| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 119 |
Magic Nights [auth.] |
three songs for soprano and orchestra |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 119/A1
|
Autograph score |
|
| 119/A2
|
Autograph score |
|
| 119/D
|
Draft |
|
| M 011a–e/Varia
|
Varia |
|
| M 024a–d/D
|
Draft |
|
|
| 120 |
Sonata in C Major for Violin and Piano |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 120/A
|
Autograph score |
|
| 120/D
|
Draft |
|
|
| 122bis |
The Little Lullaby [auth.] |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 122bis/A
|
Autograph |
|
|
| 122 |
The Cat's Procession in the Solstice Night |
|
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 122/A
|
Autograph score |
|
|
| 123bis |
Foxtrot born “On the Corner” |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 123bis/ARR
|
Arrangement |
|
|
| 123 |
Little Dance Suite |
for large orchestra |
1919 |
| Call number at the BM Institute |
Type |
Digital copy |
| 123/A
|
Autograph |
|
| 123/P
|
Parts in copyist’s hand |
|
| M 010a–c/D
|
Draft |
|
|
| 124 |
A Dream of the Past |
for large orchestra |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 124/A
|
Autograph |
|
|
| 124ter |
Windows into the Mist |
|
|
| Call number at the BM Institute |
Type |
Digital copy |
| 124ter/AL1
|
Autograph libretto |
|
| 124ter/AL2
|
Autograph libretto |
|
| M 014a-b/D
|
Draft |
|
|
| 124bis |
Andante |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 124bis/APR
|
Autograph piano reduction |
|
|
| 125bis |
The Ceremonial March of "Kytara" |
|
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 125bis/RA
|
Mechanical copy |
|
|
| 126 |
Slovak Songs |
30 songs in two sets |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 126/A
|
Autograph |
|
|
| 127 |
Butterflies and Birds of Paradise |
three pieces for piano |
1920 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127/A
|
Autograph |
|
|
| 127bis |
One-step [auth.] |
for piano |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127bis/RA
|
Mechanical copy |
|
|
| 127ter |
The Spring |
small piano piece |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 127ter/A
|
Autograph |
|
|
| 128 |
Evening at the Shore |
three little piano pieces |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 128/A
|
Autograph |
|
|
| 129 |
Three Songs for the Cabaret "Red Seven" |
|
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 129/CS
|
Copy of the score |
|
|
| 129bis |
Victory March |
of the R.U.R. Sports Club in Polička |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 129bis/A
|
Autograph score |
|
|
| 130 |
Istar [auth.] |
ballet in 3 acts |
1921 |
| Call number at the BM Institute |
Type |
Digital copy |
| 130/A
|
Autograph score |
|
| 130/AL
|
Autograph libretto |
|
| 130/APR
|
Autograph piano reduction |
|
| 130/CS
|
Copy of the score |
|
| 130/D
|
Draft |
|
| 130/L
|
Libretto |
|
| 130/P
|
Parts in copyist’s hand |
|
| 130/PR1–4
|
Klavírní výtah |
|
| 130/PSYA
|
Synopsis |
|
|
| 130 C |
Istar: The Dance of the Priestesses |
addition to the first act |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 130C/A
|
Autograph score |
|
|
| 131 |
Vanishing Midnight |
cycle of symphonic poems for large orchestra |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 131/A
|
Autograph |
|
| 131/D
|
Sketch |
|
| 131/P
|
Parts in copyist’s hand |
|
| M 011a–e/Varia
|
Varia |
|
|
| 133 |
Who is the Most Powerful in the World |
ballet comedy in 1 act |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 133/CS
|
Copy of the score |
|
| 133/L1–L3
|
Libretto |
|
| 133/L4
|
Libretto |
|
| 133/PR
|
Klavírní výtah |
|
|
| 134 |
Folk Dances and Customs of the Slovácko Region |
music for the documentary film |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 134/CS
|
Copy of the score |
|
|
| 135 |
The Months |
three songs with piano |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135/A1
|
Autograph score |
|
| 135/A2, CSA
|
Autograph score |
|
| 135/TS
|
Textual source |
|
|
| 135bis |
Two Songs on Russian Poetry |
|
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135bis/A1
|
Autograph |
|
| 135bis/A2
|
Autograph |
|
| M 010a–c/D
|
Draft |
|
|
| 136 |
String Trio No. 1 |
