| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 119 |
Magic Nights [auth.] |
three songs for soprano and orchestra |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 119/A1
|
Autograph score |
|
| 119/A2
|
Autograph score |
|
| 119/D
|
Draft |
|
| M 011a–e/Varia
|
Varia |
|
| M 024a–d/D
|
Draft |
|
|
| 120 |
Sonata in C Major for Violin and Piano |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 120/A
|
Autograph score |
|
| 120/D
|
Draft |
|
|
| 122bis |
The Little Lullaby [auth.] |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 122bis/A
|
Autograph |
|
|
| 122 |
The Cat's Procession in the Solstice Night |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 122/A
|
Autograph score |
|
|
| 123bis |
Foxtrot born “On the Corner” |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 123bis/ARR
|
Arrangement |
|
|
| 123 |
Little Dance Suite |
for large orchestra |
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 123/A
|
Autograph |
|
| 123/P
|
Parts in copyist’s hand |
|
| M 010a–c/D
|
Draft |
|
|
| 124 |
A Dream of the Past |
for large orchestra |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 124/A
|
Autograph |
|
|
| 124ter |
Windows into the Mist |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 124ter/AL1
|
Autograph libretto |
|
| 124ter/AL2
|
Autograph libretto |
|
| M 014a-b/D
|
Draft |
|
|
| 124bis |
Andante |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 124bis/APR
|
Autograph piano reduction |
|
|
| 125bis |
The Ceremonial March of "Kytara" |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 125bis/RA
|
Mechanical copy |
|
|
| 126 |
Slovak Songs |
30 songs in two sets |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 126/A
|
Autograph |
|
|
| 127 |
Butterflies and Birds of Paradise |
three pieces for piano |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127/A
|
Autograph |
|
|
| 127bis |
One-step [auth.] |
for piano |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127bis/RA
|
Mechanical copy |
|
|
| 127ter |
The Spring |
small piano piece |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127ter/A
|
Autograph |
|
|
| 128 |
Evening at the Shore |
three little piano pieces |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 128/A
|
Autograph |
|
|
| 129 |
Three Songs for the Cabaret "Red Seven" |
|
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 129/CS
|
Copy of the score |
|
|
| 129bis |
Victory March |
of the R.U.R. Sports Club in Polička |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 129bis/A
|
Autograph score |
|
|
| 130 |
Istar [auth.] |
ballet in 3 acts |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 130/A
|
Autograph score |
|
| 130/AL
|
Autograph libretto |
|
| 130/APR
|
Autograph piano reduction |
|
| 130/CS
|
Copy of the score |
|
| 130/D
|
Draft |
|
| 130/L
|
Libretto |
|
| 130/P
|
Parts in copyist’s hand |
|
| 130/PR1–4
|
Klavírní výtah |
|
| 130/PSYA
|
Synopsis |
|
|
| 130 C |
Istar: The Dance of the Priestesses |
addition to the first act |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 130C/A
|
Autograph score |
|
|
| 131 |
Vanishing Midnight |
cycle of symphonic poems for large orchestra |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 131/A
|
Autograph |
|
| 131/D
|
Sketch |
|
| 131/P
|
Parts in copyist’s hand |
|
| M 011a–e/Varia
|
Varia |
|
|
| 133 |
Who is the Most Powerful in the World |
ballet comedy in 1 act |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 133/CS
|
Copy of the score |
|
| 133/L1–L3
|
Libretto |
|
| 133/L4
|
Libretto |
|
| 133/PR
|
Klavírní výtah |
|
|
| 134 |
Folk Dances and Customs of the Slovácko Region |
music for the documentary film |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 134/CS
|
Copy of the score |
|
|
| 135 |
The Months |
three songs with piano |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135/A1
|
Autograph score |
|
| 135/A2, CSA
|
Autograph score |
|
| 135/TS
|
Textual source |
|
|
| 135bis |
Two Songs on Russian Poetry |
|
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135bis/A1
|
Autograph |
|
| 135bis/A2
|
Autograph |
|
| M 010a–c/D
|
Draft |
|
|
| 136 |
String Trio No. 1 |
for violin, viola and violoncello |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 136/A
|
Autograph |
|
| 136/AP
|
Autograph parts |
|
|
| 137 |
Puppets I |
five pieces for piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 137/A
|
Autograph score |
