Halbreich number |
Title |
Subtitle |
Year of origin |
|
140 |
Prelude [auth.] |
|
1924 |
Call number at BM Institute |
Type |
Digital copy |
140/A
|
Autograph |
|
|
141 |
Piano piece (without title) |
|
1924 |
Call number at BM Institute |
Type |
Digital copy |
141/A
|
Autograph |
|
|
142 |
Half-time |
rondo for large orchestra |
1924 |
Call number at BM Institute |
Type |
Digital copy |
142/CS
|
Copy of the score |
|
|
143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
Call number at BM Institute |
Type |
Digital copy |
143/CS
|
Score in copyist's hand |
|
|
144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
Call number at BM Institute |
Type |
Digital copy |
144/A
|
Autograph |
|
144/D
|
Draft |
|
|
146bis |
Three Lullabies |
|
1925 |
Call number at BM Institute |
Type |
Digital copy |
146bis/A
|
Autograph |
|
|
148 |
Film en Miniature |
cycle of piano pieces |
1925 |
Call number at BM Institute |
Type |
Digital copy |
148/A
|
Autograph |
|
148/CSA
|
Score in copyist's hand |
|
|
149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
Call number at BM Institute |
Type |
Digital copy |
149/RCS [1023 CS (2)]
|
Mechanical copy |
|
|
150 |
String Quartet No. 2 |
|
1925 |
Call number at BM Institute |
Type |
Digital copy |
150/A1
|
Autograph score |
|
150/A2
|
Autograph score |
|
150/AP (Vl I)
|
Autograph part |
|
150/PSA
|
Printed score |
|
|
151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1925 |
Call number at BM Institute |
Type |
Digital copy |
151/A
|
Autograph |
|
151/APR
|
Autograph piano reduction |
|
151/CS
|
Copy of the score |
|
151/D
|
Draft |
|
151/PR
|
Klavírní výtah |
|
|
152 |
Sonata in D Minor |
for violin and piano |
1926 |
Call number at BM Institute |
Type |
Digital copy |
152/A
|
Autograph |
|
|
153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
Call number at BM Institute |
Type |
Digital copy |
153A/CS
|
Printed score |
|
|
153 |
The Butterfly that Stamped [auth.] |
ballet in 1 act |
1926 |
Call number at BM Institute |
Type |
Digital copy |
153/A1
|
Autograph |
|
153/A2
|
Autograph |
|
153/APR
|
Autograph piano reduction |
|
|
154 |
Three Czech Dances |
for piano |
1926 |
Call number at BM Institute |
Type |
Digital copy |
154/A1
|
Autograph |
|
154/A2
|
Autograph |
|
154/A3
|
Autograph |
|
154/PSA
|
Arrangement |
|
|
155 |
La Bagarre (The Tumult) |
Allegro for large orchestra |
1926 |
Call number at BM Institute |
Type |
Digital copy |
155/A1
|
Autograph |
|
155/A2
|
Autograph |
|
155/CS
|
Copy of the score |
|
|
157bis |
The Hands |
|
1927 |
Call number at BM Institute |
Type |
Digital copy |
157bis/P
|
Parts in copyist’s hand |
|
|
157 |
Duo for Violin and Violoncello No. 1 |
|
1927 |
Call number at BM Institute |
Type |
Digital copy |
157/A
|
Autograph score |
|
157/CSA
|
Copy of the score |
|
157/PSA1
|
Printed score |
|
157/PSA2
|
Printed score |
|
|
159 |
The Amazing Flight |
a mechanical ballet |
1927 |
Call number at BM Institute |
Type |
Digital copy |
159/A
|
Autograph |
|
159/AL
|
Autograph libretto |
|
|
160 |
Three Sketches |
|
1927 |
Call number at BM Institute |
Type |
Digital copy |
