| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 212 |
Partita (Suite No. 1) |
for string orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 212/A
|
Autograph score |
|
| 212/PR
|
Klavírní výtah |
|
|
| 213 |
Sonata for Two Violins and Piano |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 213/PS
|
Printed score |
|
|
| 213bis |
Two Songs |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 213bis/R
|
Mechanical copy |
|
|
| 214 I |
The Chap-Book, 1st version |
ballet with singing in 3 acts |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 I/A1
|
Autograph score |
|
| 214 I/A2
|
Autograph score |
|
| 214 I/A3
|
Autograph score |
|
| 214 I/A4
|
Autograph score |
|
| 214 I/APR1
|
Autograph piano reduction |
|
| 214 I/APR2
|
Autograph piano reduction |
|
| 214 I/APR3
|
Autograph piano reduction |
|
| 214 I/APR4
|
Autograph piano reduction |
|
| 214 I/ASY
|
Synopsis |
|
| 214 I/CHS1
|
Choral score |
|
| 214 I/CHS2
|
Choral score |
|
| 214 I/P1
|
Parts in copyist’s hand |
|
| 214 I/P2
|
Parts in copyist’s hand |
|
| 214 I/PR1
|
Klavírní výtah |
|
| 214 I/PR2
|
Klavírní výtah |
|
| 214 I/PR3
|
Klavírní výtah |
|
|
| 214 II |
The Chap-Book, 2nd version |
ballet with singing in 3 acts |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 II/A
|
Autograph score |
|
| 214 II/ASY
|
Synopsis |
|
| 214 II/CS
|
Score in foreign hand |
|
| 214 II/PR1
|
Klavírní výtah |
|
| 214 II/PR2
|
Klavírní výtah |
|
| 214 II/PR3
|
Klavírní výtah |
|
|
| 214 I A |
The Spectre´s Bride |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 I/A4
|
Autograph score |
|
| 214 I/ASY
|
Synopsis |
|
| 214 I/CHS1
|
Choral score |
|
| 214 I/CHS2
|
Choral score |
|
| 214 I/P1
|
Parts in copyist’s hand |
|
| 214 I/P2
|
Parts in copyist’s hand |
|
| 214 I/PR1
|
Klavírní výtah |
|
| 214 I/PR2
|
Klavírní výtah |
|
| 214 I/PR3
|
Klavírní výtah |
|
|
| 215 |
Divertimento (Serenade No. 4) |
for chamber orchestra |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 215/A
|
Autograph |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 216 |
Serenade No. 2 |
for two violins and viola |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 216/A
|
Autograph |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 217 |
Serenade No. 1 |
for clarinet, french horn, three violins and viola |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 217/A
|
Autograph score |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 218 |
Serenade No. 3 |
for oboe, clarinet, four violins and violoncello |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 218/A
|
Autograph score |
|
| 218/PR
|
Klavírní výtah |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 219 |
Sinfonia Concertante |
for two orchestras |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 219/A
|
Autograph score |
|
| M 016a-b/D
|
Draft |
|
|
| 220 |
Dance Sketches |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 220/A
|
Autograph |
|
| 220/PSA
|
Printed score |
|
|
| 221 |
To Božánek and Sonička |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 221/A
|
Autograph |
|
|
| 222 |
Note into a Scrapbook |
(No. 1) |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 222/A
|
Autograph |
|
|
| 224 |
String Sextet |
for two violins, two violas and two violoncellos |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 224/A
|
Autograph |
|
| 224/AP
|
Autograph parts |
|
| 224/P
|
Parts in copyist’s hand |
|
| 224/RA
|
Reproduction of the autograph score |
|
| M 016a-b/D
|
Draft |
|
|
| 224 A |
String Sextet |
arrangement for string orchestra |
|
| Call number at the BM Institute |
Type |
Digital copy |
| 224/AP
|
Autograph parts |
