| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 304 |
Concerto for violoncello and orchestra No. 2 |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 304/APR
|
Autograph piano reduction |
|
| 304/ASP
|
Autograph solo part |
|
| 304/R1
|
Reproduction of the autograph score |
|
| M 021/D
|
Draft |
|
|
| 304bis |
Berceuse |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 304bis/A
|
Autograph |
|
| M 021/D
|
Draft |
|
|
| 305 |
Symphony No. 4 [auth.] |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 305/A
|
Autograph score |
|
| 305/CS
|
Copy of the score |
|
| 305/D1
|
Draft |
|
| 305/D2
|
Draft |
|
| 305/D4
|
Draft |
|
| 305/P2
|
Parts in copyist’s hand |
|
| 305/R4
|
Reproduction of the autograph score |
|
| 305/RA1
|
Reproduction of the autograph score |
|
| 305/RA2
|
Reproduction of the autograph score |
|
| 305/RA3
|
Reproduction of the autograph score |
|
|
| 306 |
Sonata for Flute and Piano [auth.] |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 306/R(ASP)
|
Reproduction of the autograph solo part |
|
| 306/R(ASP)A
|
Reproduction of the solo part |
|
| 306/RA1
|
Reproduction of the autograph score |
|
| 306/RA2
|
Reproduction of the autograph score |
|
| 306/SP
|
Solo part in copyist’s hand |
|
|
| 307 |
Czech Rhapsody [auth.] |
for violin and piano |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 307/A
|
Autograph score |
|
| 307/ARR
|
Arrangement |
|
| 307/R
|
Reproduction of the autograph score |
|
|
| 308 |
Etudes and Polkas [auth.] |
sixteen piano pieces in three books |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 308/A
|
Autograph score |
|
| 308/ARR
|
Arrangement |
|
| 308/PS
|
Printed score |
|
|
| 309 |
Thunderbolt P-47 [auth.] |
scherzo for orchestra |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 309/A
|
Autograph score |
|
| 309/R
|
Reproduction of the autograph score |
|
|
| 310 |
Symphony No. 5 [auth.] |
|
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 310/R
|
Reproduction of the autograph score |
|
|
| 311 |
Toccata e due canzoni |
for small orchestra |
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 311/A
|
Autograph score |
|
| 311/PS
|
Printed score |
|
| 311/R1
|
Reproduction of the autograph score |
|
| 311/R2
|
Reproduction of the autograph score |
|
| 311/RP
|
Reproduction of handwritten parts |
|
|
| 312 |
String Quartet No. 6 |
|
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 312/A
|
Autograph score |
|
| 312/PA
|
Parts in copyist’s hand |
|
| 312/R(PA)
|
Reproduction of handwritten parts |
|
| 312/R(R2)
|
Reproduction of the autograph score |
|
| 312/R3
|
Reproduction of the autograph score |
|
|
| 313 |
Three Madrigals (Duo No. 1) |
for violin and viola [auth.] |
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 313/A
|
Autograph score |
|
| 313/R
|
Reproduction of the autograph score |
|
|
| 314 |
String Quartet No. 7 (Concerto da camera) |
|
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 314/A
|
Autograph score |
|
| 314/PA
|
Parts in copyist’s hand |
|
| 314/R1
|
Reproduction of the autograph score |
|
| 314/RA
|
Reproduction of the autograph score |
|
|
| 315 |
Quartet for Oboe, Violin, Violoncello and Piano |
|
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 315/A
|
Autograph score |
|
| 315/AP
|
Autograph parts |
|
| 315/D
|
Draft |
|
| 315/R
|
Reproduction of the autograph score |
|
|
| 316 |
Concerto for Piano and Orchestra No. 3 |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 316/A
|
Autograph score |
|
| 316/R
|
Reproduction of the autograph score |
|
|
| 317 |
The Strangler [auth.] |
A Rite of Passage [auth.] |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 317/A
|
Autograph score |
|
| 317/L1
|
Libretto |
|
| 317/L2
|
Libretto |
|
| 317/L3
|
Libretto |
|
| 317/P
|
Parts in copyist’s hand |
|
| 317/PR
|
Klavírní výtah |
|
| 317/R1
|
