| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 353 |
Concerto for Oboe and Small Orchestra |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 353/A
|
Autograph score |
|
| 353/PS
|
Printed score |
|
| 353/R1
|
Reproduction of the autograph score |
|
| 353/R2
|
Reproduction of the autograph score |
|
| 353/RA
|
Reproduction of the autograph score |
 |
|
| 354 |
The Opening of the Springs / The Opening of the Wells |
cantata for soli, female chorus and instrumental accompaniment |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 354/A
|
Autograph score |
|
| 354/CHS2
|
Choral score |
|
| 354/P1(CHS1a)
|
Choral score |
|
| 354/P1(CHS1b)
|
Choral score |
|
| 354/PS1bA1
|
Printed score |
|
| 354/PS1bA2
|
Printed score |
|
| 354/PS1bA3
|
Printed score |
|
| 354/R1
|
Reproduction of the autograph score |
|
| 354/R2
|
Reproduction of the autograph score |
|
| 354/TSA
|
Textual source |
|
|
| 355 |
Sonata for Viola and Piano |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 355/A
|
Autograph score |
|
| 355/D
|
Draft |
|
|
| 356 |
Sonatina for Clarinet and Piano [auth.] |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 356/A
|
Autograph score |
|
| 356/RA
|
Reproduction of the autograph score |
|
| 356/SP
|
Solo part in copyist’s hand |
|
|
| 357 |
Sonatina for Trumpet and Piano |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 357/A
|
Autograph score |
|
| 357/RA
|
Reproduction of the autograph score |
|
|
| 358 |
Incantation. Concerto for Piano and Orchestra No. 4 |
|
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 358/A
|
Autograph score |
|
| 358/P
|
Parts in copyist’s hand |
|
| 358/PS, RP
|
Performance material |
|
| 358/R([R1])
|
Reproduction of the autograph score |
|
| 358/R(RA3)
|
Negative copy |
|
| 358/RA1
|
Reproduction of the autograph score |
|
| 358/RA2
|
Reproduction of the autograph score |
|
| 358/RA3
|
Reproduction of the autograph score |
|
| 358/SP
|
Solo part in copyist’s hand |
|
|
| 359 |
Impromptu |
for Two Pianos |
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 359/A
|
Autograph |
|
|
| 360 |
The Legend of the Smoke from Potato Tops |
cantata for soli, mixed choir and instrumental accompaniment |
1956 |
| Call number at the BM Institute |
Type |
Digital copy |
| 360/A
|
Autograph score |
|
| 360/CHS
|
Choral score |
|
| 360/PP(T,B)
|
Printed part |
|
| 360/RCS
|
Score in foreign hand |
|
| 360/TS
|
Textual source |
|
| 360/TSA
|
Textual source |
|
|
| 361 |
Brigand Songs |
ten male choruses |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 361/A
|
Autograph score |
|
| 361/CSA
|
Mechanical copy |
|
| 361/D
|
Draft |
|
| 361/RA
|
Reproduction of the autograph score |
|
| 361/TS
|
Textual source |
|
|
| 362 |
Adagio (Memories) |
|
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 362/A
|
Autograph |
|
|
| 363 |
The Rock [auth.] |
symphonic prelude for large orchestra |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 363/A
|
Autograph score |
|
| 363/PF
|
Proof of score |
|
|
| 364 |
The Romance from the Dandelions |
cantata for mixed choir and soprano solo |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 364/A
|
Autograph score |
|
| 364/RCS1
|
Mechanical copy |
|
| 364/RCS2
|
Mechanical copy |
|
| 364/TSA
|
Textual source |
|
|
| 365 |
Divertimento [auth.] |
for two recorders [auth.] |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 365/R
|
Reproduction of the autograph score |
|
|
| 366 |
Fantasia concertante. Concerto for Piano and Orchestra No. 5 |
in B flat |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 366/A
|
Autograph score |
|
| 366/D
|
Draft |
|
| 366/PF
|
Proof of score |
|
| 366/PFP
|
Proofs of parts |
|
| 366/PFPR
|
Proofs of piano reduction |
|
| 366/PFPRA
|
Proofs of piano reduction |
|
| 366/PR1
|
Klavírní výtah |
|
| 366/PR2
|
Klavírní výtah |
|
| 366/PS1a, PS1b, PPR1, PP1
|
Printed score |
|
| 366/R(PR1)1
|
Klavírní výtah |
|
| 366/R(PR1)2
|
Klavírní výtah |
|
| 366/R3
|
Reproduction of the autograph score |
|
| 366/RA1
|
Reproduction of the autograph score |
|
| 366/RA2
|
Reproduction of the autograph score |
|
| 366/SPA
|
Solo part in copyist’s hand |
|
|
| 367 |
The Parables [auth.] |
for large orchestra |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 367/A
|
Autograph score |
|
| 367/P
|
Parts in copyist’s hand |
|
| 367/R1
|
Reproduction of the autograph score |
|
| 367/R2
|
Reproduction of the autograph score |
|
| 367/RP2, PS
|
Reproduction of handwritten parts |
|
|
| 368 |
Sonata for Harpsichord |
|
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 368/R
|
Reproduction of the autograph score |
|
|
| 369 |
Estampes [auth.] |
for orchestra [auth.] |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 369/R
|
Reproduction of the autograph score |
|
| 369/RA
|
Reproduction of the autograph score |
|
|
| 370 |
Ariadne |
Lyric opera in 1 act |