160/A
|
Autograph |
|
|
161 |
The Kitchen Revue |
jazz ballet in one act |
1927 |
Call number at BM Institute |
Type |
Digital copy |
161/A
|
Autograph |
|
161/L1
|
Libretto |
|
161/L2
|
Libretto |
|
161/LA
|
Libretto |
|
|
161 A |
The Kitchen Revue |
jazz-suite from the ballet |
1927 |
Call number at BM Institute |
Type |
Digital copy |
161A/A
|
Autograph |
|
|
161 B |
The Kitchen Revue |
for piano |
|
Call number at BM Institute |
Type |
Digital copy |
161B/A
|
Autograph |
|
|
162 |
The Soldier and the Dancer |
comic opera in 3 acts |
1927 |
Call number at BM Institute |
Type |
Digital copy |
162/A
|
Autograph |
|
162/D1
|
Draft |
|
162/L
|
Libretto |
|
162/LA1
|
Libretto |
|
162/LA2
|
Libretto |
|
162/P
|
Parts in copyist’s hand |
|
162/PR1
|
Klavírní výtah |
|
162/PR2
|
Klavírní výtah |
|
M 014a-b/D
|
Draft |
|
|
163 |
On Tourne! |
ballet in 1 act |
1927 |
Call number at BM Institute |
Type |
Digital copy |
163/A
|
Autograph |
|
163/AL
|
Autograph libretto |
|
163/APR
|
Autograph piano reduction |
|
|
164 |
String Quintet for Two Violins, Two Violas and Violoncello |
for Two Violins, Two Violas and Violoncello |
1927 |
Call number at BM Institute |
Type |
Digital copy |
164/A1
|
Autograph |
|
164/A2
|
Autograph |
|
164/D
|
Draft |
|
164/PSA
|
Printed score |
|
164/R(A1)A
|
Reproduction of the autograph score |
|
|
165 |
Black Bottom |
|
1927 |
Call number at BM Institute |
Type |
Digital copy |
165/A
|
Autograph |
|
|
166 |
Impromptu |
three compositions for violin and piano |
1927 |
Call number at BM Institute |
Type |
Digital copy |
166/A
|
Autograph |
|
|
167 |
Christmas |
three pieces for piano |
1927 |
Call number at BM Institute |
Type |
Digital copy |
167/A
|
Autograph |
|
167/PSA
|
Printed score |
|
|
168 |
Le Jazz |
|
1928 |
Call number at BM Institute |
Type |
Digital copy |
168/A
|
Autograph |
|
|
169 |
Tears of the Knife |
opera in one act |
1928 |
Call number at BM Institute |
Type |
Digital copy |
169/A
|
Autograph |
|
169/APR
|
Autograph piano reduction |
|
169/ASY
|
Synopsis |
|
169/L1
|
Libretto |
|
169/L2
|
Libretto |
|
169/SY
|
Synopsis |
|
|
170 |
Four Movements |
|
1929 |
Call number at BM Institute |
Type |
Digital copy |
170/A
|
Autograph |
|
|
171 |
Rhapsody |
for large orchestra |
1928 |
Call number at BM Institute |
Type |
Digital copy |
171/A1
|
Autograph |
|
171/A2
|
Autograph |
|
171/P
|
Parts in copyist’s hand |
|
|
172 |
Jazz Suite |
for small orchestra |
1928 |
Call number at BM Institute |
Type |
Digital copy |
172/A
|
Autograph |
|
172/D
|
Sketch |
|
|
173 |
Divertimento (Concertino) |
for piano left hand and orchestra in G |
1926 |
Call number at BM Institute |
Type |
Digital copy |
173/A
|
Autograph |
|
173/PR
|
Klavírní výtah |
|
|
173bis |
Par T.S.F. |
|
1929 |
Call number at BM Institute |
Type |
Digital copy |
173bis/A
|
Autograph |
|
|
174 |
Sextet |
for wind instruments and piano |
1929 |
Call number at BM Institute |
Type |
Digital copy |
174/A
|
Autograph |
|
|
175 |
Three Wishes or Inconstancy of the Life |
Film-opera in 3 acts |
1929 |
Call number at BM Institute |
Type |
Digital copy |
