composers
Musical Quarterly
New York Times
Ryerson Press
Tanglewood Music Center
Triton
Composition as subject
Czech Rhapsody [auth.], H 307
Czech Madrigals, H 278
Concerto da Camera, H 285
Concerto Grosso, H 263
Double Concerto, H 271
Etudes and Polkas [auth.], H 308
Fantasy and Toccata, H 281
Juliette (The Key to Dreams), H 253
Piano Quintet No. 2, H 298
Concerto for Two Pianos and Orchestra, H 292
Concerto for Violin and Orchestra No. 2, H 293
Concerto for violoncello and orchestra No. 2, H 304
Suite Concertante for Violin and Orchestra, H 276 I
Suite Concertante for Violin and Orchestra [auth.], H 276 II
La Bagarre (The Tumult), H 155
Madrigal-Sonata, H 291
New Chap-Book, H 288
Memorial to Lidice [auth.], H 296
Songs on Two Pages, H 302
Songs on One Page, H 294
Field Mass, H 279
Rhapsody, H 171
String Quartet No. 3, H 183
Sonata da Camera, H 283
Sonata for Flute and Piano [auth.], H 306
Sonata for Violin and Piano No. 3, H 303
Sonata for Violoncello and Piano No. 1, H 277
Sonata for Violoncello and Piano No. 2, H 286
The Chap-Book, 2nd version, H 214 II
Symphony No. 1 [auth.], H 289
Symphony No. 2, H 295
Symphony No. 3 [auth.], H 299
Symphony No. 4 [auth.], H 305
Dance Sketches, H 220
Thunderbolt P-47 [auth.], H 309
Tre Ricercari, H 267
Trio for Flute, Violoncello and Piano, H 300
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