Reproduction of the autograph score |
|
| 317/R2
|
Reproduction of the autograph score |
|
| 317/RP
|
Reproduction of handwritten parts |
|
| 317/RPR1
|
Reproduction of the piano reduction |
|
| 317/RPR2
|
Reproduction of the piano reduction |
|
|
| 318 |
The Fifth Day of the Fifth Moon [auth.] |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 318/A
|
Autograph |
|
|
| 319 |
The Bouquinistes from the Quai Malaquais |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 319/A
|
Autograph |
|
| 319/R
|
Reproduction of the autograph score |
|
|
| 320 |
Greeting to Sokols and Sokol Gathering |
Festive fanfare for wind instruments |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 320/ARR
|
Arrangement |
|
|
| 321 |
Five Czech Madrigals |
for mixed voices |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 321/A
|
Autograph score |
|
| M 022a-b/D
|
Sketch |
|
|
| 322 |
Sinfonia Concertante [auth.] No. 2 |
for oboe, basson, violin, violoncello and small orchestra |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 322/A
|
Autograph score |
|
| 322/R1
|
Reproduction of the autograph score |
|
| 322/R3
|
Reproduction of the autograph score |
|
| 322/RA
|
Reproduction of the autograph score |
|
|
| 323 |
Bagatelle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 323/R
|
Reproduction of the autograph score |
|
|
| 324 |
Three Czech Dances [auth.] |
for two pianos [auth.] |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 324/A
|
Autograph |
|
| 324/R
|
Reproduction of the autograph score |
|
|
| 325 |
Mazurka – Nocturne |
for oboe, two violins and violoncello |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 325/A
|
Autograph score |
|
| 325/CS, P
|
Manuscript in foreign hand |
|
|
| 326 |
Barcarolle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 326/A
|
Autograph score |
|
|
| 327 |
Piano Trio No. 2 |
for violin, violoncello and piano |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 327/A
|
Autograph score |
|
| 327/D
|
Draft |
|
| 327/PFPA
|
Proofs of parts |
|
| 327/R
|
Reproduction of the autograph score |
|
|
| 328 |
Sinfonietta La Jolla [auth.] |
for chamber orchestra [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 328/A
|
Autograph score |
|
| 328/PP
|
Printed parts |
|
| 328/PS
|
Printed score |
|
| 328/PSA
|
Printed score |
|
| 328/R1
|
Reproduction of the autograph score |
|
| 328/R2
|
Reproduction of the autograph score |
|
| 328/RA
|
Reproduction of the autograph score |
|
|
| 329 |
Concerto for Two Violins and Orchestra [auth.] |
|
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 329/A
|
Autograph score |
|
| 329/RA
|
Reproduction of the autograph score |
|
|
| 330 |
Intermezzo |
for large orchestra |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 330/R
|
Reproduction of the autograph score |
|
|
| 331 |
Duo No. 2 [auth.] |
for violin and viola [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 331/A
|
Autograph score |
|
|
| 332 |
Piano Trio No. 3 |
for violin, violoncello and piano |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 332/A
|
Autograph score |
|
| 332/D
|
Draft |
|
| 332/RA1
|
Reproduction of the autograph score |
|
| 332/RA2
|
Reproduction of the autograph score |
|
| 332/RA3
|
Reproduction of the autograph score |
|
|
| 334 |
Serenade [auth.] |
for two clarinets, violin, viola and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 334/A
|
Autograph score |
|
| 334/R
|
Reproduction of the autograph score |
|
|
| 335 |
Stowe Pastorals [auth.] |
for five recorders, clarinet, two violins and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 335/A
|
Autograph score |
|
| 335/P
|
Parts in copyist’s hand |
|
| 335/R1
|
Reproduction of the autograph score |
|
| 335/R2
|
Reproduction of the autograph score |
|
| 335/RA
|
Reproduction of the autograph score |
|
|
| 336 |
What Men Live by [auth.] |
