| Halbreich number | Title | Subtitle | Year of origin | 
 
			
			|  | 
		
			| 119 | Magic Nights [auth.] | three songs for soprano and orchestra | 1918 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 119/A1 | Autograph score |   | 
								
				| 119/A2 | Autograph score |   | 
								
				| 119/D | Draft |   | 
								
				| M 011a–e/Varia | Varia |   | 
								
				| M 024a–d/D | Draft |   | 
					
			|  | 
		
			| 120 | Sonata in C Major for Violin and Piano |  | 1919 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 120/A | Autograph score |   | 
								
				| 120/D | Draft |   | 
					
			|  | 
		
			| 122bis | The Little Lullaby [auth.] |  | 1919 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 122bis/A | Autograph |   | 
					
			|  | 
		
			| 122 | The Cat's Procession in the Solstice Night |  | 1919 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 122/A | Autograph score |   | 
					
			|  | 
		
			| 123bis | Foxtrot born “On the Corner” |  | 1920 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 123bis/ARR | Arrangement |  | 
					
			|  | 
		
			| 123 | Little Dance Suite | for large orchestra | 1919 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 123/A | Autograph |   | 
								
				| 123/P | Parts in copyist’s hand |   | 
								
				| M 010a–c/D | Draft |   | 
					
			|  | 
		
			| 124 | A Dream of the Past | for large orchestra | 1920 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 124/A | Autograph |   | 
					
			|  | 
		
			| 124ter | Windows into the Mist |  |  | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 124ter/AL1 | Autograph libretto |   | 
								
				| 124ter/AL2 | Autograph libretto |  | 
								
				| M 014a-b/D | Draft |  | 
					
			|  | 
		
			| 124bis | Andante |  | 1920 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 124bis/APR | Autograph piano reduction |   | 
					
			|  | 
		
			| 125bis | The Ceremonial March of "Kytara" |  | 1920 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 125bis/RA | Mechanical copy |  | 
					
			|  | 
		
			| 126 | Slovak Songs | 30 songs in two sets | 1920 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 126/A | Autograph |   | 
					
			|  | 
		
			| 127 | Butterflies and Birds of Paradise | three pieces for piano | 1920 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 127/A | Autograph |   | 
					
			|  | 
		
			| 127bis | One-step [auth.] | for piano | 1921 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 127bis/RA | Mechanical copy |  | 
					
			|  | 
		
			| 127ter | The Spring | small piano piece | 1921 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 127ter/A | Autograph |  | 
					
			|  | 
		
			| 128 | Evening at the Shore | three little piano pieces | 1921 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 128/A | Autograph |  | 
					
			|  | 
		
			| 129 | Three Songs for the Cabaret "Red Seven" |  | 1921 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 129/CS | Copy of the score |  | 
					
			|  | 
		
			| 129bis | Victory March | of the R.U.R. Sports Club in Polička | 1921 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 129bis/A | Autograph score |   | 
					
			|  | 
		
			| 130 | Istar [auth.] | ballet in 3 acts | 1921 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 130/A | Autograph score |   | 
								
				| 130/AL | Autograph libretto |   | 
								
				| 130/APR | Autograph piano reduction |   | 
								
				| 130/CS | Copy of the score |   | 
								
				| 130/D | Draft |   | 
								
				| 130/L | Libretto |   | 
								
				| 130/P | Parts in copyist’s hand |  | 
								
				| 130/PR1–4 | Klavírní výtah |  | 
								
				| 130/PSYA | Synopsis |  | 
					
			|  | 
		
			| 130 C | Istar: The Dance of the Priestesses | addition to the first act | 1923 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 130C/A | Autograph score |   | 
					
			|  | 
		
			| 131 | Vanishing Midnight | cycle of symphonic poems for large orchestra | 1922 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 131/A | Autograph |   | 
								
				| 131/D | Sketch |   | 
								
				| 131/P | Parts in copyist’s hand |  | 
								
				| M 011a–e/Varia | Varia |   | 
					
			|  | 
		
			| 133 | Who is the Most Powerful in the World | ballet comedy in 1 act | 1922 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 133/CS | Copy of the score |  | 
								
				| 133/L1–L3 | Libretto |   | 
								
				| 133/L4 | Libretto |   | 
								
				| 133/PR | Klavírní výtah |  | 
					
			|  | 
		
			| 134 | Folk Dances and Customs of the Slovácko Region | music for the documentary film | 1922 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 134/CS | Copy of the score |   | 
					