for violin, viola and violoncello |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 136/A
|
Autograph |
|
| 136/AP
|
Autograph parts |
|
|
| 137 |
Puppets I |
five pieces for piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 137/A
|
Autograph score |
|
| 137/ARR
|
Arrangement |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 138bis |
Scherzo [auth.] |
for piano |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 138bis/A
|
Arrangement |
|
|
| 139 |
Quartet for Clarinet, French Horn, Violoncello and Snare Drum |
in C major |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 139/A
|
Autograph score |
|
|
| 140 |
Prelude [auth.] |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 140/A
|
Autograph |
|
|
| 141 |
Piano piece (without title) |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 141/A
|
Autograph |
|
|
| 142 |
Half-time |
rondo for large orchestra |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 142/ARR
|
Arrangement |
|
| 142/CS
|
Copy of the score |
|
|
| 143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 143/A
|
Autograph score |
|
| 143/CS
|
Score in copyist's hand |
|
|
| 144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 144/A
|
Autograph |
|
| 144/D
|
Draft |
|
| 144/P
|
Parts in copyist’s hand |
|
| 144/P(Pf)
|
Part in copyist's hand |
|
|
| 146bis |
Three Lullabies |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 146bis/A
|
Autograph score |
|
|
| 148 |
Film en Miniature |
cycle of piano pieces |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 148/A
|
Autograph score |
|
| 148/CSA
|
Score in copyist's hand |
|
|
| 149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 149/ASP
|
Autograph solo part |
|
| 149/CS
|
Copy of the score |
|
| 149/PR
|
Klavírní výtah |
|
| 149/RCS
|
Mechanical copy |
|
|
| 150 |
String Quartet No. 2 |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 150/A1
|
Autograph score |
|
| 150/A2
|
Autograph score |
|
| 150/AP (Vl I)
|
Autograph part |
|
| 150/PSA1
|
Printed score |
|
| 150/PSA2
|
Printed score |
|
|
| 151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 151/A
|
Autograph score |
|
| 151/APR
|
Autograph piano reduction |
|
| 151/ASY
|
Autograph synopsis |
|
| 151/CS
|
Copy of the score |
|
| 151/D
|
Draft |
|
| 151/PR
|
Klavírní výtah |
|
|
| 152 |
Sonata in D Minor for Violin and Piano |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 152/A
|
Autograph |
|
|
| 153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153A/CS
|
Score in foreign hand |
|
|
| 153 |
The Butterfly that Stamped [auth.] |
ballet in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153/A1
|
Autograph score |
|
| 153/A2
|
Autograph score |
|
| 153/APR
|
Autograph piano reduction |
|
|
| 154 |
Three Czech Dances |
for piano |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 154/A1
|
Autograph |
|
| 154/A2-1
|
Autograph |
|
| 154/A2-2
|
Autograph |
|
| 154/A3
|
Autograph |
|
| 154/PSA
|
Arrangement |
|
|
| 155 |
La Bagarre (The Tumult) |
Allegro for large orchestra |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 155/A1
|
Autograph |
|
| 155/A2
|
Autograph |
|
| 155/CS
|
Copy of the score |
|
| 155/PS
|
Printed score |
|
|
| 157bis |
The Hands |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 157bis/P
|
Parts in copyist’s hand |
|
|
| 157 |
Duo for Violin and Violoncello No. 1 |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 157/A
|
Autograph score |
|
| 157/CSA
|
Copy of the score |
|
| 157/PSA1
|
Printed score |
|
| 157/PSA2
|
Printed score |
|
|
| 159 |
The Amazing Flight |
a mechanical ballet |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 159/A
|
Autograph score |
|
| 159/AL
|
Autograph libretto |
|
|
| 160 |
Three Sketches |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 160/A
|
Autograph |
|
|
| 161 |
The Kitchen Revue |
jazz ballet in one act |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 161/A
|
Autograph |
|
| 161/L1
|
Libretto |
|
| 161/L2
|
Libretto |
|
| 161/LA
|
Libretto |
|
|
| 161 A |
The Kitchen Revue |
jazz-suite from the ballet |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 161A/A
|
Autograph score |
|
|
| 161 B |
The Kitchen Revue |
for piano |
|
| Call number at the BM Institute |
Type |
Digital copy |
| 161B/A
|
Autograph |
|