Opera-pastoral in one act [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 336/A
|
Autograph score |
|
| 336/AL
|
Autograph libretto |
|
| 336/AVS
|
Autograph vocal score |
|
| 336/PPR
|
Printed piano reduction |
|
| 336/PPRA
|
Printed piano part |
|
| 336/R
|
Reproduction of the autograph score |
|
| 336/RAVS1
|
Reproduction of the autograph vocal score |
|
| 336/RAVS2
|
Reproduction of the autograph vocal score |
|
| 336/RP
|
Reproduction of handwritten parts |
|
| M 021/D
|
Draft |
|
|
| 337 |
Rhapsody-Concerto [auth.] |
for viola and orchestra [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 337/APR
|
Autograph piano reduction |
|
| 337/P1
|
Parts in copyist’s hand |
|
| 337/P2
|
Parts in copyist’s hand |
|
| 337/P3
|
Parts in copyist’s hand |
|
| 337/R(APR)
|
Reproduction of the autograph piano reduction |
|
| 337/RA1
|
Reproduction of the autograph score |
|
| 337/RA2
|
Reproduction of the autograph score |
|
| 337/RA3
|
Reproduction of the autograph score |
|
|
| 338 |
Three Part-Songs |
for female voices |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 338/A1
|
Autograph |
|
| 338/R(A2)
|
Reproduction of the autograph score |
|
|
| 339 |
Three Sacred Songs (Three Legends) |
for female choir and violin |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 339 A |
Virgin Mary Walked around the World |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 340 |
Sonata for Violoncello and Piano No. 3 |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 340/A
|
Autograph score |
|
| 340/D
|
Draft |
|
| 340/R
|
Reproduction of the autograph score |
|
| 340/RA
|
Reproduction of the autograph score |
|
| 340/SP1
|
Part in copyist's hand |
|
| 340/SP2
|
Part in copyist's hand |
|
|
| 341 |
The Marriage [auth.] |
comic opera in two acts |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 341/A
|
Autograph score |
|
| 341/Aa
|
Autograph |
|
| 341/D
|
Draft |
|
| 341/L
|
Libretto |
|
| 341/RA
|
Reproduction of the autograph score |
|
| 341/TSA1
|
Textual source |
|
| 341/TSA2, LA
|
Textual source |
|
| 341/VS
|
Vocal score |
|
|
| 342 |
Concerto for Violin, Piano and Orchestra [auth.] |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 342/A
|
Autograph score |
|
|
| 343 |
Symphony No. 6 (Fantaisies Symphoniques) |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 343/A
|
Autograph score |
|
| 343/D
|
Draft |
|
| 343/PF
|
Proof of score |
|
| 343/PS, LC
|
Printed score |
|
| 343/R
|
Reproduction of the autograph score |
|
| 343/RA1
|
Reproduction of the autograph score |
|
| 343/RA2
|
Reproduction of the autograph score |
|
| 343/RA3
|
Reproduction of the autograph score |
|
| 343/RA4
|
Reproduction of the autograph score |
|
|
| 344 |
Accusation Against the Unknown |
opera in three acts |
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 344/AL
|
Autograph libretto |
|
| 344/R
|
Reproduction of the autograph score |
|
| 344/R(AVS)
|
Reproduction of the vocal score |
|
| 344/R(Sk)
|
Sketch |
|
| 344/TS
|
Textual source |
|
|
| 345 |
Overture [auth.] |
for orchestra [auth.] |
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 345/A
|
Autograph score |
|
|
| 346 |
Mirandolina |
comic opera in three acts |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 346/A
|
Autograph score |
|
| 346/ATS
|
Textual source |
|
| 346/L
|
Libretto |
|
| 346/LA
|
Libretto |
|
| 346/P, PR
|
Performance material |
|
| 346/PRA1
|
Klavírní výtah |
|
| 346/PRA2
|
Klavírní výtah |
|
| 346/R
|
Reproduction of the autograph score |
|
| 346/R(PRA1)
|
Reproduction of the autograph score |
|
| 346/RA
|
Reproduction of the autograph score |
|
| 346/SP
|
Solo parts in copyist’s hand |
|
| 346/TS
|
Textual source |
|
| 346/TSA1
|
Textual source |
|
| 346/TSA2
|
Textual source |
|
|
| 347 |
Hymn to St. James |
for soli, mixed chorus, organ and instrumental accompaniment |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 347–8/D