			|  | 
		
			| 135 | The Months | three songs with piano | 1922 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 135/A1 | Autograph score |   | 
								
				| 135/A2, CSA | Autograph score |   | 
								
				| 135/TS | Textual source |   | 
					
			|  | 
		
			| 135bis | Two Songs on Russian Poetry |  | 1922 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 135bis/A1 | Autograph |   | 
								
				| 135bis/A2 | Autograph |   | 
								
				| M 010a–c/D | Draft |   | 
					
			|  | 
		
			| 136 | String Trio No. 1 | for violin, viola and violoncello | 1923 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 136/A | Autograph |  | 
								
				| 136/AP | Autograph parts |  | 
					
			|  | 
		
			| 137 | Puppets I | five pieces for piano | 1925 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 137/A | Autograph score |   | 
								
				| 137/ARR | Arrangement |  | 
								
				| M 013a–c/ARR | Arrangement |  | 
					
			|  | 
		
			| 138bis | Scherzo [auth.] | for piano | 1924 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 138bis/A | Arrangement |  | 
					
			|  | 
		
			| 139 | Quartet for Clarinet, French Horn, Violoncello and Snare Drum | in C major | 1924 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 139/A | Autograph score |   | 
					
			|  | 
		
			| 140 | Prelude [auth.] |  | 1924 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 140/A | Autograph |  | 
					
			|  | 
		
			| 141 | Piano piece (without title) |  | 1924 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 141/A | Autograph |   | 
					
			|  | 
		
			| 142 | Half-time | rondo for large orchestra | 1924 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 142/ARR | Arrangement |   | 
								
				| 142/CS | Copy of the score |   | 
					
			|  | 
		
			| 143 | Concertino for violoncello, brass, piano and battery | in C minor | 1924 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 143/A | Autograph score |   | 
								
				| 143/CS | Score in copyist's hand |  | 
					
			|  | 
		
			| 144 | Nonet No.1 | for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano | 1925 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 144/A | Autograph |   | 
								
				| 144/D | Draft |   | 
								
				| 144/P | Parts in copyist’s hand |   | 
								
				| 144/P(Pf) | Part in copyist's hand |   | 
					
			|  | 
		
			| 146bis | Three Lullabies |  | 1925 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 146bis/A | Autograph score |   | 
					
			|  | 
		
			| 148 | Film en Miniature | cycle of piano pieces | 1925 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 148/A | Autograph score |   | 
								
				| 148/CSA | Score in copyist's hand |  | 
					
			|  | 
		
			| 149 | Concerto for Piano and Orchestra No. 1 | in D major | 1925 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 149/ASP | Autograph solo part |   | 
								
				| 149/CS | Copy of the score |  | 
								
				| 149/PR | Klavírní výtah |   | 
								
				| 149/RCS | Mechanical copy |   | 
					
			|  | 
		
			| 150 | String Quartet No. 2 |  | 1925 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 150/A1 | Autograph score |   | 
								
				| 150/A2 | Autograph score |  | 
								
				| 150/AP (Vl I) | Autograph part |   | 
								
				| 150/PSA1 | Printed score |  | 
								
				| 150/PSA2 | Printed score |   | 
					
			|  | 
		
			| 151 | The Revolt [auth.] | ballet sketch in 1 act | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 151/A | Autograph score |   | 
								
				| 151/APR | Autograph piano reduction |   | 
								
				| 151/ASY | Autograph synopsis |   | 
								
				| 151/CS | Copy of the score |   | 
								
				| 151/D | Draft |   | 
								
				| 151/PR | Klavírní výtah |   | 
					
			|  | 
		
			| 152 | Sonata in D Minor for Violin and Piano |  | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 152/A | Autograph |   | 
					
			|  | 
		
			| 153 A | Orchestral suite from the ballet The Butterfly that Stamped |  | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 153A/CS | Score in foreign hand |   | 
					
			|  | 
		
			| 153 | The Butterfly that Stamped [auth.] | ballet in 1 act | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 153/A1 | Autograph score |   | 
								
				| 153/A2 | Autograph score |   | 
								
				| 153/APR | Autograph piano reduction |   | 
					
			|  | 
		
			| 154 | Three Czech Dances | for piano | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 154/A1 | Autograph |  | 
								
