| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 304 |
Concerto for violoncello and orchestra No. 2 |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 304/APR
|
Autograph piano reduction |
|
| 304/ASP
|
Autograph solo part |
|
| 304/R1
|
Reproduction of the autograph score |
|
| M 021/D
|
Draft |
|
|
| 304bis |
Berceuse |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 304bis/A
|
Autograph |
|
| M 021/D
|
Draft |
|
|
| 305 |
Symphony No. 4 [auth.] |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 305/A
|
Autograph score |
|
| 305/CS
|
Copy of the score |
|
| 305/D1
|
Draft |
|
| 305/D2
|
Draft |
|
| 305/D4
|
Draft |
|
| 305/P2
|
Parts in copyist’s hand |
|
| 305/R4
|
Reproduction of the autograph score |
|
| 305/RA1
|
Reproduction of the autograph score |
|
| 305/RA2
|
Reproduction of the autograph score |
|
| 305/RA3
|
Reproduction of the autograph score |
|
|
| 306 |
Sonata for Flute and Piano [auth.] |
|
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 306/R(ASP)
|
Reproduction of the autograph solo part |
|
| 306/R(ASP)A
|
Reproduction of the solo part |
|
| 306/RA1
|
Reproduction of the autograph score |
|
| 306/RA2
|
Reproduction of the autograph score |
|
| 306/SP
|
Solo part in copyist’s hand |
|
|
| 307 |
Czech Rhapsody [auth.] |
for violin and piano |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 307/A
|
Autograph score |
|
| 307/ARR
|
Arrangement |
|
| 307/R
|
Reproduction of the autograph score |
|
|
| 308 |
Etudes and Polkas [auth.] |
sixteen piano pieces in three books |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 308/A
|
Autograph score |
|
| 308/ARR
|
Arrangement |
|
| 308/PS
|
Printed score |
|
|
| 309 |
Thunderbolt P-47 [auth.] |
scherzo for orchestra |
1945 |
| Call number at the BM Institute |
Type |
Digital copy |
| 309/A
|
Autograph score |
|
| 309/R
|
Reproduction of the autograph score |
|
|
| 310 |
Symphony No. 5 [auth.] |
|
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 310/R
|
Reproduction of the autograph score |
|
|
| 311 |
Toccata e due canzoni |
for small orchestra |
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 311/A
|
Autograph score |
|
| 311/PS
|
Printed score |
|
| 311/R1
|
Reproduction of the autograph score |
|
| 311/R2
|
Reproduction of the autograph score |
|
| 311/RP
|
Reproduction of handwritten parts |
|
|
| 312 |
String Quartet No. 6 |
|
1946 |
| Call number at the BM Institute |
Type |
Digital copy |
| 312/A
|
Autograph score |
|
| 312/PA
|
Parts in copyist’s hand |
|
| 312/R(PA)
|
Reproduction of handwritten parts |
|
| 312/R(R2)
|
Reproduction of the autograph score |
|
| 312/R3
|
Reproduction of the autograph score |
|
|
| 313 |
Three Madrigals (Duo No. 1) |
for violin and viola [auth.] |
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 313/A
|
Autograph score |
|
| 313/R
|
Reproduction of the autograph score |
|
|
| 314 |
String Quartet No. 7 (Concerto da camera) |
|
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 314/A
|
Autograph score |
|
| 314/PA
|
Parts in copyist’s hand |
|
| 314/R1
|
Reproduction of the autograph score |
|
| 314/RA
|
Reproduction of the autograph score |
|
|
| 315 |
Quartet for Oboe, Violin, Violoncello and Piano |
|
1947 |
| Call number at the BM Institute |
Type |
Digital copy |
| 315/A
|
Autograph score |
|
| 315/AP
|
Autograph parts |
|
| 315/D
|
Draft |
|
| 315/R
|
Reproduction of the autograph score |
|
|
| 316 |
Concerto for Piano and Orchestra No. 3 |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 316/A
|
Autograph score |
|
| 316/R
|
Reproduction of the autograph score |
|
|
| 317 |
The Strangler [auth.] |
A Rite of Passage [auth.] |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 317/A
|
Autograph score |
|
| 317/L1
|
Libretto |
|
| 317/L2
|
Libretto |
|
| 317/L3
|
Libretto |
|
| 317/P
|
Parts in copyist’s hand |
|
| 317/PR
|
Klavírní výtah |
|
| 317/R1
|
Reproduction of the autograph score |
|
| 317/R2
|
Reproduction of the autograph score |
|
| 317/RP
|
Reproduction of handwritten parts |
|
| 317/RPR1
|
Reproduction of the piano reduction |
|
| 317/RPR2
|
Reproduction of the piano reduction |
|
|
| 318 |
The Fifth Day of the Fifth Moon [auth.] |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 318/A
|
Autograph |
|
|
| 319 |
The Bouquinistes from the Quai Malaquais |
|
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 319/A
|
Autograph |
|
| 319/R
|
Reproduction of the autograph score |
|
|
| 320 |
Greeting to Sokols and Sokol Gathering |
