Halbreich number |
Title |
Subtitle |
Year of origin |
|
119 |
Magic Nights [auth.] |
three songs for soprano and orchestra |
1918 |
Call number at the BM Institute |
Type |
Digital copy |
119/A1
|
Autograph score |
|
119/A2
|
Autograph score |
|
119/D
|
Draft |
|
M 011a–e/Varia
|
Varia |
|
M 024a–d/D
|
Draft |
|
|
120 |
Sonata in C Major for Violin and Piano |
|
1919 |
Call number at the BM Institute |
Type |
Digital copy |
120/A
|
Autograph score |
|
120/D
|
Draft |
|
|
122bis |
The Little Lullaby [auth.] |
|
1919 |
Call number at the BM Institute |
Type |
Digital copy |
122bis/A
|
Autograph |
|
|
122 |
The Cat`s Procession in the Solstice Night |
|
1919 |
Call number at the BM Institute |
Type |
Digital copy |
122/A
|
Autograph score |
|
|
123bis |
Foxtrot born “On the Corner” |
|
1920 |
Call number at the BM Institute |
Type |
Digital copy |
123bis/ARR
|
Arrangement |
|
|
123 |
Little Dance Suite |
for large orchestra |
1919 |
Call number at the BM Institute |
Type |
Digital copy |
123/A
|
Autograph |
|
123/P
|
Parts in copyist’s hand |
|
M 010a–c/D
|
Draft |
|
|
124 |
A Dream of the Past |
for large orchestra |
1920 |
Call number at the BM Institute |
Type |
Digital copy |
124/A
|
Autograph |
|
|
124ter |
Windows into the Mist |
|
|
Call number at the BM Institute |
Type |
Digital copy |
124ter/AL1
|
Autograph libretto |
|
124ter/AL2
|
Autograph libretto |
|
M 014a-b/D
|
Draft |
|
|
124bis |
Andante |
|
1920 |
Call number at the BM Institute |
Type |
Digital copy |
124bis/APR
|
Autograph piano reduction |
|
|
125bis |
The Ceremonial March of "Kytara" |
|
1920 |
Call number at the BM Institute |
Type |
Digital copy |
125bis/RA
|
Mechanical copy |
|
|
126 |
Slovak Songs |
30 songs in two sets |
1920 |
Call number at the BM Institute |
Type |
Digital copy |
126/A
|
Autograph |
|
|
127 |
Butterflies and Birds of Paradise |
three pieces for piano |
1920 |
Call number at the BM Institute |
Type |
Digital copy |
127/A
|
Autograph |
|
|
127bis |
One-step [auth.] |
for piano |
1921 |
Call number at the BM Institute |
Type |
Digital copy |
127bis/RA
|
Mechanical copy |
|
|
127ter |
The Spring |
small piano piece |
1921 |
Call number at the BM Institute |
Type |
Digital copy |
127ter/A
|
Autograph |
|
|
128 |
Evening at the Shore |
three little piano pieces |
1921 |
Call number at the BM Institute |
Type |
Digital copy |
128/A
|
Autograph |
|
|
129 |
Three Songs for the Cabaret "Red Seven" |
|
1921 |
Call number at the BM Institute |
Type |
Digital copy |
129/CS
|
Copy of the score |
|
|
129bis |
Victory March |
of the R.U.R. Sports Club in Polička |
1921 |
Call number at the BM Institute |
Type |
Digital copy |
129bis/A
|
Autograph score |
|
|
130 |
Istar [auth.] |
ballet in 3 acts |
1921 |
Call number at the BM Institute |
Type |
Digital copy |
130/A
|
Autograph score |
|
130/AL
|
Autograph libretto |
|
130/APR
|
Autograph piano reduction |
|
130/CS
|
Copy of the score |
|
130/D
|
Draft |
|
130/L
|
Libretto |
|
130/P
|
Parts in copyist’s hand |
|
130/PR1–4
|
Klavírní výtah |
|
130/PSYA
|
Synopsis |
|
|
130 C |
Istar: The Dance of the Priestesses |
addition to the first act |
1923 |
Call number at the BM Institute |
Type |
Digital copy |
130C/A
|
Autograph score |
|
|
131 |
Vanishing Midnight |
cycle of symphonic poems for large orchestra |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
131/A
|
Autograph |
|
131/D
|
Sketch |
|
131/P
|
Parts in copyist’s hand |
|
M 011a–e/Varia
|
Varia |
|
|
133 |
Who is the Most Powerful in the World |
ballet comedy in 1 act |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
133/CS
|
Copy of the score |
|
133/L1–L3
|
Libretto |
|
133/L4
|
Libretto |
|
133/PR
|
Klavírní výtah |
|
|
134 |
Folk Dances and Customs of the Slovácko Region |
music for the documentary film |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
134/CS
|
Copy of the score |
|
|
135 |
The Months |
three songs with piano |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
135/A1
|
Autograph score |
|
135/A2, CSA
|
Autograph score |
|
135/TS
|
Textual source |
|
|
135bis |
Two Songs on Russian Poetry |
|
1922 |
Call number at the BM Institute |
Type |
Digital copy |
135bis/A1
|
Autograph |
|
135bis/A2
|
Autograph |
|
M 010a–c/D
|
Draft |
|
|
136 |
String Trio No. 1 |
for violin, viola and violoncello |
1923 |
Call number at the BM Institute |
Type |