				| 154/A2-1 | Autograph |   | 
								
				| 154/A2-2 | Autograph |  | 
								
				| 154/A3 | Autograph |   | 
								
				| 154/PSA | Arrangement |  | 
					
			|  | 
		
			| 155 | La Bagarre (The Tumult) | Allegro for large orchestra | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 155/A1 | Autograph |   | 
								
				| 155/A2 | Autograph |  | 
								
				| 155/CS | Copy of the score |  | 
								
				| 155/PS | Printed score |  | 
					
			|  | 
		
			| 157bis | The Hands |  | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 157bis/P | Parts in copyist’s hand |   | 
					
			|  | 
		
			| 157 | Duo for Violin and Violoncello No. 1 |  | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 157/A | Autograph score |   | 
								
				| 157/CSA | Copy of the score |  | 
								
				| 157/PSA1 | Printed score |  | 
								
				| 157/PSA2 | Printed score |  | 
					
			|  | 
		
			| 159 | The Amazing Flight | a mechanical ballet | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 159/A | Autograph score |  | 
								
				| 159/AL | Autograph libretto |   | 
					
			|  | 
		
			| 160 | Three Sketches |  | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 160/A | Autograph |   | 
					
			|  | 
		
			| 161 | The Kitchen Revue | jazz ballet in one act | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 161/A | Autograph |  | 
								
				| 161/L1 | Libretto |  | 
								
				| 161/L2 | Libretto |   | 
								
				| 161/LA | Libretto |   | 
					
			|  | 
		
			| 161 A | The Kitchen Revue | jazz-suite from the ballet | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 161A/A | Autograph score |   | 
					
			|  | 
		
			| 161 B | The Kitchen Revue | for piano |  | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 161B/A | Autograph |   | 
					
			|  | 
		
			| 162 | The Soldier and the Dancer | comic opera in 3 acts | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 162/A | Autograph score |   | 
								
				| 162/D1 | Draft |   | 
								
				| 162/L | Libretto |  | 
								
				| 162/LA1 | Libretto |   | 
								
				| 162/LA2 | Libretto |   | 
								
				| 162/P | Parts in copyist’s hand |  | 
								
				| 162/PR1 | Klavírní výtah |   | 
								
				| 162/PR2 | Klavírní výtah |   | 
								
				| M 014a-b/D | Draft |  | 
					
			|  | 
		
			| 163 | On Tourne! | ballet in 1 act | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 163/A | Autograph score |   | 
								
				| 163/AL | Autograph libretto |   | 
								
				| 163/APR, Aa | Autograph piano reduction |   | 
					
			|  | 
		
			| 164 | String Quintet for Two Violins, Two Violas and Violoncello | for Two Violins, Two Violas and Violoncello | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 164/A1 | Autograph |  | 
								
				| 164/A2 | Autograph |  | 
								
				| 164/D | Draft |   | 
								
				| 164/PSA | Printed score |  | 
								
				| 164/R(A1)A | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 165 | Black Bottom |  | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 165/A | Autograph |   | 
					
			|  | 
		
			| 166 | Impromptu | three compositions for violin and piano | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 166/A | Autograph score |   | 
					
			|  | 
		
			| 167 | Christmas | three pieces for piano | 1927 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 167/A | Autograph |   | 
								
				| 167/PSA | Printed score |   | 
					
			|  | 
		
			| 168 | Le Jazz |  | 1928 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 168/A | Autograph score |   | 
					
			|  | 
		
			| 169 | Tears of the Knife | opera in one act | 1928 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 169/A | Autograph score |   | 
								
				| 169/APR | Autograph piano reduction |   | 
								
				| 169/ASY | Synopsis |  | 
								
				| 169/L1 | Libretto |  | 
								
				| 169/L2 | Libretto |  | 
								
				| 169/SY | Synopsis |  | 
					
			|  | 
		
			| 170 | Four Movements |  | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 170/A | Autograph |   | 
					
			|  | 
		
			| 171 | Rhapsody | for large orchestra | 1928 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 171/A1 | Autograph score |   | 
								
				| 171/A2 | Autograph score |   | 
								
				| 171/P | Parts in copyist’s hand |   | 
					
			|  | 
		
			| 172 | Jazz Suite | for small orchestra | 1928 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 172/A | Autograph |   | 
								
				| 172/D | Sketch |   | 
					
			|  | 
		
			| 173 | Divertimento (Concertino) | for piano left hand and orchestra in G | 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 173/A | Autograph |   | 
								