|
| 224/RA
|
Reproduction of the autograph score |
|
|
| 225 |
Four children`s songs and rhymes |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 225/A
|
Autograph |
|
|
| 226 |
Concerto for Violin and Orchestra No. 1 |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 226/A1
|
Autograph |
|
| 226/A2
|
Autograph |
|
| 226/D1
|
Sketch |
|
| 226/D2
|
Sketch |
|
| 226/P
|
Parts in copyist’s hand |
|
| 226/SP
|
Solo part in copyist’s hand |
|
|
| 227 |
Ritornellos |
six piano pieces |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 227/A
|
Autograph |
|
| 227/PS
|
Printed score |
|
| 227/PSA
|
Printed score |
|
|
| 228 |
Two Ballads to Folk Poetry Lyrics |
for alto and piano |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 228/A
|
Autograph |
|
|
| 229 |
Piano Quintet No. 1 |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 229/A
|
Autograph |
|
|
| 230 |
Easter Song |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 230/R
|
Reproduction of the autograph score |
|
|
| 231 |
Concerto for Piano Trio and String Orchestra |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 231/R
|
Reproduction of the autograph score |
|
|
| 232 |
Concertino for Piano Trio and String Orchestra |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 232/A
|
Autograph score |
|
|
| 232bis |
Two Songs to the Texts of Negro Folk-Poetry |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 232bis/CS
|
Score in foreign hand |
|
|
| 233 |
Marijka the Unfaithful |
music for the film |
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 233/D
|
Draft |
|
|
| 234 |
Inventions [auth.] |
for large orchestra |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 234/A
|
Autograph score |
|
|
| 235 |
Four Songs About Mary |
for mixed chorus |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 235/A
|
Autograph |
|
| 235/D
|
Draft |
|
|
| 236/2 I |
Mariken of Nimègue |
first version of the 2nd act from the Miracles of Mary |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 236/2_I/A
|
Autograph score |
|
| 236/2_I/APR
|
Autograph piano reduction |
|
| 236/2_I/ASY
|
Synopsis |
|
| 236/2_I/L
|
Libretto |
|
| 236/2_I/SY
|
Synopsis |
|
| 236/2_I/TS1
|
Textual source |
|
| 236/2_I/TS2
|
Textual source |
|
| 236/2_I/TSA
|
Textual source |
|
|
| 236 |
The Plays of Mary |
|
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 236/A1
|
Autograph |
|
| 236/A2
|
Autograph |
|
| 236/APR1
|
Autograph piano reduction |
|
| 236/APR2
|
Autograph piano reduction |
|
| 236/CS
|
Copy of the score |
|
| 236/D1
|
Draft |
|
| 236/D2
|
Draft |
|
| 236/DLA
|
Textual source |
|
| 236/L
|
Libretto |
|
| 236/PR1
|
Klavírní výtah |
|
| 236/PR2
|
Klavírní výtah |
|
| 236/PR4
|
Klavírní výtah |
|
| 236/R(PR3)
|
Reproduction of the piano reduction |
|
| 236/SY
|
Synopsis |
|
|
| 237 |
Concerto for Piano and Orchestra No. 2 |
|
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 237/A1
|
Autograph |
|
| 237/A2
|
Autograph |
|
| 237/APR1
|
Autograph piano reduction |
|
| 237/ASP
|
Autograph solo part |
|
| 237/D, APR2
|
Draft |
|
| 237/PA, R(PA)
|
Parts in copyist’s hand |
|
|
| 238 |
String Trio No. 2 |
for violin, viola and violoncello |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 238/A
|
Autograph |
|
| 238/CS
|
Score in foreign hand |
|
|
| 239 |
Lady's Shoe |
music for a documentary and promotional film |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 239/A
|
Autograph |
|
|
| 240 |
City of the Water of Life: Mariánské Lázně |
music for the documentary film |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 240/A
|
Autograph |
|
| M 021/D
|
Draft |
|
|
| 240 A |
Interlude |
