| Halbreich number | Title | Subtitle | Year of origin | 
 
			
			|  | 
		
			| 304 | Concerto for violoncello and orchestra No. 2 |  | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 304/APR | Autograph piano reduction |   | 
								
				| 304/ASP | Autograph solo part |   | 
								
				| 304/R1 | Reproduction of the autograph score |   | 
								
				| M 021/D | Draft |   | 
					
			|  | 
		
			| 304bis | Berceuse |  | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 304bis/A | Autograph |  | 
								
				| M 021/D | Draft |   | 
					
			|  | 
		
			| 305 | Symphony No. 4 [auth.] |  | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 305/A | Autograph score |  | 
								
				| 305/CS | Copy of the score |   | 
								
				| 305/D1 | Draft |   | 
								
				| 305/D2 | Draft |   | 
								
				| 305/D4 | Draft |   | 
								
				| 305/P2 | Parts in copyist’s hand |  | 
								
				| 305/R4 | Reproduction of the autograph score |  | 
								
				| 305/RA1 | Reproduction of the autograph score |   | 
								
				| 305/RA2 | Reproduction of the autograph score |   | 
								
				| 305/RA3 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 306 | Sonata for Flute and Piano [auth.] |  | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 306/R(ASP) | Reproduction of the autograph solo part |  | 
								
				| 306/R(ASP)A | Reproduction of the solo part |   | 
								
				| 306/RA1 | Reproduction of the autograph score |   | 
								
				| 306/RA2 | Reproduction of the autograph score |   | 
								
				| 306/SP | Solo part in copyist’s hand |  | 
					
			|  | 
		
			| 307 | Czech Rhapsody [auth.] | for violin and piano | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 307/A | Autograph score |   | 
								
				| 307/ARR | Arrangement |  | 
								
				| 307/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 308 | Etudes and Polkas [auth.] | sixteen piano pieces in three books | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 308/A | Autograph score |   | 
								
				| 308/ARR | Arrangement |   | 
								
				| 308/PS | Printed score |  | 
					
			|  | 
		
			| 309 | Thunderbolt P-47 [auth.] | scherzo for orchestra | 1945 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 309/A | Autograph score |   | 
								
				| 309/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 310 | Symphony No. 5 [auth.] |  | 1946 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 310/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 311 | Toccata e due canzoni | for small orchestra | 1946 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 311/A | Autograph score |   | 
								
				| 311/PS | Printed score |  | 
								
				| 311/R1 | Reproduction of the autograph score |   | 
								
				| 311/R2 | Reproduction of the autograph score |  | 
								
				| 311/RP | Reproduction of handwritten parts |   | 
					
			|  | 
		
			| 312 | String Quartet No. 6 |  | 1946 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 312/A | Autograph score |   | 
								
				| 312/PA | Parts in copyist’s hand |   | 
								
				| 312/R(PA) | Reproduction of handwritten parts |   | 
								
				| 312/R(R2) | Reproduction of the autograph score |   | 
								
				| 312/R3 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 313 | Three Madrigals (Duo No. 1) | for violin and viola [auth.] | 1947 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 313/A | Autograph score |   | 
								
				| 313/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 314 | String Quartet No. 7 (Concerto da camera) |  | 1947 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 314/A | Autograph score |   | 
								
				| 314/PA | Parts in copyist’s hand |  | 
								
				| 314/R1 | Reproduction of the autograph score |   | 
								
				| 314/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 315 | Quartet for Oboe, Violin, Violoncello and Piano |  | 1947 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 315/A | Autograph score |   | 
								
				| 315/AP | Autograph parts |   | 
								
				| 315/D | Draft |  | 
								
				| 315/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 316 | Concerto for Piano and Orchestra No. 3 |  | 1948 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 316/A | Autograph score |   | 
								
				| 316/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 317 | The Strangler [auth.] | A Rite of Passage [auth.] | 1948 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 317/A | Autograph score |   | 
								
				| 317/L1 | Libretto |   | 
								
				| 317/L2 | Libretto |   | 
								
				| 317/L3 | Libretto |  | 
								
				| 317/P | Parts in copyist’s hand |   | 
								
				| 317/PR | Klavírní výtah |   | 
								
				| 317/R1 | Reproduction of the autograph score |   | 
								
				| 317/R2 | Reproduction of the autograph score |  | 
								
				| 317/RP | Reproduction of handwritten parts |   | 
								
				| 317/RPR1 | Reproduction of the piano reduction |   | 
								
				| 317/RPR2 | Reproduction of the piano reduction |   | 
					
			|  | 
		
			| 318 | The Fifth Day of the Fifth Moon [auth.] |  | 1948 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 318/A | Autograph |  | 
					