|
| 137/ARR
|
Arrangement |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 138bis |
Scherzo [auth.] |
for piano |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 138bis/A
|
Arrangement |
|
|
| 139 |
Quartet for Clarinet, French Horn, Violoncello and Snare Drum |
in C major |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 139/A
|
Autograph score |
|
|
| 140 |
Prelude [auth.] |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 140/A
|
Autograph |
|
|
| 141 |
Piano piece (without title) |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 141/A
|
Autograph |
|
|
| 142 |
Half-time |
rondo for large orchestra |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 142/ARR
|
Arrangement |
|
| 142/CS
|
Copy of the score |
|
|
| 143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 143/A
|
Autograph score |
|
| 143/CS
|
Score in copyist's hand |
|
|
| 144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 144/A
|
Autograph |
|
| 144/D
|
Draft |
|
| 144/P
|
Parts in copyist’s hand |
|
| 144/P(Pf)
|
Part in copyist's hand |
|
|
| 146bis |
Three Lullabies |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 146bis/A
|
Autograph score |
|
|
| 148 |
Film en Miniature |
cycle of piano pieces |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 148/A
|
Autograph score |
|
| 148/CSA
|
Score in copyist's hand |
|
|
| 149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 149/ASP
|
Autograph solo part |
|
| 149/CS
|
Copy of the score |
|
| 149/PR
|
Klavírní výtah |
|
| 149/RCS
|
Mechanical copy |
|
|
| 150 |
String Quartet No. 2 |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 150/A1
|
Autograph score |
|
| 150/A2
|
Autograph score |
|
| 150/AP (Vl I)
|
Autograph part |
|
| 150/PSA1
|
Printed score |
|
| 150/PSA2
|
Printed score |
|
|
| 151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 151/A
|
Autograph score |
|
| 151/APR
|
Autograph piano reduction |
|
| 151/ASY
|
Autograph synopsis |
|
| 151/CS
|
Copy of the score |
|
| 151/D
|
Draft |
|
| 151/PR
|
Klavírní výtah |
|
|
| 152 |
Sonata in D Minor for Violin and Piano |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 152/A
|
Autograph |
|
|
| 153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153A/CS
|
Score in foreign hand |
|
|
| 153 |
The Butterfly that Stamped [auth.] |
ballet in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153/A1
|
Autograph score |
|
| 153/A2
|
Autograph score |
|
| 153/APR
|
Autograph piano reduction |
|
|
| 154 |
Three Czech Dances |
for piano |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 154/A1
|
Autograph |
|
| 154/A2-1
|
Autograph |
|
| 154/A2-2
|
Autograph |
|
| 154/A3
|
Autograph |
|
| 154/PSA
|
Arrangement |
|
|
| 155 |
La Bagarre (The Tumult) |
Allegro for large orchestra |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 155/A1
|
Autograph |
|
| 155/A2
|
Autograph |
|
| 155/CS
|
Copy of the score |
|
| 155/PS
|
Printed score |
|
|
| 157bis |
The Hands |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 157bis/P
|
Parts in copyist’s hand |
|
|
| 157 |
Duo for Violin and Violoncello No. 1 |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 157/A
|
Autograph score |
|
| 157/CSA
|
Copy of the score |
|
| 157/PSA1
|
Printed score |
|
| 157/PSA2
|
Printed score |
|
|
| 159 |
The Amazing Flight |
a mechanical ballet |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 159/A
|
Autograph score |
|
| 159/AL
|
Autograph libretto |
|
|
| 160 |
Three Sketches |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 160/A
|
Autograph |
|
|
| 161 |
The Kitchen Revue |
jazz ballet in one act |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 161/A
|
Autograph |
|
| 161/L1
|
Libretto |
|
| 161/L2
|
Libretto |
|
| 161/LA
|
Libretto |
|
|
| 161 A |
The Kitchen Revue |
jazz-suite from the ballet |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 161A/A
|
Autograph score |
|
|
| 161 B |
The Kitchen Revue |
for piano |
|
| Call number at the BM Institute |
Type |
Digital copy |
| 161B/A
|
Autograph |
|
|
| 162 |
The Soldier and the Dancer |
comic opera in 3 acts |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 162/A
|
Autograph score |
|
| 162/D1
|
Draft |
|
| 162/L
|
Libretto |
|
| 162/LA1
|
Libretto |
|
| 162/LA2
|
Libretto |
|
| 162/P
|
Parts in copyist’s hand |
|
| 162/PR1
|
Klavírní výtah |
|
| 162/PR2
|
Klavírní výtah |
|
| M 014a-b/D
|
Draft |
|
|
| 163 |
On Tourne! |