from the film City of the Water of Life: Mariánské Lázně |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 240 A/A
|
Autograph |
|
|
| 242 |
Composition for Little Evas |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 242/A
|
Autograph |
|
|
| 243 |
The Voice of the Forest |
radio-opera in 1 act |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 243/A1
|
Autograph score |
|
| 243/A2
|
Autograph |
|
| 243/L
|
Libretto |
|
|
| 244 |
Two Pieces for Harpsichord |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 244/A
|
Autograph |
|
| 244/CS
|
Copy of the score |
|
|
| 246 |
Concerto for Harpsichord and Small Orchestra |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 246/A
|
Autograph score |
|
| 246/D
|
Draft |
|
| 246/PR
|
Klavírní výtah |
|
| 246/RA
|
Reproduction of the autograph score |
|
| 246/SP
|
Solo part in copyist’s hand |
|
| 246/SPA
|
Solo part in copyist’s hand |
|
|
| 247 |
Comedy on the Bridge |
radio-opera in 1 act |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 247/A
|
Autograph score |
|
| 247/CS1
|
Copy of the score |
|
| 247/CS2
|
Copy of the score |
|
| 247/CS3, P
|
Performance material |
|
| 247/D
|
Sketch |
|
| 247/L
|
Libretto |
|
| 247/LC
|
List of corrections |
|
| 247/PR1, PR2
|
Klavírní výtah |
|
| 247/R(PR3), RALC, LC
|
Reproduction of the piano reduction |
|
|
| 247 A |
Little Suite |
from the Opera "Comedy on the Bridge" |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 247 A/ARR
|
Arrangement |
|
| 247 A/RAP
|
Reproduction of handwritten parts |
|
|
| 248 |
Oidipus |
stage music to the play by André Gide |
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 248/A
|
Autograph |
|
| 248/TS1
|
Textual source |
|
| 248/TS2
|
Textual source |
|
|
| 250 |
Dumka (No. 2) |
|
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 250/ARR
|
Arrangement |
|
|
| 251 |
Theatre Behind the Gate |
opera-ballet in 3 acts |
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 251/A
|
Autograph score |
|
| 251/APR
|
Autograph piano reduction |
|
|
| 252 |
Concerto for Flute, Violin and Orchestra |
|
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 252/A
|
Autograph |
|
| 252/CS
|
Copy of the score |
|
|
| 253 |
Juliette (The Key to Dreams) |
lyric opera in 3 acts |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 253/A
|
Autograph score |
|
| 253/APR
|
Autograph piano reduction |
|
| 253/D
|
Draft |
|
| 253/L1
|
Libretto |
|
| 253/L2
|
Libretto |
|
| 253/PF
|
Proof of score |
|
| 253/PPR1
|
Printed piano reduction |
|
| 253/PPR2
|
Printed piano reduction |
|
| 253/PPR3
|
Printed piano reduction |
|
| 253/PRA
|
Klavírní výtah |
|
| 253/TS
|
Textual source |
|
| 253/TSA
|
Textual source |
|
|
| 253 A |
Three Fragments from the Opera Juliette |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 253 A/A1
|
Autograph |
|
| 253 A/A2
|
Autograph |
|
| 253 A/APR
|
Autograph piano reduction |
|
| 253 A/ASP
|
Autograph solo part |
|
|
| 254 |
Sonata for Flute, Violin and Piano |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 254/A
|
Autograph score |
|
| M 017a-b/D
|
Draft |
|
|
| 255 |
Alexander Bis |
opera buffa in 1 act |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 255/A
|
Autograph score |
|
| 255/Aa
|
Autograph score |
|
| 255/APR
|
Autograph piano reduction |
|
| 255/D
|
Draft |
|
| 255/L
|
Libretto |
|
|
| 256 |
String Quartet No. 4 |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 256/A
|
Autograph |
|
| 256/D1
|
Draft |
|
| 256/R
|
Reproduction of the autograph score |
|
| M 017a-b/D
|
Draft |
|
|
| 257 |
Crotchets and Quavers |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 257/CS