			|  | 
		
			| 319 | The Bouquinistes from the Quai Malaquais |  | 1948 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 319/A | Autograph |  | 
								
				| 319/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 320 | Greeting to Sokols and Sokol Gathering | Festive fanfare for wind instruments | 1948 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 320/ARR | Arrangement |  | 
					
			|  | 
		
			| 321 | Five Czech Madrigals | for mixed voices | 1948 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 321/A | Autograph score |   | 
								
				| M 022a-b/D | Sketch |   | 
					
			|  | 
		
			| 322 | Sinfonia Concertante [auth.] No. 2 | for oboe, basson, violin, violoncello and small orchestra | 1949 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 322/A | Autograph score |   | 
								
				| 322/R1 | Reproduction of the autograph score |   | 
								
				| 322/R3 | Reproduction of the autograph score |   | 
								
				| 322/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 323 | Bagatelle | for piano | 1949 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 323/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 324 | Three Czech Dances [auth.] | for two pianos [auth.] | 1949 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 324/A | Autograph |  | 
								
				| 324/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 325 | Mazurka – Nocturne | for oboe, two violins and violoncello | 1949 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 325/A | Autograph score |  | 
								
				| 325/CS, P | Manuscript in foreign hand |  | 
					
			|  | 
		
			| 326 | Barcarolle | for piano | 1949 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 326/A | Autograph score |   | 
					
			|  | 
		
			| 327 | Piano Trio No. 2 | for violin, violoncello and piano | 1950 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 327/A | Autograph score |  | 
								
				| 327/D | Draft |   | 
								
				| 327/PFPA | Proofs of parts |  | 
								
				| 327/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 328 | Sinfonietta La Jolla [auth.] | for chamber orchestra [auth.] | 1950 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 328/A | Autograph score |   | 
								
				| 328/PP | Printed parts |  | 
								
				| 328/PS | Printed score |  | 
								
				| 328/PSA | Printed score |   | 
								
				| 328/R1 | Reproduction of the autograph score |  | 
								
				| 328/R2 | Reproduction of the autograph score |   | 
								
				| 328/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 329 | Concerto for Two Violins and Orchestra [auth.] |  | 1950 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 329/A | Autograph score |   | 
								
				| 329/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 330 | Intermezzo | for large orchestra | 1950 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 330/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 331 | Duo No. 2 [auth.] | for violin and viola [auth.] | 1950 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 331/A | Autograph score |  | 
					
			|  | 
		
			| 332 | Piano Trio No. 3 | for violin, violoncello and piano | 1951 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 332/A | Autograph score |   | 
								
				| 332/D | Draft |  | 
								
				| 332/RA1 | Reproduction of the autograph score |   | 
								
				| 332/RA2 | Reproduction of the autograph score |  | 
								
				| 332/RA3 | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 334 | Serenade [auth.] | for two clarinets, violin, viola and violoncello | 1951 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 334/A | Autograph score |   | 
								
				| 334/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 335 | Stowe Pastorals [auth.] | for five recorders, clarinet, two violins and violoncello | 1951 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 335/A | Autograph score |   | 
								
				| 335/P | Parts in copyist’s hand |   | 
								
				| 335/R1 | Reproduction of the autograph score |   | 
								
				| 335/R2 | Reproduction of the autograph score |   | 
								
				| 335/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 336 | What Men Live by [auth.] | Opera-pastoral in one act [auth.] | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 336/A | Autograph score |   | 
								
				| 336/AL | Autograph libretto |   | 
								
				| 336/AVS | Autograph vocal score |   | 
								
				| 336/PPR | Printed piano reduction |   | 
								
				| 336/PPRA | Printed piano part |   | 
								
				| 336/R | Reproduction of the autograph score |   | 
								
				| 336/RAVS1 | Reproduction of the autograph vocal score |   | 
								
				| 336/RAVS2 | Reproduction of the autograph vocal score |   | 
								
				| 336/RP | Reproduction of handwritten parts |   | 
								
				| M 021/D | Draft |   | 
					
			|  | 
		
			| 337 | Rhapsody-Concerto [auth.] | for viola and orchestra [auth.] | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 337/APR | Autograph piano reduction |   | 
								