|
Draft |
|
| 347/R1
|
Reproduction of the autograph score |
|
| 347/R2
|
Reproduction of the autograph score |
|
| 347/R3
|
Reproduction of the autograph score |
|
|
| 348 |
Primrose |
duets after lyrics of Moravian folk poetry |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 347–8/D
|
Draft |
|
| 348/A
|
Autograph score |
|
| 348/R
|
Reproduction of the autograph score |
|
|
| 349 |
Mount of Three Lights [auth.] |
for male choir and organ [auth.] |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 349/A
|
Autograph score |
|
| 349/CS1
|
Score in foreign hand |
|
| 349/CS2
|
Score in foreign hand |
|
| 349/CS3
|
Score in foreign hand |
|
| 349/CS4
|
Score in foreign hand |
|
| 349/CHS
|
Choral score |
|
| 349/R1
|
Reproduction of the autograph score |
|
| 349/R2
|
Reproduction of the autograph score |
|
|
| 350 |
Sonata for Piano |
|
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 350/A
|
Autograph |
|
| 350/RA1
|
Reproduction of the autograph score |
|
| 350/RA2
|
Reproduction of the autograph score |
|
|
| 351 |
The Epic of Gilgamesh [auth.] |
oratorio for soli, mixed choir and orchestra |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 351/A
|
Autograph score |
|
| 351/D
|
Draft |
|
| 351/PFA
|
Proof of score |
|
| 351/PFPRA
|
Proofs of piano reduction |
|
| 351/PS2
|
Printed score |
|
| 351/RA2
|
Reproduction of the autograph score |
|
|
| 352 |
The Frescoes of Piero della Francesca |
for large orchestra |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 352/A
|
Autograph score |
|
| 352/D
|
Draft |
|
| 352/PFA1
|
Proof of score |
|
| 352/PFA2
|
Proof of score |
|
| 352/PFP
|
Proofs of parts |
|
| 352/PS1 (& PS2, PP)
|
Printed score |
|
| 352/RA
|
Reproduction of the autograph score |
|
|
| 353 |
Concerto for Oboe and Small Orchestra |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 353/A
|
Autograph score |
|
| 353/PS
|
Printed score |
|
| 353/R1
|
Reproduction of the autograph score |
|
| 353/R2
|
Reproduction of the autograph score |
|
| 353/RA
|
Reproduction of the autograph score |
|
|
| 354 |
The Opening of the Springs / The Opening of the Wells |
cantata for soli, female chorus and instrumental accompaniment |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 354/A
|
Autograph score |
|
| 354/CHS2
|
Choral score |
|
| 354/P1(CHS1a)
|
Choral score |
|
| 354/P1(CHS1b)
|
Choral score |
|
| 354/PS1bA1
|
Printed score |
|
| 354/PS1bA2
|
Printed score |
|
| 354/PS1bA3
|
Printed score |
|
| 354/R1
|
Reproduction of the autograph score |
|
| 354/R2
|
Reproduction of the autograph score |
|
| 354/TSA
|
Textual source |
|
|
| 355 |
Sonata for Viola and Piano |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 355/A
|
Autograph score |
|
| 355/D
|
Draft |
|
|
| 356 |
Sonatina for Clarinet and Piano [auth.] |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 356/A
|
Autograph score |
|
| 356/RA
|
Reproduction of the autograph score |
|
| 356/SP
|
Solo part in copyist’s hand |
|
|
| 357 |
Sonatina for Trumpet and Piano |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 357/A
|
Autograph score |
|
| 357/RA
|
Reproduction of the autograph score |
|
|
| 358 |
Incantation. Concerto for Piano and Orchestra No. 4 |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 358/A
|
Autograph score |
|
| 358/P
|
Parts in copyist’s hand |
|
| 358/PS, RP
|
Performance material |
|
| 358/R([R1])
|
Reproduction of the autograph score |
|
| 358/R(RA3)
|
Negative copy |
|
| 358/RA1
|
Reproduction of the autograph score |
|
| 358/RA2
|
Reproduction of the autograph score |
|
| 358/RA3
|
Reproduction of the autograph score |
|
| 358/SP
|
Solo part in copyist’s hand |
|
|
| 359 |
Impromptu |
for Two Pianos |
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 359/A
|
Autograph |
|
|
| 360 |