|
Copy of the score |
|
|
| 258 |
The Hounted Train |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 258/A
|
Autograph |
|
|
| 260 |
Bouquet of Flowers |
a cycle of compositions to folk texts for mixed chorus (children`s chorus), soli and small orchestra |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 260/A
|
Autograph score |
|
| 260/CS
|
Copy of the score |
|
|
| 261 |
Intermezzo |
four pieces for violin and piano |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 261/A
|
Autograph score |
|
|
| 262 |
Sonatine for Violin and Piano |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 262/A
|
Autograph score |
|
|
| 263 |
Concerto Grosso |
for chamber orchestra |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 263/PS
|
Printed score |
|
| 263/R
|
Reproduction of the autograph score |
|
|
| 264 |
Duo Concertant |
for Two Violins and Orchestra |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 264/A
|
Autograph score |
|
| 264/APR
|
Autograph piano reduction |
|
|
| 266 |
Four Madrigals |
for oboe, clarinet and bassoon |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 266/A
|
Autograph score |
|
|
| 267 |
Tre Ricercari |
for chamber orchestra |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 267/A
|
Autograph score |
|
| 267/CS
|
Copy of the score |
|
| 267/D
|
Draft |
|
| 267/PS
|
Printed score |
|
| 267/PSA
|
Printed score |
|
|
| 268 |
String Quartet No. 5 |
|
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 268/A
|
Autograph score |
|
| 268/Aa
|
Autograph |
|
| 268/D1
|
Draft |
|
| 268/D2
|
Draft |
|
| 268/PA
|
Part in copyist's hand |
|
|
| 269 |
Concertino for Piano and Orchestra |
|
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 269/A
|
Autograph score |
|
|
| 270 |
Windows to the Garden |
cycle of piano pieces |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 270/A
|
Autograph |
|
| 270/R
|
Reproduction of the autograph score |
|
|
| 271 |
Double Concerto |
for two string orchestras, piano and timpani |
1938 |
| Call number at the BM Institute |
Type |
Digital copy |
| 271/P1
|
Parts in copyist’s hand |
|
| 271/P2
|
Parts in copyist’s hand |
|
|
| 273 |
I Know a Grove |
To Vitulka's Mother For Birthday |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 273/A
|
Autograph |
|
|
| 274 |
Promenades |
for Flute, Violin and Harpsichord |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 274/A
|
Autograph |
|
| 274/AP
|
Autograph parts |
|
|
| 275 |
Bergerettes |
for Violin, Violoncello and Piano |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 275/R
|
Reproduction of the autograph score |
|
|
| 276 II |
Suite Concertante for Violin and Orchestra [auth.] |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 276 II/D
|
Draft |
|
| 276 II/PRA
|
Klavírní výtah |
|
| 276 II/R
|
Reproduction of the autograph score |
|
|
| 276 I |
Suite Concertante for Violin and Orchestra |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 276 I/A
|
Autograph |
|
| 276 I/D
|
Draft |
|
|
| 277 |
Sonata for Violoncello and Piano No. 1 |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 277/A
|
Autograph |
|
| 277/D
|
Draft |
|
|
| 277bis |
Czech Riddles |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 277bis/A
|
Autograph |
|
|
| 278 |
Czech Madrigals |
eight madrigals for mixed voices |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 278/A
|
Autograph |
|
| 278/CS
|
Manuscript in foreign hand |
|
| M 018a-d/D
|
Draft |
|
|
| 279 |
Field Mass |
cantata for baritone, male chorus and orchestra |
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 279/A1
|
Autograph score |
|
| 279/A1a
|
Autograph score |