				| 337/P1 | Parts in copyist’s hand |   | 
								
				| 337/P2 | Parts in copyist’s hand |   | 
								
				| 337/P3 | Parts in copyist’s hand |   | 
								
				| 337/R(APR) | Reproduction of the autograph piano reduction |   | 
								
				| 337/RA1 | Reproduction of the autograph score |   | 
								
				| 337/RA2 | Reproduction of the autograph score |   | 
								
				| 337/RA3 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 338 | Three Part-Songs | for female voices | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 338/A1 | Autograph |   | 
								
				| 338/R(A2) | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 339 | Three Sacred Songs (Three Legends) | for female choir and violin | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| M 023a–b/A | Autograph |   | 
					
			|  | 
		
			| 339 A | Virgin Mary Walked around the World |  | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| M 023a–b/A | Autograph |   | 
					
			|  | 
		
			| 340 | Sonata for Violoncello and Piano No. 3 |  | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 340/A | Autograph score |   | 
								
				| 340/D | Draft |  | 
								
				| 340/R | Reproduction of the autograph score |  | 
								
				| 340/RA | Reproduction of the autograph score |  | 
								
				| 340/SP1 | Part in copyist's hand |  | 
								
				| 340/SP2 | Part in copyist's hand |  | 
					
			|  | 
		
			| 341 | The Marriage [auth.] | comic opera in two acts | 1952 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 341/A | Autograph score |  | 
								
				| 341/Aa | Autograph |   | 
								
				| 341/D | Draft |  | 
								
				| 341/L | Libretto |   | 
								
				| 341/RA | Reproduction of the autograph score |   | 
								
				| 341/TSA1 | Textual source |  | 
								
				| 341/TSA2, LA | Textual source |  | 
								
				| 341/VS | Vocal score |   | 
					
			|  | 
		
			| 342 | Concerto for Violin, Piano and Orchestra [auth.] |  | 1953 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 342/A | Autograph score |   | 
					
			|  | 
		
			| 343 | Symphony No. 6 (Fantaisies Symphoniques) |  | 1953 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 343/A | Autograph score |   | 
								
				| 343/D | Draft |   | 
								
				| 343/PF | Proof of score |   | 
								
				| 343/PS, LC | Printed score |   | 
								
				| 343/R | Reproduction of the autograph score |   | 
								
				| 343/RA1 | Reproduction of the autograph score |   | 
								
				| 343/RA2 | Reproduction of the autograph score |  | 
								
				| 343/RA3 | Reproduction of the autograph score |  | 
								
				| 343/RA4 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 344 | Accusation Against the Unknown | opera in three acts | 1953 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 344/AL | Autograph libretto |  | 
								
				| 344/R | Reproduction of the autograph score |  | 
								
				| 344/R(AVS) | Reproduction of the vocal score |  | 
								
				| 344/R(Sk) | Sketch |  | 
								
				| 344/TS | Textual source |  | 
					
			|  | 
		
			| 345 | Overture [auth.] | for orchestra [auth.] | 1953 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 345/A | Autograph score |  | 
					
			|  | 
		
			| 346 | Mirandolina | comic opera in three acts | 1954 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 346/A | Autograph score |   | 
								
				| 346/ATS | Textual source |   | 
								
				| 346/L | Libretto |  | 
								
				| 346/LA | Libretto |   | 
								
				| 346/P, PR | Performance material |  | 
								
				| 346/PRA1 | Klavírní výtah |   | 
								
				| 346/PRA2 | Klavírní výtah |   | 
								
				| 346/R | Reproduction of the autograph score |   | 
								
				| 346/R(PRA1) | Reproduction of the autograph score |   | 
								
				| 346/RA | Reproduction of the autograph score |   | 
								
				| 346/SP | Solo parts in copyist’s hand |  | 
								
				| 346/TS | Textual source |  | 
								
				| 346/TSA1 | Textual source |  | 
								
				| 346/TSA2 | Textual source |  | 
					
			|  | 
		
			| 347 | Hymn to St. James | for soli, mixed chorus, organ and instrumental accompaniment | 1954 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 347–8/D | Draft |   | 
								
				| 347/R1 | Reproduction of the autograph score |   | 
								
				| 347/R2 | Reproduction of the autograph score |   | 
								
				| 347/R3 | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 348 | Primrose | duets after lyrics of Moravian folk poetry | 1954 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 347–8/D | Draft |   | 
								