175/A
|
Autograph |
|
175/APR
|
Autograph piano reduction |
|
175/ARR
|
Arrangement |
|
175/ASY1
|
Synopsis |
|
175/ASY2
|
Synopsis |
|
175/D
|
Draft |
|
175/L1
|
Libretto |
|
175/L2
|
Libretto |
|
175/LA
|
Libretto |
|
175/P
|
Parts in copyist’s hand |
|
175/R
|
Reproduction of the autograph score |
|
175/SY1
|
Synopsis |
|
175/SY2
|
Synopsis |
|
175/SY3
|
Synopsis |
|
175/SYA1
|
Synopsis |
|
175/SYA2
|
Synopsis |
|
|
178 |
Prelude |
|
1929 |
Call number at BM Institute |
Type |
Digital copy |
178/A
|
Autograph |
|
|
180 |
Fantasia |
for two pianos |
1929 |
Call number at BM Institute |
Type |
Digital copy |
180/A
|
Autograph |
|
180/CS
|
Manuscript in foreign hand |
|
|
181 |
Eight Preludes |
for piano |
1929 |
Call number at BM Institute |
Type |
Digital copy |
181/A
|
Autograph |
|
181/ARR(P,PR)
|
Arrangement |
|
|
181bis |
Tango and Allegretto |
for piano |
1929 |
Call number at BM Institute |
Type |
Digital copy |
181bis/A
|
Autograph |
|
|
182 |
Sonata No. 1 |
for violin and piano |
1929 |
Call number at BM Institute |
Type |
Digital copy |
182/A
|
Autograph |
|
182/ASP
|
Autograph solo part |
|
182/D
|
Draft |
|
182/PS
|
Printed score |
|
182/PSA
|
Printed score |
|
|
183 |
String Quartet No. 3 |
|
1929 |
Call number at BM Institute |
Type |
Digital copy |
183/A
|
Autograph |
|
183/PSA
|
Printed score |
|
|
184bis |
Three Christmas Songs |
|
1929 |
Call number at BM Institute |
Type |
Digital copy |
184bis/A
|
Autograph score |
|
|
184 |
Five Short Pieces |
for violin and piano |
1930 |
Call number at BM Institute |
Type |
Digital copy |
184/A
|
Autograph |
|
184/ASP
|
Autograph solo part |
|
184/D
|
Draft |
|
184/PSA
|
Printed score |
|
|
186 |
Check to the King |
jazz-ballet in 1 act |
1930 |
Call number at BM Institute |
Type |
Digital copy |
186/APR
|
Autograph piano reduction |
|
186/R
|
Reproduction of the autograph score |
|
|
188 |
Vocalise |
étude for middle voice and piano |
1929 |
Call number at BM Institute |
Type |
Digital copy |
188/A
|
Autograph |
|
|
189 |
Nocturnes |
four études for violoncello and piano |
1931 |
Call number at BM Institute |
Type |
Digital copy |
189/A
|
Autograph |
|
|
190 |
Pastorals |
six pieces for violoncello and piano |
1931 |
Call number at BM Institute |
Type |
Digital copy |
190/A
|
Autograph |
|
190/D
|
Draft |
|
|
191 |
Easy Etudes for Two Violins |
|
1930 |
Call number at BM Institute |
Type |
Digital copy |
191/A
|
Autograph |
|
191/D
|
Draft |
|
|
192 |
Miniature Suite |
seven easy pieces for violoncello and piano |
1931 |
Call number at BM Institute |
Type |
Digital copy |
192/A
|
Autograph |
|
|
193 |
Piano Trio No. 1 (Five short pieces) |
for violin, violoncello and piano |
1930 |
Call number at BM Institute |
Type |
Digital copy |
193/A
|
Autograph |
|
193/AP
|
Autograph parts |
|
193/PS, PP
|
Printed score |
|
|
194 |
The Day of Good Deeds |
Opera in 3 acts |
1931 |
Call number at BM Institute |
Type |
Digital copy |
194/A
|
Autograph |
|
194/APR
|
Autograph piano reduction |
|
194/L
|
Libretto |
|
|
195 A |
Borová (Czech Dance No. 1) |
for small orchestra |
1931 |
Call number at BM Institute |