|
| 279/A2a
|
Autograph |
|
| 279/ASP
|
Autograph |
|
| 279/CS
|
Copy of the score |
|
| 279/D1
|
Draft |
|
| 279/D2
|
Draft |
|
| 279/CHS1
|
Choral score |
|
| 279/CHS2
|
Choral score |
|
| 279/L2
|
Libretto |
|
| 279/L3
|
Libretto |
|
| 279/P
|
Parts in copyist’s hand |
|
| 279/PS, PPR, PCHS, PP
|
Performance material |
|
| 279/PSA
|
Printed score |
|
|
| 279bis |
Wishes to Mamma |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 279bis/A
|
Autograph |
|
|
| 281 |
Fantasy and Toccata |
for piano |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 281/A1
|
Autograph score |
|
| 281/R(A1)
|
Reproduction of the autograph score |
|
| 281/R(A2)1
|
Reproduction of the autograph score |
|
| 281/R(A2)2
|
Reproduction of the autograph score |
|
|
| 282 |
Sinfonietta Giocosa |
for piano and small orchestra |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 282/APR
|
Autograph piano reduction |
|
| 282/P
|
Parts in copyist’s hand |
|
| 282/PR
|
Klavírní výtah |
|
| 282/R1
|
Reproduction of the autograph score |
|
| 282/R2
|
Reproduction of the autograph score |
|
| 282/RPR
|
Reproduction of the piano reduction |
|
| M 018a-b/D
|
Draft |
|
|
| 282bis |
Four Songs on Czech Folk Poetry |
for voice and piano |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 282bis/A
|
Autograph |
|
|
| 283 |
Sonata da Camera |
for violoncello and small orchestra |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 283/A
|
Autograph score |
|
| M 018a-b/D
|
Draft |
|
|
| 283bis |
Rhymes and Songs on Lyrics of Czech Folk Poetry |
|
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 283bis/A
|
Autograph |
|
|
| 284 |
Mazurka |
for piano |
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 284/RPS
|
Reproduction of the printed score |
|
|
| 285 |
Concerto da Camera |
for Violin and String Orchestra with Piano and Percussion |
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 285/A1
|
Autograph score |
|
| 285/APR
|
Autograph piano reduction |
|
| 285/D
|
Draft |
|
| 285/DPSP1
|
Draft |
|
| 285/PFA
|
Proof of score |
|
| 285/PFP
|
Proofs of parts |
|
| 285/PFSP1
|
Proofs of piano reduction |
|
| 285/PP(Pf)
|
Printed piano part |
|
| 285/PS
|
Printed score |
|
| 285/R(A2)1
|
Reproduction of the autograph score |
|
| 285/R(A2)A
|
Reproduction of the autograph score |
|
| 285/R(SP2)A
|
Reproduction of the solo part |
|
| 285/SP1
|
Solo part in copyist’s hand |
|
| 285/SP4, RSP4
|
Solo part in copyist’s hand |
|
|
| 285bis |
Dumka No. 3 |
|
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 285bis/A
|
Autograph |
|
|
| 286bis |
A Merry Christmas 1941 |
|
1941 |
| Call number at the BM Institute |
Type |
Digital copy |
| 286bis/A
|
Autograph |
|
|
| 286ter |
Birthday 1942 |
|
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 286ter/A
|
Autograph |
|
|
| 287 |
Piano Quartet |
|
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 287/R
|
Reproduction of the autograph score |
|
| 287/RAP
|
Reproduction of autograph parts |
|
|
| 288 |
New Chap-Book |
cycle of songs on Moravian folk poetry |
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 288/A
|
Autograph score |
|
| 288/ARR
|
Arrangement |
|
| 288/CS
|
Copy of the score |
|
| 288/R1
|
Reproduction of the autograph score |
|
| 288/R2
|
Reproduction of the autograph score |
|
| M 020/D
|
Draft |
|
|
| 289 |
Symphony No. 1 [auth.] |
|
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 289/A
|
Autograph score |
|
| 289/D
|
Draft |
|
| 289/R1
|
Reproduction of the autograph score |
|
| 289/R2
|
Reproduction of the autograph score |
|
|
| 290 |
Variations on a Theme of Rossini |
for violoncello and piano |