The Legend of the Smoke from Potato Tops |
cantata for soli, mixed choir and instrumental accompaniment |
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 360/A
|
Autograph score |
|
| 360/CHS
|
Choral score |
|
| 360/PP(T,B)
|
Printed part |
|
| 360/RCS
|
Score in foreign hand |
|
| 360/TS
|
Textual source |
|
| 360/TSA
|
Textual source |
|
|
| 361 |
Brigand Songs |
ten male choruses |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 361/A
|
Autograph score |
|
| 361/CSA
|
Mechanical copy |
|
| 361/D
|
Draft |
|
| 361/RA
|
Reproduction of the autograph score |
|
| 361/TS
|
Textual source |
|
|
| 362 |
Adagio (Memories) |
|
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 362/A
|
Autograph |
|
|
| 363 |
The Rock [auth.] |
symphonic prelude for large orchestra |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 363/A
|
Autograph score |
|
| 363/PF
|
Proof of score |
|
| 363/RA
|
Reproduction of the autograph score |
|
|
| 364 |
The Romance from the Dandelions |
cantata for mixed choir and soprano solo |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 364/A
|
Autograph score |
|
| 364/RCS1
|
Mechanical copy |
|
| 364/RCS2
|
Mechanical copy |
|
| 364/TSA
|
Textual source |
|
|
| 365 |
Divertimento [auth.] |
for two recorders [auth.] |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 365/R
|
Reproduction of the autograph score |
|
|
| 366 |
Fantasia concertante. Concerto for Piano and Orchestra No. 5 |
in B flat |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 366/A
|
Autograph score |
|
| 366/D
|
Draft |
|
| 366/PF
|
Proof of score |
|
| 366/PFP
|
Proofs of parts |
|
| 366/PFPR
|
Proofs of piano reduction |
|
| 366/PFPRA
|
Proofs of piano reduction |
|
| 366/PR1
|
Klavírní výtah |
|
| 366/PR2
|
Klavírní výtah |
|
| 366/PS1a, PS1b, PPR1, PP1
|
Printed score |
|
| 366/R(PR1)1
|
Klavírní výtah |
|
| 366/R(PR1)2
|
Klavírní výtah |
|
| 366/R3
|
Reproduction of the autograph score |
|
| 366/RA1
|
Reproduction of the autograph score |
|
| 366/RA2
|
Reproduction of the autograph score |
|
| 366/SPA
|
Solo part in copyist’s hand |
|
|
| 367 |
The Parables [auth.] |
for large orchestra |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 367/A
|
Autograph score |
|
| 367/P
|
Parts in copyist’s hand |
|
| 367/R1
|
Reproduction of the autograph score |
|
| 367/R2
|
Reproduction of the autograph score |
|
| 367/RP2, PS
|
Reproduction of handwritten parts |
|
|
| 368 |
Sonata for Harpsichord |
|
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 368/R
|
Reproduction of the autograph score |
|
|
| 369 |
Estampes [auth.] |
for orchestra [auth.] |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 369/R
|
Reproduction of the autograph score |
|
| 369/RA
|
Reproduction of the autograph score |
|
|
| 370 |
Ariadne |
Lyric opera in 1 act |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 370/A
|
Autograph score |
|
| 370/APR
|
Autograph piano reduction |
|
| 370/L1
|
Libretto |
|
| 370/L2
|
Libretto |
|
| 370/LA1
|
Libretto |
|
| 370/LA2
|
Libretto |
|
| 370/LA3
|
Libretto |
|
| 370/PP
|
Printed parts |
|
| 370/R(APR)
|
Reproduction of the autograph piano reduction |
|
|
| 371 |
Duo for Violin and Violoncello No. 2 |
|
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 371/A
|
Autograph score |
|
| 371/RA
|
Reproduction of the autograph score |
|
|
| 372 I |
The Greek Passion, 1st version |
Opera in 4 acts |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 372 I/Aa1
|
Autograph score |
|
| 372 I/Aa2
|
Autograph score |
|
| 372 I/AL
|
Autograph libretto |
|
| 372 I/D2
|
Draft |
|
| 372 I/D3
|
Draft |
|
| 372 I/L1
|
Libretto |
|
| 372 I/L3
|
Libretto |
|
| 372 I/LA
|
Libretto |
|
| 372 I/PR
|
Klavírní výtah |
|
| 372 I/RA
|
Reproduction of the autograph score |
|
| 372 I/RAa
|
Reproduction of the autograph score |
|
| 999 – Pravoslavné chrámové sbory
|
Autograph |
|