Type |
Digital copy |
195A/CS
|
Score in foreign hand |
|
|
195 |
Borová |
seven Czech dances |
1930 |
Call number at BM Institute |
Type |
Digital copy |
195/A
|
Autograph score |
|
195/PS2
|
Printed score |
|
195/PSA
|
Printed score |
|
|
196 I |
Concerto for Violoncello and Orchestra No. 1 |
|
1930 |
Call number at BM Institute |
Type |
Digital copy |
196 I/A
|
Autograph |
|
196 I/APR
|
Autograph piano reduction |
|
196 I/ASP1
|
Autograph solo part |
|
196 I/ASP2
|
Autograph solo part |
|
196 I/D
|
Draft |
|
196 I/PPR
|
Printed piano reduction |
|
196 I/PSP1
|
Printed solo part |
|
196 I/PSP2
|
Printed solo part |
|
|
196 II |
Concerto for Violoncello and Orchestra No. 1 |
|
1939 |
Call number at BM Institute |
Type |
Digital copy |
196 II/A
|
Autograph |
|
196 II/P
|
Parts in copyist’s hand |
|
|
196 III |
Concerto for Violoncello and Orchestra No. 1 |
|
1955 |
Call number at BM Institute |
Type |
Digital copy |
196 III/PFPR, PFSP
|
Mechanical copy |
|
196 III/PPRA
|
Printed piano reduction |
|
196 III/PR
|
Klavírní výtah |
|
196 III/PSPA
|
Printed solo part |
|
196 III/R([R])
|
Mechanical copy |
|
196 III/RA
|
Reproduction of the autograph score |
|
|
197 |
Three Songs after Poems by Guillaume Apollinaire |
|
1930 |
Call number at BM Institute |
Type |
Digital copy |
197/A
|
Autograph |
|
197/TS
|
Textual source |
|
|
198 |
Sonatina for Two Violins and Piano |
|
1930 |
Call number at BM Institute |
Type |
Digital copy |
198/A
|
Autograph |
|
|
199 |
Serenade |
for chamber orchestra |
1930 |
Call number at BM Institute |
Type |
Digital copy |
199/A
|
Autograph |
|
|
200 |
Les Rondes |
Suite of dances for oboe, clarinet, bassoon, trumpet, piano and two violins |
1930 |
Call number at BM Institute |
Type |
Digital copy |
200/A
|
Autograph |
|
200/AP
|
Autograph parts |
|
|
202 |
Rhythmic Etudes |
for violin and piano |
1932 |
Call number at BM Institute |
Type |
Digital copy |
202/A
|
Autograph |
|
|
205 |
Four Pieces without a Title |
Games, first series |
1931 |
Call number at BM Institute |
Type |
Digital copy |
205/A
|
Autograph |
|
|
206 |
Games |
six easy pieces for piano, second series |
1931 |
Call number at BM Institute |
Type |
Digital copy |
206/A
|
Autograph |
|
|
207 |
String Quartet with Orchestra |
|
1931 |
Call number at BM Institute |
Type |
Digital copy |
207/A
|
Autograph |
|
207/PP
|
Printed parts |
|
207/PS
|
Printed score |
|
207/PSP1
|
Printed solo parts |
|
207/PSP2
|
Printed parts |
|
207/SP
|
Manuscript in foreign hand |
|
|
208 |
Sonata No. 2 |
for violin and piano |
1931 |
Call number at BM Institute |
Type |
Digital copy |
208/PSA
|
Printed score |
|
|
209 |
Czech Nursery Rhymes |
six female choruses |
1931 |
Call number at BM Institute |
Type |
Digital copy |
209/CHS1
|
Choral score |
|
209/CHS2
|
Mechanical copy |
|
|
212 |
Partita (Suite No. 1) |
for string orchestra |
1931 |
Call number at BM Institute |
Type |
Digital copy |
212/A
|
Autograph |
|
212/PR
|
Klavírní výtah |
|
|
213 |
Sonata for Two Violins and Piano |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
213/PS
|
Printed score |
|
|