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 290/CS
|
Copy of the score |
|
| 290/D1
|
Draft |
|
| 290/R
|
Reproduction of the autograph score |
|
| 290/SP
|
Solo part in copyist’s hand |
|
| M 018a-d/D
|
Draft |
|
|
| 291 |
Madrigal-Sonata |
for flute, violin and piano |
1942 |
| Call number at the BM Institute |
Type |
Digital copy |
| 291/D
|
Draft |
|
|
| 292 |
Concerto for Two Pianos and Orchestra |
|
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 292/D
|
Draft |
|
| 292/R
|
Reproduction of the autograph score |
|
|
| 293 |
Concerto for Violin and Orchestra No. 2 |
|
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 293/A
|
Autograph score |
|
| 293/APR
|
Autograph piano reduction |
|
| 293/ASP
|
Autograph solo part |
|
| 293/D
|
Draft |
|
| 293/P
|
Parts in copyist’s hand |
|
| 293/PFSP
|
Proof of solo part |
|
| 293/PR
|
Klavírní výtah |
|
| 293/R
|
Reproduction of the autograph score |
|
| 293/R(APR)
|
Reproduction of the autograph piano reduction |
|
| 293/R(ASP)1
|
Reproduction of the autograph solo part |
|
| 293/R(ASP)2
|
Reproduction of the autograph solo part |
|
| M 020/D
|
Draft |
|
|
| 294 |
Songs on One Page |
cycle of songs on Moravian folk poetry for voice and piano |
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 294/A
|
Autograph |
|
| 294/ARR1
|
Arrangement |
|
| 294/ARR2
|
Arrangement |
|
| 294/CS
|
Copy of the score |
|
| 294/R1
|
Reproduction of the autograph score |
|
| 294/R2
|
Reproduction of the autograph score |
|
| M 018a-d/D
|
Draft |
|
|
| 295 |
Symphony No. 2 |
|
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 295/A
|
Autograph score |
|
| 295/D
|
Draft |
|
| 295/R1
|
Reproduction of the autograph score |
|
| 295/R2
|
Reproduction of the autograph score |
|
|
| 296 |
Memorial to Lidice [auth.] |
for symphony orchestra |
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 296/A
|
Autograph score |
|
| 296/ARR
|
Arrangement |
|
| 296/P
|
Parts in copyist’s hand |
|
| 296/RA
|
Reproduction of the autograph score |
|
|
| 297 |
Five Madrigal Stanzas |
for violin and piano |
1943 |
| Call number at the BM Institute |
Type |
Digital copy |
| 297/R
|
Reproduction of the autograph score |
|
| 297/R(ASP)
|
Reproduction of the solo part |
|
|
| 298 |
Piano Quintet No. 2 |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 298/A
|
Autograph score |
|
|
| 299 |
Symphony No. 3 [auth.] |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 299/A
|
Autograph score |
|
| 299/PF
|
Proof of score |
|
| 299/R1
|
Reproduction of the autograph score |
|
| 299/R2
|
Reproduction of the autograph score |
|
| M 020/D
|
Draft |
|
|
| 300 |
Trio for Flute, Violoncello and Piano |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 300/A
|
Autograph score |
|
| 300/R
|
Reproduction of the autograph score |
|
|
| 301 |
Fantasia |
for theremin, oboe, piano and string quartet |
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 301/CS
|
Copy of the score |
|
| 301/P
|
Parts in copyist’s hand |
|
| 301/R
|
Reproduction of the autograph score |
|
| 301/RCS
|
Reproduction of the copy of the score |
|
|
| 302 |
Songs on Two Pages |
cycle of songs on Moravian folk poetry for voice and piano |
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 302/A
|
Autograph score |
|
| 302/ARR1
|
Arrangement |
|
| 302/ARR2
|
Arrangement |
|
| 302/ARR3
|
Arrangement |
|
| 302/PSA
|
Printed score |
|
| 302/R
|
Reproduction of the autograph score |
|
| M 018a-d/D
|
Draft |
|
|
| 303 |
Sonata for Violin and Piano No. 3 |
|
1944 |
| Call number at the BM Institute |
Type |
Digital copy |
| 303/D
|
Draft |
|
| 303/R
|
Reproduction of the autograph score |
|