				| 348/A | Autograph score |   | 
								
				| 348/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 349 | Mount of Three Lights [auth.] | for male choir and organ [auth.] | 1954 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 349/A | Autograph score |  | 
								
				| 349/CS1 | Score in foreign hand |  | 
								
				| 349/CS2 | Score in foreign hand |  | 
								
				| 349/CS3 | Score in foreign hand |   | 
								
				| 349/CS4 | Score in foreign hand |   | 
								
				| 349/CHS | Choral score |   | 
								
				| 349/R1 | Reproduction of the autograph score |  | 
								
				| 349/R2 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 350 | Sonata for Piano |  | 1954 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 350/A | Autograph |   | 
								
				| 350/RA1 | Reproduction of the autograph score |  | 
								
				| 350/RA2 | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 351 | The Epic of Gilgamesh [auth.] | oratorio for soli, mixed choir and orchestra | 1955 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 351/A | Autograph score |  | 
								
				| 351/D | Draft |   | 
								
				| 351/PFA | Proof of score |   | 
								
				| 351/PFPRA | Proofs of piano reduction |   | 
								
				| 351/PS2 | Printed score |  | 
								
				| 351/RA2 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 352 | The Frescoes of Piero della Francesca | for large orchestra | 1955 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 352/A | Autograph score |   | 
								
				| 352/D | Draft |   | 
								
				| 352/PFA1 | Proof of score |   | 
								
				| 352/PFA2 | Proof of score |   | 
								
				| 352/PFP | Proofs of parts |  | 
								
				| 352/PS1 (& PS2, PP) | Printed score |  | 
								
				| 352/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 353 | Concerto for Oboe and Small Orchestra |  | 1955 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 353/A | Autograph score |  | 
								
				| 353/PS | Printed score |  | 
								
				| 353/R1 | Reproduction of the autograph score |  | 
								
				| 353/R2 | Reproduction of the autograph score |  | 
								
				| 353/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 354 | The Opening of the Springs / The Opening of the Wells | cantata for soli, female chorus and instrumental accompaniment | 1955 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 354/A | Autograph score |   | 
								
				| 354/CHS2 | Choral score |   | 
								
				| 354/P1(CHS1a) | Choral score |   | 
								
				| 354/P1(CHS1b) | Choral score |   | 
								
				| 354/PS1bA1 | Printed score |   | 
								
				| 354/PS1bA2 | Printed score |   | 
								
				| 354/PS1bA3 | Printed score |   | 
								
				| 354/R1 | Reproduction of the autograph score |   | 
								
				| 354/R2 | Reproduction of the autograph score |   | 
								
				| 354/TSA | Textual source |   | 
					
			|  | 
		
			| 355 | Sonata for Viola and Piano |  | 1955 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 355/A | Autograph score |   | 
								
				| 355/D | Draft |  | 
					
			|  | 
		
			| 356 | Sonatina for Clarinet and Piano [auth.] |  | 1956 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 356/A | Autograph score |   | 
								
				| 356/RA | Reproduction of the autograph score |  | 
								
				| 356/SP | Solo part in copyist’s hand |  | 
					
			|  | 
		
			| 357 | Sonatina for Trumpet and Piano |  | 1956 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 357/A | Autograph score |   | 
								
				| 357/RA | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 358 | Incantation. Concerto for Piano and Orchestra No. 4 |  | 1956 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 358/A | Autograph score |   | 
								
				| 358/P | Parts in copyist’s hand |  | 
								
				| 358/PS, RP | Performance material |  | 
								
				| 358/R([R1]) | Reproduction of the autograph score |   | 
								
				| 358/R(RA3) | Negative copy |  | 
								
				| 358/RA1 | Reproduction of the autograph score |   | 
								
				| 358/RA2 | Reproduction of the autograph score |   | 
								
				| 358/RA3 | Reproduction of the autograph score |   | 
								
				| 358/SP | Solo part in copyist’s hand |   | 
					
			|  | 
		
			| 359 | Impromptu | for Two Pianos | 1956 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 359/A | Autograph |  | 
					
			|  | 
		
			| 360 | The Legend of the Smoke from Potato Tops | cantata for soli, mixed choir and instrumental accompaniment | 1956 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 360/A | Autograph score |   | 
								
				| 360/CHS | Choral score |   | 
								
				| 360/PP(T,B) | Printed part |   | 
								
				| 360/RCS | Score in foreign hand |   | 
								
				| 360/TS | Textual source |   | 
								
				| 360/TSA | Textual source |   | 
					
			|  | 
		
			| 361 | Brigand Songs | ten male choruses | 1957 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 361/A | Autograph score |   | 
								
