Halbreich number |
Title |
Subtitle |
Year of origin |
|
304 |
Concerto for violoncello and orchestra No. 2 |
|
1945 |
Call number at the BM Institute |
Type |
Digital copy |
304/APR
|
Autograph piano reduction |
|
304/ASP
|
Autograph solo part |
|
304/R1
|
Reproduction of the autograph score |
|
M 021/D
|
Draft |
|
|
304bis |
Berceuse |
|
1945 |
Call number at the BM Institute |
Type |
Digital copy |
304bis/A
|
Autograph |
|
M 021/D
|
Draft |
|
|
305 |
Symphony No. 4 [auth.] |
|
1945 |
Call number at the BM Institute |
Type |
Digital copy |
305/A
|
Autograph score |
|
305/CS
|
Copy of the score |
|
305/D1
|
Draft |
|
305/D2
|
Draft |
|
305/D4
|
Draft |
|
305/P2
|
Parts in copyist’s hand |
|
305/R4
|
Reproduction of the autograph score |
|
305/RA1
|
Reproduction of the autograph score |
|
305/RA2
|
Reproduction of the autograph score |
|
305/RA3
|
Reproduction of the autograph score |
|
|
306 |
Sonata for Flute and Piano [auth.] |
|
1945 |
Call number at the BM Institute |
Type |
Digital copy |
306/R(ASP)
|
Reproduction of the autograph solo part |
|
306/R(ASP)A
|
Reproduction of the solo part |
|
306/RA1
|
Reproduction of the autograph score |
|
306/RA2
|
Reproduction of the autograph score |
|
306/SP
|
Solo part in copyist’s hand |
|
|
307 |
Czech Rhapsody [auth.] |
for violin and piano |
1945 |
Call number at the BM Institute |
Type |
Digital copy |
307/A
|
Autograph score |
|
307/ARR
|
Arrangement |
|
307/R
|
Reproduction of the autograph score |
|
|
308 |
Etudes and Polkas [auth.] |
sixteen piano pieces in three books |
1945 |
Call number at the BM Institute |
Type |
Digital copy |
308/A
|
Autograph score |
|
308/ARR
|
Arrangement |
|
308/PS
|
Printed score |
|
|
309 |
Thunderbolt P-47 [auth.] |
scherzo for orchestra |
1945 |
Call number at the BM Institute |
Type |
Digital copy |
309/A
|
Autograph score |
|
309/R
|
Reproduction of the autograph score |
|
|
310 |
Symphony No. 5 [auth.] |
|
1946 |
Call number at the BM Institute |
Type |
Digital copy |
310/R
|
Reproduction of the autograph score |
|
|
311 |
Toccata e due canzoni |
for small orchestra |
1946 |
Call number at the BM Institute |
Type |
Digital copy |
311/A
|
Autograph score |
|
311/PS
|
Printed score |
|
311/R1
|
Reproduction of the autograph score |
|
311/R2
|
Reproduction of the autograph score |
|
311/RP
|
Reproduction of handwritten parts |
|
|
312 |
String Quartet No. 6 |
|
1946 |
Call number at the BM Institute |
Type |
Digital copy |
312/A
|
Autograph score |
|
312/PA
|
Parts in copyist’s hand |
|
312/R(PA)
|
Reproduction of handwritten parts |
|
312/R(R2)
|
Reproduction of the autograph score |
|
312/R3
|
Reproduction of the autograph score |
|
|
313 |
Three Madrigals (Duo No. 1) |
for violin and viola [auth.] |
1947 |
Call number at the BM Institute |
Type |
Digital copy |
313/A
|
Autograph score |
|
313/R
|
Reproduction of the autograph score |
|
|
314 |
String Quartet No. 7 (Concerto da camera) |
|
1947 |
Call number at the BM Institute |
Type |
Digital copy |
314/A
|
Autograph score |
|
314/PA
|
Parts in copyist’s hand |
|
314/R1
|
Reproduction of the autograph score |
|
314/RA
|
Reproduction of the autograph score |
|
|
315 |
Quartet for Oboe, Violin, Violoncello and Piano |
|
1947 |
Call number at the BM Institute |
Type |
Digital copy |
315/A
|
Autograph score |
|
315/AP
|
Autograph parts |
|
315/D
|