ballet in 1 act |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 163/A
|
Autograph score |
|
| 163/AL
|
Autograph libretto |
|
| 163/APR, Aa
|
Autograph piano reduction |
|
|
| 164 |
String Quintet for Two Violins, Two Violas and Violoncello |
for Two Violins, Two Violas and Violoncello |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 164/A1
|
Autograph |
|
| 164/A2
|
Autograph |
|
| 164/D
|
Draft |
|
| 164/PSA
|
Printed score |
|
| 164/R(A1)A
|
Reproduction of the autograph score |
|
|
| 165 |
Black Bottom |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 165/A
|
Autograph |
|
|
| 166 |
Impromptu |
three compositions for violin and piano |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 166/A
|
Autograph score |
|
|
| 167 |
Christmas |
three pieces for piano |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 167/A
|
Autograph |
|
| 167/PSA
|
Printed score |
|
|
| 168 |
Le Jazz |
|
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 168/A
|
Autograph score |
|
|
| 169 |
Tears of the Knife |
opera in one act |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 169/A
|
Autograph score |
|
| 169/APR
|
Autograph piano reduction |
|
| 169/ASY
|
Synopsis |
|
| 169/L1
|
Libretto |
|
| 169/L2
|
Libretto |
|
| 169/SY
|
Synopsis |
|
|
| 170 |
Four Movements |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 170/A
|
Autograph |
|
|
| 171 |
Rhapsody |
for large orchestra |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 171/A1
|
Autograph score |
|
| 171/A2
|
Autograph score |
|
| 171/P
|
Parts in copyist’s hand |
|
|
| 172 |
Jazz Suite |
for small orchestra |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 172/A
|
Autograph |
|
| 172/D
|
Sketch |
|
|
| 173 |
Divertimento (Concertino) |
for piano left hand and orchestra in G |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 173/A
|
Autograph |
|
| 173/PR
|
Klavírní výtah |
|
|
| 173bis |
Par T.S.F. |
|
Nejpozději / No later than 1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 173bis/A
|
Autograph |
|
|
| 174 |
Sextet |
for wind instruments and piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 174/A
|
Autograph score |
|
|
| 175 |
Three Wishes or Life’s Vicissitudes |
Film-opera in 3 acts |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 175/A
|
Autograph |
|
| 175/APR
|
Autograph piano reduction |
|
| 175/ARR
|
Arrangement |
|
| 175/ASY1
|
Synopsis |
|
| 175/ASY2
|
Synopsis |
|
| 175/D
|
Draft |
|
| 175/L1
|
Libretto |
|
| 175/L2
|
Libretto |
|
| 175/L3
|
Libretto |
|
| 175/LA
|
Libretto |
|
| 175/P
|
Parts in copyist’s hand |
|
| 175/R
|
Reproduction of the autograph score |
|
| 175/SY1
|
Synopsis |
|
| 175/SY2
|
Synopsis |
|
| 175/SY3
|
Synopsis |
|
| 175/SY4
|
Synopsis |
|
| 175/SYA1
|
Synopsis |
|
| 175/SYA2
|
Synopsis |
|
| 175/SYA3
|
Synopsis |
|
|
| 177 |
The Dance |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 177/A
|
Autograph |
|
|
| 178 |
Prelude |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 178/A
|
Autograph |
|
|
| 180 |
Fantasia |
for two pianos |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 180/A
|
Autograph score |
|
| 180/CS
|
Manuscript in foreign hand |
|
|
| 181 |
Eight Preludes |
for piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 181/A
|
Autograph |
|
| 181/ARR(P,PR)
|
Arrangement |
|
| 181/PS
|
Printed score |
|
|
| 181bis |
Tango and Allegretto |
for piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 181bis/A
|
Autograph |
|
|
| 182 |
Sonata for Violin and Piano No. 1 |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 182/A
|
Autograph |
|
| 182/ASP
|
Autograph solo part |
|
| 182/D
|
Draft |
|
| 182/PS
|
Printed score |
|
| 182/PSA
|
Printed score |
|
|
| 183 |
String Quartet No. 3 |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 183/A
|
Autograph score |
|
| 183/PSA
|
Printed score |
|
|
| 184bis |
Three Christmas Songs |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 184bis/A
|
Autograph score |
|
|
| 184 |
Five Short Pieces |
for violin and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 184/A
|
Autograph |
|
| 184/ASP
|
Autograph solo part |
|
| 184/D
|
Draft |
|
| 184/PSA
|
Printed score |
|
|
| 185 |
With One Finger |
piano piece for three hands |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 185/A
|
Autograph |
|
|
| 186bis |
Romance |
for violin and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 186bis/A
|
Autograph |
|
|