Festive fanfare for wind instruments |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 320/ARR
|
Arrangement |
|
|
| 321 |
Five Czech Madrigals |
for mixed voices |
1948 |
| Call number at the BM Institute |
Type |
Digital copy |
| 321/A
|
Autograph score |
|
| M 022a-b/D
|
Sketch |
|
|
| 322 |
Sinfonia Concertante [auth.] No. 2 |
for oboe, basson, violin, violoncello and small orchestra |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 322/A
|
Autograph score |
|
| 322/R1
|
Reproduction of the autograph score |
|
| 322/R3
|
Reproduction of the autograph score |
|
| 322/RA
|
Reproduction of the autograph score |
|
|
| 323 |
Bagatelle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 323/R
|
Reproduction of the autograph score |
|
|
| 324 |
Three Czech Dances [auth.] |
for two pianos [auth.] |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 324/A
|
Autograph |
|
| 324/R
|
Reproduction of the autograph score |
|
|
| 325 |
Mazurka – Nocturne |
for oboe, two violins and violoncello |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 325/A
|
Autograph score |
|
| 325/CS, P
|
Manuscript in foreign hand |
|
|
| 326 |
Barcarolle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 326/A
|
Autograph score |
|
|
| 327 |
Piano Trio No. 2 |
for violin, violoncello and piano |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 327/A
|
Autograph score |
|
| 327/D
|
Draft |
|
| 327/PFPA
|
Proofs of parts |
|
| 327/R
|
Reproduction of the autograph score |
|
|
| 328 |
Sinfonietta La Jolla [auth.] |
for chamber orchestra [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 328/A
|
Autograph score |
|
| 328/PP
|
Printed parts |
|
| 328/PS
|
Printed score |
|
| 328/PSA
|
Printed score |
|
| 328/R1
|
Reproduction of the autograph score |
|
| 328/R2
|
Reproduction of the autograph score |
|
| 328/RA
|
Reproduction of the autograph score |
|
|
| 329 |
Concerto for Two Violins and Orchestra [auth.] |
|
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 329/A
|
Autograph score |
|
| 329/RA
|
Reproduction of the autograph score |
|
|
| 330 |
Intermezzo |
for large orchestra |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 330/R
|
Reproduction of the autograph score |
|
|
| 331 |
Duo No. 2 [auth.] |
for violin and viola [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 331/A
|
Autograph score |
|
|
| 332 |
Piano Trio No. 3 |
for violin, violoncello and piano |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 332/A
|
Autograph score |
|
| 332/D
|
Draft |
|
| 332/RA1
|
Reproduction of the autograph score |
|
| 332/RA2
|
Reproduction of the autograph score |
|
| 332/RA3
|
Reproduction of the autograph score |
|
|
| 334 |
Serenade [auth.] |
for two clarinets, violin, viola and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 334/A
|
Autograph score |
|
| 334/R
|
Reproduction of the autograph score |
|
|
| 335 |
Stowe Pastorals [auth.] |
for five recorders, clarinet, two violins and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 335/A
|
Autograph score |
|
| 335/P
|
Parts in copyist’s hand |
|
| 335/R1
|
Reproduction of the autograph score |
|
| 335/R2
|
Reproduction of the autograph score |
|
| 335/RA
|
Reproduction of the autograph score |
|
|
| 336 |
What Men Live by [auth.] |
Opera-pastoral in one act [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 336/A
|
Autograph score |
|
| 336/AL
|
Autograph libretto |
|
| 336/AVS
|
Autograph vocal score |
|
| 336/PPR
|
Printed piano reduction |
|
| 336/PPRA
|
Printed piano part |
|
| 336/R
|
Reproduction of the autograph score |
|
| 336/RAVS1
|
Reproduction of the autograph vocal score |
|
| 336/RAVS2
|
Reproduction of the autograph vocal score |
|
| 336/RP
|
Reproduction of handwritten parts |
|
| M 021/D
|
Draft |
|
|
| 337 |
Rhapsody-Concerto [auth.] |
for viola and orchestra [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 337/APR
|
Autograph piano reduction |
|
| 337/P1
|
Parts in copyist’s hand |
|
| 337/P2
|
Parts in copyist’s hand |
|
| 337/P3
|
Parts in copyist’s hand |
|
| 337/R(APR)
|
Reproduction of the autograph piano reduction |
|
| 337/RA1
|
Reproduction of the autograph score |
|
| 337/RA2
|
Reproduction of the autograph score |
|
| 337/RA3
|
Reproduction of the autograph score |
|
|
| 338 |
Three Part-Songs |
for female voices |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 338/A1
|
Autograph |
|
| 338/R(A2)
|
Reproduction of the autograph score |
|
|
| 339 |