Draft |
|
315/R
|
Reproduction of the autograph score |
|
|
316 |
Concerto for Piano and Orchestra No. 3 |
|
1948 |
Call number at the BM Institute |
Type |
Digital copy |
316/A
|
Autograph score |
|
316/R
|
Reproduction of the autograph score |
|
|
317 |
The Strangler [auth.] |
A Rite of Passage [auth.] |
1948 |
Call number at the BM Institute |
Type |
Digital copy |
317/A
|
Autograph score |
|
317/L1
|
Libretto |
|
317/L2
|
Libretto |
|
317/L3
|
Libretto |
|
317/P
|
Parts in copyist’s hand |
|
317/PR
|
Klavírní výtah |
|
317/R1
|
Reproduction of the autograph score |
|
317/R2
|
Reproduction of the autograph score |
|
317/RP
|
Reproduction of handwritten parts |
|
317/RPR1
|
Reproduction of the piano reduction |
|
317/RPR2
|
Reproduction of the piano reduction |
|
|
318 |
The Fifth Day of the Fifth Moon [auth.] |
|
1948 |
Call number at the BM Institute |
Type |
Digital copy |
318/A
|
Autograph |
|
|
319 |
The Bouquinistes from the Quai Malaquais |
|
1948 |
Call number at the BM Institute |
Type |
Digital copy |
319/A
|
Autograph |
|
319/R
|
Reproduction of the autograph score |
|
|
320 |
Greeting to Sokols and Sokol Gathering |
Festive fanfare for wind instruments |
1948 |
Call number at the BM Institute |
Type |
Digital copy |
320/ARR
|
Arrangement |
|
|
321 |
Five Czech Madrigals |
for mixed voices |
1948 |
Call number at the BM Institute |
Type |
Digital copy |
321/A
|
Autograph score |
|
M 022a-b/D
|
Sketch |
|
|
322 |
Sinfonia Concertante [auth.] No. 2 |
for oboe, basson, violin, violoncello and small orchestra |
1949 |
Call number at the BM Institute |
Type |
Digital copy |
322/A
|
Autograph score |
|
322/R1
|
Reproduction of the autograph score |
|
322/R3
|
Reproduction of the autograph score |
|
322/RA
|
Reproduction of the autograph score |
|
|
323 |
Bagatelle |
for piano |
1949 |
Call number at the BM Institute |
Type |
Digital copy |
323/R
|
Reproduction of the autograph score |
|
|
324 |
Three Czech Dances [auth.] |
for two pianos [auth.] |
1949 |
Call number at the BM Institute |
Type |
Digital copy |
324/A
|
Autograph |
|
324/R
|
Reproduction of the autograph score |
|
|
325 |
Mazurka – Nocturne |
for oboe, two violins and violoncello |
1949 |
Call number at the BM Institute |
Type |
Digital copy |
325/A
|
Autograph score |
|
325/CS, P
|
Manuscript in foreign hand |
|
|
326 |
Barcarolle |
for piano |
1949 |
Call number at the BM Institute |
Type |
Digital copy |
326/A
|
Autograph score |
|
|
327 |
Piano Trio No. 2 |
for violin, violoncello and piano |
1950 |
Call number at the BM Institute |
Type |
Digital copy |
327/A
|
Autograph score |
|
327/D
|
Draft |
|
327/PFPA
|
Proofs of parts |
|
327/R
|
Reproduction of the autograph score |
|
|
328 |
Sinfonietta La Jolla [auth.] |
for chamber orchestra [auth.] |
1950 |
Call number at the BM Institute |
Type |
Digital copy |
328/A
|
Autograph score |
|
328/PP
|
Printed parts |
|
328/PS
|
Printed score |
|
328/PSA
|
Printed score |
|
328/R1
|
Reproduction of the autograph score |
|
328/R2
|
Reproduction of the autograph score |
|
328/RA
|
Reproduction of the autograph score |
|
|
329 |
Concerto for Two Violins and Orchestra [auth.] |
|
1950 |
Call number at the BM Institute |
Type |
Digital copy |
329/A
|
Autograph score |
|
329/RA
|
Reproduction of the autograph score |
|
|
330 |
Intermezzo |
for large orchestra |
1950 |