213bis |
Two Songs |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
213bis/R
|
Mechanical copy |
|
|
214 I |
The Chap-Book |
ballet with singing in 3 acts |
1932 |
Call number at BM Institute |
Type |
Digital copy |
214 I/A1
|
Autograph score |
|
214 I/A2
|
Autograph score |
|
214 I/A3
|
Autograph score |
|
214 I/A4
|
Autograph score |
|
214 I/APR1
|
Autograph piano reduction |
|
214 I/APR2
|
Autograph piano reduction |
|
214 I/APR3
|
Autograph piano reduction |
|
214 I/APR4
|
Autograph piano reduction |
|
214 I/ASY
|
Synopsis |
|
214 I/CHS1
|
Choral score |
|
214 I/CHS2
|
Choral score |
|
214 I/P1
|
Parts in copyist’s hand |
|
214 I/P2
|
Parts in copyist’s hand |
|
214 I/PR1
|
Klavírní výtah |
|
214 I/PR2
|
Klavírní výtah |
|
214 I/PR3
|
Klavírní výtah |
|
|
214 II |
The Chap-Book |
ballet with singing in 3 acts |
1940 |
Call number at BM Institute |
Type |
Digital copy |
214 II/A
|
Autograph |
|
214 II/ASY
|
Synopsis |
|
214 II/CS
|
Score in foreign hand |
|
214 II/PR1
|
Klavírní výtah |
|
214 II/PR2
|
Klavírní výtah |
|
214 II/PR3
|
Klavírní výtah |
|
|
214 I A |
The Spectre´s Bride |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
214 I/A4
|
Autograph score |
|
214 I/ASY
|
Synopsis |
|
214 I/CHS1
|
Choral score |
|
214 I/CHS2
|
Choral score |
|
214 I/P1
|
Parts in copyist’s hand |
|
214 I/P2
|
Parts in copyist’s hand |
|
214 I/PR1
|
Klavírní výtah |
|
214 I/PR2
|
Klavírní výtah |
|
214 I/PR3
|
Klavírní výtah |
|
|
215 |
Divertimento (Serenade No. 4) |
for chamber orchestra |
1932 |
Call number at BM Institute |
Type |
Digital copy |
215/A
|
Autograph |
|
M 015a-d/P
|
Parts in copyist’s hand |
|
|
216 |
Serenade No. 2 |
for two violins and viola |
1932 |
Call number at BM Institute |
Type |
Digital copy |
216/A
|
Autograph |
|
M 015a-d/P
|
Parts in copyist’s hand |
|
|
217 |
Serenade No. 1 |
for clarinet, french horn, three violins and viola |
1932 |
Call number at BM Institute |
Type |
Digital copy |
217/A
|
Autograph |
|
M 015a-d/P
|
Parts in copyist’s hand |
|
|
218 |
Serenade No. 3 |
for oboe, clarinet, four violins and violoncello |
1932 |
Call number at BM Institute |
Type |
Digital copy |
218/A
|
Autograph |
|
M 015a-d/P
|
Parts in copyist’s hand |
|
|
219 |
Sinfonia Concertante |
for two orchestras |
1932 |
Call number at BM Institute |
Type |
Digital copy |
219/A
|
Autograph |
|
M 016a-b/D
|
Draft |
|
|
220 |
Dance Sketches |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
220/A
|
Autograph |
|
220/PSA
|
Printed score |
|
|
221 |
Children`s Pieces |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
221/A
|
Autograph |
|
|
222 |
Note into a Scrapbook |
(No. 1) |
1932 |
Call number at BM Institute |
Type |
Digital copy |
222/A
|
Autograph |
|
|
224 |
String Sextet |
for two violins, two violas and two violoncellos |
1932 |
Call number at BM Institute |
Type |
Digital copy |
224/A
|
Autograph |
|
224/AP
|
Autograph parts |
|
224/P
|
Parts in copyist’s hand |
|
224/RA
|
Reproduction of the autograph score |
|
M 016a-b/D
|
Draft |
|
|
224 A |
String Sextet |
arrangement for string orchestra |
|
Call number at BM Institute |