| 186 |
Check to the King |
jazz-ballet in 1 act |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 186/A
|
Autograph score |
|
| 186/APR
|
Autograph piano reduction |
|
| 186/L
|
Libretto |
|
| 186/R
|
Reproduction of the autograph score |
|
|
| 188 |
Vocalise |
étude for middle voice and piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 188/A
|
Autograph |
|
|
| 189 |
Nocturnes |
four études for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 189/A
|
Autograph |
|
|
| 190 |
Pastorals |
six pieces for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 190/A
|
Autograph |
|
| 190/D
|
Draft |
|
|
| 191 |
Easy Etudes for Two Violins |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 191/A
|
Autograph |
|
| 191/D
|
Draft |
|
|
| 192 |
Miniature Suite |
seven easy pieces for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 192/A
|
Autograph score |
|
|
| 193 |
Piano Trio No. 1 (Five short pieces) |
for violin, violoncello and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 193/A
|
Autograph score |
|
| 193/AP
|
Autograph parts |
|
| 193/PS, PP
|
Printed score |
|
|
| 194 |
The Day of Charity / The Day of Good Deeds |
Opera in 3 acts |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 194/A
|
Autograph |
|
| 194/APR
|
Autograph piano reduction |
|
| 194/L
|
Libretto |
|
|
| 195 A |
Borová (Czech Dance No. 1) |
for small orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 195A/CS
|
Score in foreign hand |
|
|
| 195 |
Borová |
seven Czech dances |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 195/A
|
Autograph score |
|
| 195/PS
|
Printed score |
|
| 195/PSA
|
Printed score |
|
|
| 196 I |
Concerto for Violoncello and Orchestra No. 1, 1st version |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 I/A
|
Autograph |
|
| 196 I/APR
|
Autograph piano reduction |
|
| 196 I/ASP1
|
Autograph solo part |
|
| 196 I/ASP2
|
Autograph solo part |
|
| 196 I/D
|
Draft |
|
| 196 I/PPR
|
Printed piano reduction |
|
| 196 I/PSP1
|
Printed solo part |
|
| 196 I/PSP2
|
Printed solo part |
|
|
| 196 II |
Concerto for Violoncello and Orchestra No. 1, 2nd version |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 II/A
|
Autograph |
|
| 196 II/P
|
Parts in copyist’s hand |
|
| 196 II/PPR
|
Printed piano reduction |
|
|
| 196 III |
Concerto for Violoncello and Orchestra No. 1, 3rd version |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 III/A
|
Autograph score |
|
| 196 III/PFPR, PFSP
|
Mechanical copy |
|
| 196 III/PPRA, PSPA
|
Printed piano reduction |
|
| 196 III/PR
|
Klavírní výtah |
|
| 196 III/R([R])
|
Mechanical copy |
|
| 196 III/RA
|
Reproduction of the autograph score |
|
|
| 197 |
Three Songs after Poems by Guillaume Apollinaire |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 197/A
|
Autograph |
|
| 197/TS
|
Textual source |
|
|
| 198 |
Sonatina for Two Violins and Piano |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 198/A
|
Autograph |
|
|
| 199 |
Serenade |
for chamber orchestra |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 199/A
|
Autograph score |
|
|
| 200 |
Les Rondes |
Suite of dances for oboe, clarinet, bassoon, trumpet, piano and two violins |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 200/A
|
Autograph score |
|
| 200/AP
|
Autograph parts |
|
|
| 202 |
Rhythmic Etudes |
for violin and piano |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 202/A
|
Autograph |
|
|
| 203 |
Sketches |
first series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 203/A
|
Autograph |
|
|
| 205 |
Four Pieces without a Title |
Games, first series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 205/A
|
Autograph |
|
|
| 206 |
Games |
six easy pieces for piano, second series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 206/A
|
Autograph |
|
|
| 207 |
String Quartet with Orchestra |
|
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 207/A
|
Autograph score |
|
| 207/PP
|
Printed parts |
|
| 207/PS
|
Printed score |
|
| 207/PSP1
|
Printed solo parts |
|
| 207/PSP2
|
Printed parts |
|
| 207/SP
|
Manuscript in foreign hand |
|
|
| 208 |
Sonata for Violin and Piano No. 2 |
|
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 208/PSA1
|
Printed score |
|
| 208/PSA2
|
Printed score |
|
|
| 209 |
Czech Nursery Rhymes |
six female choruses |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 209/CHS1
|
Choral score |
|
| 209/CHS2
|
Mechanical copy |
|