Digital copy |
136/A
|
Autograph |
|
136/AP
|
Autograph parts |
|
|
137 |
Puppets I |
five pieces for piano |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
137/A
|
Autograph score |
|
137/ARR
|
Arrangement |
|
M 013a–c/ARR
|
Arrangement |
|
|
138bis |
Scherzo [auth.] |
for piano |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
138bis/A
|
Arrangement |
|
|
139 |
Quartet for Clarinet, French Horn, Violoncello and Snare Drum |
in C major |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
139/A
|
Autograph score |
|
|
140 |
Prelude [auth.] |
|
1924 |
Call number at the BM Institute |
Type |
Digital copy |
140/A
|
Autograph |
|
|
141 |
Piano piece (without title) |
|
1924 |
Call number at the BM Institute |
Type |
Digital copy |
141/A
|
Autograph |
|
|
142 |
Half-time |
rondo for large orchestra |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
142/ARR
|
Arrangement |
|
142/CS
|
Copy of the score |
|
|
143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
143/A
|
Autograph score |
|
143/CS
|
Score in copyist's hand |
|
|
144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
144/A
|
Autograph |
|
144/D
|
Draft |
|
144/P
|
Parts in copyist’s hand |
|
144/P(Pf)
|
Part in copyist's hand |
|
|
146bis |
Three Lullabies |
|
1925 |
Call number at the BM Institute |
Type |
Digital copy |
146bis/A
|
Autograph score |
|
|
148 |
Film en Miniature |
cycle of piano pieces |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
148/A
|
Autograph score |
|
148/CSA
|
Score in copyist's hand |
|
|
149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
149/ASP
|
Autograph solo part |
|
149/CS
|
Copy of the score |
|
149/PR
|
Klavírní výtah |
|
149/RCS
|
Mechanical copy |
|
|
150 |
String Quartet No. 2 |
|
1925 |
Call number at the BM Institute |
Type |
Digital copy |
150/A1
|
Autograph score |
|
150/A2
|
Autograph score |
|
150/AP (Vl I)
|
Autograph part |
|
150/PSA1
|
Printed score |
|
150/PSA2
|
Printed score |
|
|
151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1926 |
Call number at the BM Institute |
Type |
Digital copy |
151/A
|
Autograph score |
|
151/APR
|
Autograph piano reduction |
|
151/ASY
|
Autograph synopsis |
|
151/CS
|
Copy of the score |
|
151/D
|
Draft |
|
151/PR
|
Klavírní výtah |
|
|
152 |
Sonata in D Minor for Violin and Piano |
|
1926 |
Call number at the BM Institute |
Type |
Digital copy |
152/A
|
Autograph |
|
|
153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
Call number at the BM Institute |
Type |
Digital copy |
153A/CS
|
Score in foreign hand |
|
|
153 |
The Butterfly that Stamped [auth.] |
ballet in 1 act |
1926 |
Call number at the BM Institute |
Type |
Digital copy |
153/A1
|
Autograph score |
|
153/A2
|
Autograph score |
|
153/APR
|
Autograph piano reduction |
|
|
154 |
Three Czech Dances |
for piano |
1926 |
Call number at the BM Institute |
Type |
Digital copy |
154/A1
|
Autograph |
|
154/A2-1
|
Autograph |
|
154/A2-2
|
Autograph |
|
154/A3
|
Autograph |
|
154/PSA
|
Arrangement |
|
|
155 |
La Bagarre (The Tumult) |
Allegro for large orchestra |
1926 |
Call number at the BM Institute |
Type |
Digital copy |
155/A1
|
Autograph |
|
155/A2
|
Autograph |
|
155/CS
|
Copy of the score |
|
155/PS
|
Printed score |
|
|
157bis |
The Hands |
|
1927 |
Call number at the BM Institute |
Type |
Digital copy |
157bis/P
|
Parts in copyist’s hand |
|
|
157 |
Duo for Violin and Violoncello No. 1 |
|
1927 |
Call number at the BM Institute |
Type |
Digital copy |
157/A
|
Autograph score |
|
157/CSA
|
Copy of the score |
|
157/PSA1
|
Printed score |
|
157/PSA2
|
Printed score |
|
|
159 |
The Amazing Flight |
a mechanical ballet |
1927 |
Call number at the BM Institute |
Type |
Digital copy |
159/A
|
Autograph score |
|
159/AL
|
Autograph libretto |
|
|
160 |
Three Sketches |
|
1927 |
Call number at the BM Institute |
Type |
Digital copy |
160/A
|
Autograph |
|
|
161 |
The Kitchen Revue |
jazz ballet in one act |
1927 |
Call number at the BM Institute |
Type |
Digital copy |
161/A
|
Autograph |
|
161/L1
|
Libretto |
|
161/L2
|
Libretto |
|
161/LA
|
Libretto |
|
|
161 A |
The Kitchen Revue |
jazz-suite from the ballet |
1927 |
Call number at the BM Institute |
Type |
Digital copy |
161A/A
|
Autograph score |
|
|
161 B |
The Kitchen Revue |
for piano |
|
Call number at the BM Institute |
Type |
Digital copy |
161B/A
|
Autograph |
|