Type |
Digital copy |
224/AP
|
Autograph parts |
|
224/RA
|
Reproduction of the autograph score |
|
|
225 |
Four children`s songs and rhymes |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
225/A
|
Autograph |
|
|
226 |
Concerto for Violin and Orchestra No. 1 |
|
1933 |
Call number at BM Institute |
Type |
Digital copy |
226/A1
|
Autograph |
|
226/A2
|
Autograph |
|
226/D1
|
Sketch |
|
226/D2
|
Sketch |
|
226/P
|
Parts in copyist’s hand |
|
226/SP
|
Solo part in copyist’s hand |
|
|
227 |
Ritornellos |
six piano pieces |
1932 |
Call number at BM Institute |
Type |
Digital copy |
227/A
|
Autograph |
|
227/PS
|
Printed score |
|
227/PSA
|
Printed score |
|
|
228 |
Two Ballads to Folk Poetry Lyrics |
for alto and piano |
1932 |
Call number at BM Institute |
Type |
Digital copy |
228/A
|
Autograph |
|
|
229 |
Piano Quintet No. 1 |
|
1933 |
Call number at BM Institute |
Type |
Digital copy |
229/A
|
Autograph |
|
|
230 |
Easter Song |
|
1933 |
Call number at BM Institute |
Type |
Digital copy |
230/R
|
Reproduction of the autograph score |
|
|
231 |
Concerto for Piano Trio and String Orchestra |
|
1933 |
Call number at BM Institute |
Type |
Digital copy |
231/R
|
Reproduction of the autograph score |
|
|
232 |
Concertino for Piano Trio and String Orchestra |
|
1933 |
Call number at BM Institute |
Type |
Digital copy |
232/A
|
Autograph |
|
|
232bis |
Two Songs to the Texts of Negro Folk-Poetry |
|
1932 |
Call number at BM Institute |
Type |
Digital copy |
232bis/CS
|
Score in foreign hand |
|
|
233 |
Marijka the Unfaithful |
music for the film |
1933 |
Call number at BM Institute |
Type |
Digital copy |
233/D
|
Draft |
|
|
234 |
Inventions [auth.] |
for large orchestra |
1934 |
Call number at BM Institute |
Type |
Digital copy |
234/A
|
Autograph |
|
|
235 |
Four Songs About Mary |
for mixed chorus |
1934 |
Call number at BM Institute |
Type |
Digital copy |
235/A
|
Autograph |
|
235/D
|
Draft |
|
|
236/2 I |
Mariken of Nimègue |
first version of the 2nd act from the Miracles of Mary |
1934 |
Call number at BM Institute |
Type |
Digital copy |
236/2_I/A
|
Autograph |
|
236/2_I/APR
|
Autograph piano reduction |
|
|
236 |
The Plays of Mary |
|
1934 |
Call number at BM Institute |
Type |
Digital copy |
236/2_I/A
|
Autograph |
|
236/2_I/APR
|
Autograph piano reduction |
|
236/A1
|
Autograph |
|
236/A2
|
Autograph |
|
236/APR1
|
Autograph piano reduction |
|
236/APR2
|
Autograph piano reduction |
|
236/CS
|
Copy of the score |
|
236/D
|
Draft |
|
236/DLA
|
Textual source |
|
236/L
|
Libretto |
|
236/PR1
|
Klavírní výtah |
|
236/PR2
|
Klavírní výtah |
|
236/SY
|
Synopsis |
|
|
237 |
Concerto for Piano and Orchestra No. 2 |
|
1934 |
Call number at BM Institute |
Type |
Digital copy |
237/A1
|
Autograph |
|
237/A2
|
Autograph |
|
237/APR1
|
Autograph piano reduction |
|
237/ASP
|
Autograph solo part |
|
237/D, APR2
|
Draft |
|
237/PA, R(PA)
|
Parts in copyist’s hand |
|
|
238 |
String Trio No. 2 |
for violin, viola and violoncello |
1934 |
Call number at BM Institute |
Type |
Digital copy |
238/A
|
Autograph |
|
238/CS
|
Score in foreign hand |
|