				| 361/CSA | Mechanical copy |   | 
								
				| 361/D | Draft |   | 
								
				| 361/RA | Reproduction of the autograph score |   | 
								
				| 361/TS | Textual source |   | 
					
			|  | 
		
			| 362 | Adagio (Memories) |  | 1957 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 362/A | Autograph |   | 
					
			|  | 
		
			| 363 | The Rock [auth.] | symphonic prelude for large orchestra | 1957 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 363/A | Autograph score |  | 
								
				| 363/PF | Proof of score |   | 
								
				| 363/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 364 | The Romance from the Dandelions | cantata for mixed choir and soprano solo | 1957 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 364/A | Autograph score |   | 
								
				| 364/RCS1 | Mechanical copy |   | 
								
				| 364/RCS2 | Mechanical copy |   | 
								
				| 364/TSA | Textual source |   | 
					
			|  | 
		
			| 365 | Divertimento [auth.] | for two recorders [auth.] | 1957 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 365/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 366 | Fantasia concertante. Concerto for Piano and Orchestra No. 5 | in B flat | 1958 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 366/A | Autograph score |   | 
								
				| 366/D | Draft |   | 
								
				| 366/PF | Proof of score |   | 
								
				| 366/PFP | Proofs of parts |   | 
								
				| 366/PFPR | Proofs of piano reduction |   | 
								
				| 366/PFPRA | Proofs of piano reduction |   | 
								
				| 366/PR1 | Klavírní výtah |  | 
								
				| 366/PR2 | Klavírní výtah |   | 
								
				| 366/PS1a, PS1b, PPR1, PP1 | Printed score |  | 
								
				| 366/R(PR1)1 | Klavírní výtah |   | 
								
				| 366/R(PR1)2 | Klavírní výtah |   | 
								
				| 366/R3 | Reproduction of the autograph score |  | 
								
				| 366/RA1 | Reproduction of the autograph score |   | 
								
				| 366/RA2 | Reproduction of the autograph score |   | 
								
				| 366/SPA | Solo part in copyist’s hand |   | 
					
			|  | 
		
			| 367 | The Parables [auth.] | for large orchestra | 1958 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 367/A | Autograph score |   | 
								
				| 367/P | Parts in copyist’s hand |  | 
								
				| 367/R1 | Reproduction of the autograph score |   | 
								
				| 367/R2 | Reproduction of the autograph score |   | 
								
				| 367/RP2, PS | Reproduction of handwritten parts |  | 
					
			|  | 
		
			| 368 | Sonata for Harpsichord |  | 1958 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 368/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 369 | Estampes [auth.] | for orchestra [auth.] | 1958 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 369/R | Reproduction of the autograph score |  | 
								
				| 369/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 370 | Ariadne | Lyric opera in 1 act | 1958 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 370/A | Autograph score |   | 
								
				| 370/APR | Autograph piano reduction |   | 
								
				| 370/L1 | Libretto |   | 
								
				| 370/L2 | Libretto |   | 
								
				| 370/LA1 | Libretto |   | 
								
				| 370/LA2 | Libretto |   | 
								
				| 370/LA3 | Libretto |   | 
								
				| 370/PP | Printed parts |  | 
								
				| 370/R(APR) | Reproduction of the autograph piano reduction |   | 
					
			|  | 
		
			| 371 | Duo for Violin and Violoncello No. 2 |  | 1958 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 371/A | Autograph score |   | 
								
				| 371/RA | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 372 I | The Greek Passion, 1st version | Opera in 4 acts | 1957 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 372 I/Aa1 | Autograph score |  | 
								
				| 372 I/Aa2 | Autograph score |   | 
								
				| 372 I/AL | Autograph libretto |  | 
								
				| 372 I/D2 | Draft |   | 
								
				| 372 I/D3 | Draft |   | 
								
				| 372 I/L1 | Libretto |  | 
								
				| 372 I/L3 | Libretto |  | 
								
				| 372 I/LA | Libretto |  | 
								
				| 372 I/PR | Klavírní výtah |  | 
								
				| 372 I/RA | Reproduction of the autograph score |   | 
								
				| 372 I/RAa | Reproduction of the autograph score |   | 
								
				| 999 – Pravoslavné chrámové sbory | Autograph |  | 
								
				| 999 – Songs of Greece | Autograph |  | 
								
				| 999 – Studie k Řeckým pašijím | Autograph |   | 
								
				| M 022a-b/D | Sketch |   | 
					
			|  | 
		
			| 372 II | The Greek Passion, 2nd version | Opera in 4 acts | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 372 II/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 374 | Nonet No. 2 | for flute, oboe, clarinet, bassoon, french horn, violin, viola, violoncello and double bass | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 374/A | Autograph score |   | 
								