				| 173/PR | Klavírní výtah |   | 
					
			|  | 
		
			| 173bis | Par T.S.F. |  | Nejpozději / No later than 1926 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 173bis/A | Autograph |  | 
					
			|  | 
		
			| 174 | Sextet | for wind instruments and piano | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 174/A | Autograph score |   | 
					
			|  | 
		
			| 175 | Three Wishes or Life’s Vicissitudes | Film-opera in 3 acts | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 175/A | Autograph |   | 
								
				| 175/APR | Autograph piano reduction |   | 
								
				| 175/ARR | Arrangement |  | 
								
				| 175/ASY1 | Synopsis |   | 
								
				| 175/ASY2 | Synopsis |  | 
								
				| 175/D | Draft |   | 
								
				| 175/L1 | Libretto |  | 
								
				| 175/L2 | Libretto |  | 
								
				| 175/L3 | Libretto |   | 
								
				| 175/LA | Libretto |  | 
								
				| 175/P | Parts in copyist’s hand |  | 
								
				| 175/R | Reproduction of the autograph score |   | 
								
				| 175/SY1 | Synopsis |  | 
								
				| 175/SY2 | Synopsis |  | 
								
				| 175/SY3 | Synopsis |  | 
								
				| 175/SY4 | Synopsis |   | 
								
				| 175/SYA1 | Synopsis |  | 
								
				| 175/SYA2 | Synopsis |  | 
								
				| 175/SYA3 | Synopsis |  | 
					
			|  | 
		
			| 177 | The Dance |  | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 177/A | Autograph |   | 
					
			|  | 
		
			| 178 | Prelude |  | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 178/A | Autograph |   | 
					
			|  | 
		
			| 180 | Fantasia | for two pianos | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 180/A | Autograph score |   | 
								
				| 180/CS | Manuscript in foreign hand |  | 
					
			|  | 
		
			| 181 | Eight Preludes | for piano | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 181/A | Autograph |  | 
								
				| 181/ARR(P,PR) | Arrangement |  | 
								
				| 181/PS | Printed score |   | 
					
			|  | 
		
			| 181bis | Tango and Allegretto | for piano | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 181bis/A | Autograph |   | 
					
			|  | 
		
			| 182 | Sonata for Violin and Piano No. 1 |  | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 182/A | Autograph |  | 
								
				| 182/ASP | Autograph solo part |  | 
								
				| 182/D | Draft |   | 
								
				| 182/PS | Printed score |  | 
								
				| 182/PSA | Printed score |  | 
					
			|  | 
		
			| 183 | String Quartet No. 3 |  | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 183/A | Autograph score |   | 
								
				| 183/PSA | Printed score |  | 
					
			|  | 
		
			| 184bis | Three Christmas Songs |  | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 184bis/A | Autograph score |   | 
					
			|  | 
		
			| 184 | Five Short Pieces | for violin and piano | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 184/A | Autograph |  | 
								
				| 184/ASP | Autograph solo part |  | 
								
				| 184/D | Draft |  | 
								
				| 184/PSA | Printed score |  | 
					
			|  | 
		
			| 185 | With One Finger | piano piece for three hands | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 185/A | Autograph |   | 
					
			|  | 
		
			| 186bis | Romance | for violin and piano | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 186bis/A | Autograph |   | 
					
			|  | 
		
			| 186 | Check to the King | jazz-ballet in 1 act | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 186/A | Autograph score |   | 
								
				| 186/APR | Autograph piano reduction |   | 
								
				| 186/L | Libretto |   | 
								
				| 186/R | Reproduction of the autograph score |  | 
					
			|  | 
		
			| 188 | Vocalise | étude for middle voice and piano | 1929 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 188/A | Autograph |   | 
					
			|  | 
		
			| 189 | Nocturnes | four études for violoncello and piano | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 189/A | Autograph |   | 
					
			|  | 
		
			| 190 | Pastorals | six pieces for violoncello and piano | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 190/A | Autograph |  | 
								
				| 190/D | Draft |  | 
					
			|  | 
		
			| 191 | Easy Etudes for Two Violins |  | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 191/A | Autograph |  | 
								
				| 191/D | Draft |  | 
					
			|  | 
		
			| 192 | Miniature Suite | seven easy pieces for violoncello and piano | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 192/A | Autograph score |   | 
					