| 999 – Songs of Greece
|
Autograph |
|
| 999 – Studie k Řeckým pašijím
|
Autograph |
|
| M 022a-b/D
|
Sketch |
|
|
| 372 II |
The Greek Passion, 2nd version |
Opera in 4 acts |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 372 II/R
|
Reproduction of the autograph score |
|
|
| 374 |
Nonet No. 2 |
for flute, oboe, clarinet, bassoon, french horn, violin, viola, violoncello and double bass |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 374/A
|
Autograph score |
|
| 374/RA1
|
Reproduction of the autograph score |
|
| 374/RA2
|
Reproduction of the autograph score |
|
|
| 375 |
Mikesh from the Mountains |
cantata for soli, mixed choir and instrumental accompaniment |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 375/A
|
Autograph score |
|
| 375/CHS
|
Choral score |
|
| 375/R2
|
Reproduction of the autograph score |
|
| 375/TSA
|
Textual source |
|
|
| 376 |
Chamber Music No. 1 |
for clarinet, violin, viola, violoncello, harp and piano |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 376/A
|
Autograph score |
|
|
| 378 |
Variations on a Slovak Folk Song |
for violoncello and piano |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 378/A
|
Autograph score |
|
| 378/ARR
|
Score in foreign hand |
|
|
| 379 |
The Bird Feast |
|
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 379/A
|
Autograph score |
|
| 379/R
|
Reproduction of the autograph score |
|
|
| 380 |
Madrigals (Part-Song Book) |
four madrigals for mixed choir |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 380/A
|
Autograph score |
|
| 380/D
|
Draft |
|
|
| 381 |
Two Impromptus |
for harpsichord |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 381/A2
|
Autograph |
|
| 381/R(A2)
|
Reproduction of the autograph score |
|
|
| 382 |
Vigil |
for organ |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 382/A
|
Autograph |
|
| 382/CS
|
Score in foreign hand |
|
| 382/R1
|
Reproduction of the autograph score |
|
| 382/R2
|
Reproduction of the autograph score |
|
|
| 383 |
The Prophecy of Isaiah [auth.] |
cantata for soli, male choir and instrumental accompaniment |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 383/A
|
Autograph score |
|
| 383/CS
|
Score in foreign hand |
|
| 383/R1
|
Reproduction of the autograph score |
|
| 383/R2
|
Reproduction of the autograph score |
|
|
| 384 |
Greeting |
for children's choir |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 384/A
|
Autograph |
|
|
| 888 |
Unrealised Stage Works |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 888 – Běsi – AL
|
Textual source |
|
| 888 – Pomluva – SY1
|
Synopsis |
|
| 888 – Pomluva – SY2
|
Synopsis |
|
| 888 – Večery na dědince – ASY1
|
Synopsis |
|
| 888 – Večery na dědince – ASY2
|
Synopsis |
|
| 888 – Večery na dědince – ASY3
|
Synopsis |
|
| 888 – Večery na dědince – ASY4
|
Synopsis |
|
|
| 999 |
Martinů's Manuscripts: Arrangements, Copies |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 999 – Aisha
|
Autograph |
|
| 999 – Dalibor
|
Autograph |
|
| 999 – Dvě vdovy
|
Autograph |
|
| 999 – Dvořák: Symfonie č. 8, II. Adagio
|
Autograph |
|
| 999 – Dvořák: Symfonie č. 9, II. Largo
|
Autograph |
|
| 999 – Chodské písně
|
Autograph |
|
| 999 – Jazzové aranže
|
Autograph |
|
| 999 – Kouzelná flétna
|
Autograph |
|
| 999 – La nuit
|
Autograph |
|
| 999 – Lidové písně z Českého lidu
|
Autograph |
|
| 999 – Lidové písně z Poličska a Litomyšlska
|
Autograph |
|
| 999 – Moc spěchám
|
Autograph |
|
| 999 – Obrazy, 1. řada
|
Autograph |
|
| 999 – Overtura Libuše
|
Autograph |
|
| 999 – Peer Gynt
|
Autograph |
|
| 999 – Pelléas a Mélisanda
|
Autograph |
|
| 999 – Písně Závišovy
|
Autograph |
|
| 999 – Pravoslavné chrámové sbory
|
Autograph |
|
| 999 – Slovenská hymna
|
Autograph |
|
| 999 – Songs of Greece
|
Autograph |
|
| 999 – Studie k Řeckým pašijím
|
Autograph |
|
| 999 – Werther
|
Autograph |
|