				| 374/RA1 | Reproduction of the autograph score |   | 
								
				| 374/RA2 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 375 | Mikesh from the Mountains | cantata for soli, mixed choir and instrumental accompaniment | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 375/A | Autograph score |   | 
								
				| 375/CHS | Choral score |   | 
								
				| 375/R2 | Reproduction of the autograph score |   | 
								
				| 375/TSA | Textual source |   | 
					
			|  | 
		
			| 376 | Chamber Music No. 1 | for clarinet, violin, viola, violoncello, harp and piano | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 376/A | Autograph score |   | 
					
			|  | 
		
			| 378 | Variations on a Slovak Folk Song | for violoncello and piano | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 378/A | Autograph score |   | 
								
				| 378/ARR | Score in foreign hand |  | 
					
			|  | 
		
			| 379 | The Bird Feast |  | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 379/A | Autograph score |   | 
								
				| 379/R | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 380 | Madrigals (Part-Song Book) | four madrigals for mixed choir | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 380/A | Autograph score |   | 
								
				| 380/D | Draft |   | 
					
			|  | 
		
			| 381 | Two Impromptus | for harpsichord | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 381/A2 | Autograph |  | 
								
				| 381/R(A2) | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 382 | Vigil | for organ | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 382/A | Autograph |   | 
								
				| 382/CS | Score in foreign hand |  | 
								
				| 382/R1 | Reproduction of the autograph score |  | 
								
				| 382/R2 | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 383 | The Prophecy of Isaiah [auth.] | cantata for soli, male choir and instrumental accompaniment | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 383/A | Autograph score |   | 
								
				| 383/CS | Score in foreign hand |  | 
								
				| 383/R1 | Reproduction of the autograph score |  | 
								
				| 383/R2 | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 384 | Greeting | for children's choir | 1959 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 384/A | Autograph |  | 
					
			|  | 
		
			| 888 | Unrealised Stage Works |  |  | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 888 – Běsi – AL | Textual source |   | 
								
				| 888 – Pomluva – SY1 | Synopsis |   | 
								
				| 888 – Pomluva – SY2 | Synopsis |  | 
								
				| 888 – Večery na dědince – ASY1 | Synopsis |   | 
								
				| 888 – Večery na dědince – ASY2 | Synopsis |   | 
								
				| 888 – Večery na dědince – ASY3 | Synopsis |   | 
								
				| 888 – Večery na dědince – ASY4 | Synopsis |   | 
					
			|  | 
		
			| 999 | Martinů's Manuscripts: Arrangements, Copies |  |  | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 999 – Aisha | Autograph |  | 
								
				| 999 – Dalibor | Autograph |  | 
								
				| 999 – Dvě vdovy | Autograph |  | 
								
				| 999 – Dvořák: Symfonie č. 8, II. Adagio | Autograph |  | 
								
				| 999 – Dvořák: Symfonie č. 9, II. Largo | Autograph |  | 
								
				| 999 – Chodské písně | Autograph |  | 
								
				| 999 – Jazzové aranže | Autograph |  | 
								
				| 999 – Kouzelná flétna | Autograph |  | 
								
				| 999 – La nuit | Autograph |   | 
								
				| 999 – Lidové písně z Českého lidu | Autograph |   | 
								
				| 999 – Lidové písně z Poličska a Litomyšlska | Autograph |  | 
								
				| 999 – Moc spěchám | Autograph |   | 
								
				| 999 – Obrazy, 1. řada | Autograph |  | 
								
				| 999 – Overtura Libuše | Autograph |   | 
								
				| 999 – Peer Gynt | Autograph |  | 
								
				| 999 – Pelléas a Mélisanda | Autograph |  | 
								
				| 999 – Písně Závišovy | Autograph |  | 
								
				| 999 – Pravoslavné chrámové sbory | Autograph |  | 
								
				| 999 – Slovenská hymna | Autograph |   | 
								
				| 999 – Songs of Greece | Autograph |  | 
								
				| 999 – Studie k Řeckým pašijím | Autograph |   | 
								
				| 999 – Werther | Autograph |  |