			|  | 
		
			| 193 | Piano Trio No. 1 (Five short pieces) | for violin, violoncello and piano | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 193/A | Autograph score |   | 
								
				| 193/AP | Autograph parts |   | 
								
				| 193/PS, PP | Printed score |   | 
					
			|  | 
		
			| 194 | The Day of Charity / The Day of Good Deeds | Opera in 3 acts | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 194/A | Autograph |  | 
								
				| 194/APR | Autograph piano reduction |  | 
								
				| 194/L | Libretto |  | 
					
			|  | 
		
			| 195 A | Borová (Czech Dance No. 1) | for small orchestra | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 195A/CS | Score in foreign hand |  | 
					
			|  | 
		
			| 195 | Borová | seven Czech dances | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 195/A | Autograph score |  | 
								
				| 195/PS | Printed score |   | 
								
				| 195/PSA | Printed score |   | 
					
			|  | 
		
			| 196 I | Concerto for Violoncello and Orchestra No. 1, 1st version |  | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 196 I/A | Autograph |   | 
								
				| 196 I/APR | Autograph piano reduction |   | 
								
				| 196 I/ASP1 | Autograph solo part |   | 
								
				| 196 I/ASP2 | Autograph solo part |  | 
								
				| 196 I/D | Draft |  | 
								
				| 196 I/PPR | Printed piano reduction |  | 
								
				| 196 I/PSP1 | Printed solo part |  | 
								
				| 196 I/PSP2 | Printed solo part |  | 
					
			|  | 
		
			| 196 II | Concerto for Violoncello and Orchestra No. 1, 2nd version |  | 1939 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 196 II/A | Autograph |   | 
								
				| 196 II/P | Parts in copyist’s hand |  | 
								
				| 196 II/PPR | Printed piano reduction |   | 
					
			|  | 
		
			| 196 III | Concerto for Violoncello and Orchestra No. 1, 3rd version |  | 1955 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 196 III/A | Autograph score |   | 
								
				| 196 III/PFPR, PFSP | Mechanical copy |  | 
								
				| 196 III/PPRA, PSPA | Printed piano reduction |   | 
								
				| 196 III/PR | Klavírní výtah |   | 
								
				| 196 III/R([R]) | Mechanical copy |   | 
								
				| 196 III/RA | Reproduction of the autograph score |   | 
					
			|  | 
		
			| 197 | Three Songs after Poems by Guillaume Apollinaire |  | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 197/A | Autograph |  | 
								
				| 197/TS | Textual source |   | 
					
			|  | 
		
			| 198 | Sonatina for Two Violins and Piano |  | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 198/A | Autograph |  | 
					
			|  | 
		
			| 199 | Serenade | for chamber orchestra | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 199/A | Autograph score |   | 
					
			|  | 
		
			| 200 | Les Rondes | Suite of dances for oboe, clarinet, bassoon, trumpet, piano and two violins | 1930 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 200/A | Autograph score |   | 
								
				| 200/AP | Autograph parts |   | 
					
			|  | 
		
			| 202 | Rhythmic Etudes | for violin and piano | 1932 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 202/A | Autograph |   | 
					
			|  | 
		
			| 203 | Sketches | first series | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 203/A | Autograph |   | 
					
			|  | 
		
			| 205 | Four Pieces without a Title | Games, first series | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 205/A | Autograph |   | 
					
			|  | 
		
			| 206 | Games | six easy pieces for piano, second series | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 206/A | Autograph |   | 
					
			|  | 
		
			| 207 | String Quartet with Orchestra |  | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 207/A | Autograph score |   | 
								
				| 207/PP | Printed parts |  | 
								
				| 207/PS | Printed score |  | 
								
				| 207/PSP1 | Printed solo parts |  | 
								
				| 207/PSP2 | Printed parts |  | 
								
				| 207/SP | Manuscript in foreign hand |   | 
					
			|  | 
		
			| 208 | Sonata for Violin and Piano No. 2 |  | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 208/PSA1 | Printed score |   | 
								
				| 208/PSA2 | Printed score |  | 
					
			|  | 
		
			| 209 | Czech Nursery Rhymes | six female choruses | 1931 | 
		
			| Call number at the BM Institute | Type | Digital copy | 
								
				| 209/CHS1 | Choral score |   | 
								
				| 209/CHS2 | Mechanical copy |  |