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 370/A
|
Autograph score |
|
| 370/APR
|
Autograph piano reduction |
|
| 370/L1
|
Libretto |
|
| 370/L2
|
Libretto |
|
| 370/LA1
|
Libretto |
|
| 370/LA2
|
Libretto |
|
| 370/LA3
|
Libretto |
|
| 370/PP
|
Printed parts |
|
| 370/R(APR)
|
Reproduction of the autograph piano reduction |
|
|
| 371 |
Duo for Violin and Violoncello No. 2 |
|
1958 |
| Call number at the BM Institute |
Type |
Digital copy |
| 371/A
|
Autograph score |
|
| 371/RA
|
Reproduction of the autograph score |
|
|
| 372 I |
The Greek Passion, 1st version |
Opera in 4 acts |
1957 |
| Call number at the BM Institute |
Type |
Digital copy |
| 372 I/Aa1
|
Autograph score |
|
| 372 I/Aa2
|
Autograph score |
|
| 372 I/AL
|
Autograph libretto |
|
| 372 I/D2
|
Draft |
|
| 372 I/D3
|
Draft |
|
| 372 I/L1
|
Libretto |
|
| 372 I/L3
|
Libretto |
|
| 372 I/LA
|
Libretto |
|
| 372 I/PR
|
Klavírní výtah |
|
| 372 I/RA
|
Reproduction of the autograph score |
|
| 372 I/RAa
|
Reproduction of the autograph score |
|
| 999 – Pravoslavné chrámové sbory
|
Autograph |
|
| 999 – Songs of Greece
|
Autograph |
|
| 999 – Studie k Řeckým pašijím
|
Autograph |
|
| M 022a-b/D
|
Sketch |
|
|
| 372 II |
The Greek Passion, 2nd version |
Opera in 4 acts |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 372 II/R
|
Reproduction of the autograph score |
|
|
| 374 |
Nonet No. 2 |
for flute, oboe, clarinet, bassoon, french horn, violin, viola, violoncello and double bass |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 374/A
|
Autograph score |
|
| 374/RA1
|
Reproduction of the autograph score |
|
| 374/RA2
|
Reproduction of the autograph score |
|
|
| 375 |
Mikesh from the Mountains |
cantata for soli, mixed choir and instrumental accompaniment |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 375/A
|
Autograph score |
|
| 375/CHS
|
Choral score |
|
| 375/R2
|
Reproduction of the autograph score |
|
| 375/TSA
|
Textual source |
|
|
| 376 |
Chamber Music No. 1 |
for clarinet, violin, viola, violoncello, harp and piano |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 376/A
|
Autograph score |
|
|
| 378 |
Variations on a Slovak Folk Song |
for violoncello and piano |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 378/A
|
Autograph score |
|
| 378/ARR
|
Score in foreign hand |
|
|
| 379 |
The Bird Feast |
|
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 379/A
|
Autograph score |
|
| 379/R
|
Reproduction of the autograph score |
|
|
| 380 |
Madrigals (Part-Song Book) |
four madrigals for mixed choir |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 380/A
|
Autograph score |
|
| 380/D
|
Draft |
|
|
| 381 |
Two Impromptus |
for harpsichord |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 381/A2
|
Autograph |
|
| 381/R(A2)
|
Reproduction of the autograph score |
|
|
| 382 |
Vigil |
for organ |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 382/A
|
Autograph |
|
| 382/CS
|
Score in foreign hand |
|
| 382/R1
|
Reproduction of the autograph score |
|
| 382/R2
|
Reproduction of the autograph score |
|
|
| 383 |
The Prophecy of Isaiah [auth.] |
cantata for soli, male choir and instrumental accompaniment |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 383/A
|
Autograph score |
|
| 383/CS
|
Score in foreign hand |
|
| 383/R
|
Reproduction of the autograph score |
|
|
| 384 |
Greeting |
for children's choir |
1959 |
| Call number at the BM Institute |
Type |
Digital copy |
| 384/A
|
Autograph |
|
|
| 888 |
Unrealised Stage Works |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 888 – Běsi – AL
|
Textual source |
|
| 888 – Pomluva – SY1
|
Synopsis |
|
| 888 – Pomluva – SY2
|
Synopsis |
|
| 888 – Večery na dědince – ASY1
|
Synopsis |
|
| 888 – Večery na dědince – ASY2
|
Synopsis |
|
| 888 – Večery na dědince – ASY3
|
Synopsis |
|
| 888 – Večery na dědince – ASY4
|
Synopsis |
|
|
| 999 |
Martinů's Manuscripts: Arrangements, Copies |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 999 – Aisha
|
Autograph |
|
| 999 – Dalibor
|
Autograph |
|
| 999 – Dvě vdovy
|
Autograph |
|
| 999 – Dvořák: Symfonie č. 8, II. Adagio
|
Autograph |
|
| 999 – Dvořák: Symfonie č. 9, II. Largo
|
Autograph |
|
| 999 – Chodské písně
|
Autograph |
|
| 999 – Jazzové aranže
|
Autograph |
|
| 999 – Kouzelná flétna
|
Autograph |
|
| 999 – La nuit
|
Autograph |
|
| 999 – Lidové písně z Českého lidu
|
Autograph |
|
| 999 – Lidové písně z Poličska a Litomyšlska
|
Autograph |
|
| 999 – Moc spěchám
|
Autograph |
|
| 999 – Obrazy, 1. řada
|
Autograph |
|
| 999 – Overtura Libuše
|
Autograph |
|
| 999 – Peer Gynt
|
Autograph |
|
| 999 – Pelléas a Mélisanda
|
Autograph |
|
| 999 – Písně Závišovy
|
Autograph |
|
| 999 – Pravoslavné chrámové sbory
|
Autograph |
|
| 999 – Slovenská hymna
|
Autograph |
|
| 999 – Songs of Greece
|
Autograph |
|
| 999 – Studie k Řeckým pašijím
|
Autograph |
|
| 999 – Werther
|
Autograph |
|