Three Sacred Songs (Three Legends) |
for female choir and violin |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 339 A |
Virgin Mary Walked around the World |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 340 |
Sonata for Violoncello and Piano No. 3 |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 340/A
|
Autograph score |
|
| 340/D
|
Draft |
|
| 340/R
|
Reproduction of the autograph score |
|
| 340/RA
|
Reproduction of the autograph score |
|
| 340/SP1
|
Part in copyist's hand |
|
| 340/SP2
|
Part in copyist's hand |
|
|
| 341 |
The Marriage [auth.] |
comic opera in two acts |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 341/A
|
Autograph score |
|
| 341/Aa
|
Autograph |
|
| 341/D
|
Draft |
|
| 341/L
|
Libretto |
|
| 341/RA
|
Reproduction of the autograph score |
|
| 341/TSA1
|
Textual source |
|
| 341/TSA2, LA
|
Textual source |
|
| 341/VS
|
Vocal score |
|
|
| 342 |
Concerto for Violin, Piano and Orchestra [auth.] |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 342/A
|
Autograph score |
|
|
| 343 |
Symphony No. 6 (Fantaisies Symphoniques) |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 343/A
|
Autograph score |
|
| 343/D
|
Draft |
|
| 343/PF
|
Proof of score |
|
| 343/PS, LC
|
Printed score |
|
| 343/R
|
Reproduction of the autograph score |
|
| 343/RA1
|
Reproduction of the autograph score |
|
| 343/RA2
|
Reproduction of the autograph score |
|
| 343/RA3
|
Reproduction of the autograph score |
|
| 343/RA4
|
Reproduction of the autograph score |
|
|
| 344 |
Accusation Against the Unknown |
opera in three acts |
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 344/AL
|
Autograph libretto |
|
| 344/R
|
Reproduction of the autograph score |
|
| 344/R(AVS)
|
Reproduction of the vocal score |
|
| 344/R(Sk)
|
Sketch |
|
| 344/TS
|
Textual source |
|
|
| 345 |
Overture [auth.] |
for orchestra [auth.] |
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 345/A
|
Autograph score |
|
|
| 346 |
Mirandolina |
comic opera in three acts |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 346/A
|
Autograph score |
|
| 346/ATS
|
Textual source |
|
| 346/L
|
Libretto |
|
| 346/LA
|
Libretto |
|
| 346/P, PR
|
Performance material |
|
| 346/PRA1
|
Klavírní výtah |
|
| 346/PRA2
|
Klavírní výtah |
|
| 346/R
|
Reproduction of the autograph score |
|
| 346/R(PRA1)
|
Reproduction of the autograph score |
|
| 346/RA
|
Reproduction of the autograph score |
|
| 346/SP
|
Solo parts in copyist’s hand |
|
| 346/TS
|
Textual source |
|
| 346/TSA1
|
Textual source |
|
| 346/TSA2
|
Textual source |
|
|
| 347 |
Hymn to St. James |
for soli, mixed chorus, organ and instrumental accompaniment |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 347–8/D
|
Draft |
|
| 347/R1
|
Reproduction of the autograph score |
|
| 347/R2
|
Reproduction of the autograph score |
|
| 347/R3
|
Reproduction of the autograph score |
|
|
| 348 |
Primrose |
duets after lyrics of Moravian folk poetry |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 347–8/D
|
Draft |
|
| 348/A
|
Autograph score |
|
| 348/R
|
Reproduction of the autograph score |
|
|
| 349 |
Mount of Three Lights [auth.] |
for male choir and organ [auth.] |
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 349/A
|
Autograph score |
|
| 349/CS1
|
Score in foreign hand |
|
| 349/CS2
|
Score in foreign hand |
|
| 349/CS3
|
Score in foreign hand |
|
| 349/CS4
|
Score in foreign hand |
|
| 349/CHS
|
Choral score |
|
| 349/R1
|
Reproduction of the autograph score |
|
| 349/R2
|
Reproduction of the autograph score |
|
|
| 350 |
Sonata for Piano |
|
1954 |
| Call number at the BM Institute |
Type |
Digital copy |
| 350/A
|
Autograph |
|
| 350/RA1
|
Reproduction of the autograph score |
|
| 350/RA2
|
Reproduction of the autograph score |
|
|
| 351 |
The Epic of Gilgamesh [auth.] |
oratorio for soli, mixed choir and orchestra |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 351/A
|
Autograph score |
|
| 351/D
|
Draft |
|
| 351/PFA
|
Proof of score |
|
| 351/PFPRA
|
Proofs of piano reduction |
|
| 351/PS2
|
Printed score |
|
| 351/RA2
|
Reproduction of the autograph score |
|
|
| 352 |
The Frescoes of Piero della Francesca |
for large orchestra |
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 352/A
|
Autograph score |
|
| 352/D
|
Draft |
|
| 352/PFA1
|
Proof of score |
|
| 352/PFA2
|
Proof of score |
|
| 352/PFP
|
Proofs of parts |
|
| 352/PS1 (& PS2, PP)
|
Printed score |
|
| 352/RA
|
Reproduction of the autograph score |
|