Call number at the BM Institute |
Type |
Digital copy |
330/R
|
Reproduction of the autograph score |
|
|
331 |
Duo No. 2 [auth.] |
for violin and viola [auth.] |
1950 |
Call number at the BM Institute |
Type |
Digital copy |
331/A
|
Autograph score |
|
|
332 |
Piano Trio No. 3 |
for violin, violoncello and piano |
1951 |
Call number at the BM Institute |
Type |
Digital copy |
332/A
|
Autograph score |
|
332/D
|
Draft |
|
332/RA1
|
Reproduction of the autograph score |
|
332/RA2
|
Reproduction of the autograph score |
|
332/RA3
|
Reproduction of the autograph score |
|
|
334 |
Serenade [auth.] |
for two clarinets, violin, viola and violoncello |
1951 |
Call number at the BM Institute |
Type |
Digital copy |
334/A
|
Autograph score |
|
334/R
|
Reproduction of the autograph score |
|
|
335 |
Stowe Pastorals [auth.] |
for five recorders, clarinet, two violins and violoncello |
1951 |
Call number at the BM Institute |
Type |
Digital copy |
335/A
|
Autograph score |
|
335/P
|
Parts in copyist’s hand |
|
335/R1
|
Reproduction of the autograph score |
|
335/R2
|
Reproduction of the autograph score |
|
335/RA
|
Reproduction of the autograph score |
|
|
336 |
What Men Live by [auth.] |
Opera-pastoral in one act [auth.] |
1952 |
Call number at the BM Institute |
Type |
Digital copy |
336/A
|
Autograph score |
|
336/AL
|
Autograph libretto |
|
336/AVS
|
Autograph vocal score |
|
336/PPR
|
Printed piano part |
|
336/R
|
Reproduction of the autograph score |
|
336/RAVS1
|
Reproduction of the autograph vocal score |
|
336/RAVS2
|
Reproduction of the autograph vocal score |
|
|
337 |
Rhapsody-Concerto [auth.] |
for viola and orchestra [auth.] |
1952 |
Call number at the BM Institute |
Type |
Digital copy |
337/APR
|
Autograph piano reduction |
|
337/P1
|
Parts in copyist’s hand |
|
337/P2
|
Parts in copyist’s hand |
|
337/P3
|
Parts in copyist’s hand |
|
337/R(APR)
|
Reproduction of the autograph piano reduction |
|
337/RA1
|
Reproduction of the autograph score |
|
337/RA2
|
Reproduction of the autograph score |
|
337/RA3
|
Reproduction of the autograph score |
|
|
338 |
Three Part-Songs |
for female voices |
1952 |
Call number at the BM Institute |
Type |
Digital copy |
338/A1
|
Autograph |
|
338/R(A2)
|
Reproduction of the autograph score |
|
|
339 |
Three Sacred Songs (Three Legends) |
for female choir and violin |
1952 |
Call number at the BM Institute |
Type |
Digital copy |
M 023a–b/A
|
Autograph |
|
|
339 A |
Virgin Mary Walked around the World |
|
1952 |
Call number at the BM Institute |
Type |
Digital copy |
M 023a–b/A
|
Autograph |
|
|
340 |
Sonata for Violoncello and Piano No. 3 |
|
1952 |
Call number at the BM Institute |
Type |
Digital copy |
340/A
|
Autograph score |
|
340/D
|
Draft |
|
340/R
|
Reproduction of the autograph score |
|
340/RA
|
Reproduction of the autograph score |
|
340/SP1
|
Part in copyist's hand |
|
340/SP2
|
Part in copyist's hand |
|
|
341 |
The Marriage [auth.] |
comic opera in two acts |
1952 |
Call number at the BM Institute |
Type |
Digital copy |
341/A
|
Autograph score |
|
341/Aa
|
Autograph |
|
341/D
|
Draft |
|
341/L
|
Libretto |
|
341/RA
|
Reproduction of the autograph score |
|
341/TSA1
|
Textual source |
|
341/TSA2, LA
|
Textual source |
|
341/VS
|
Vocal score |
|
|
342 |
Concerto for Violin, Piano and Orchestra [auth.] |
|
1953 |
Call number at the BM Institute |
Type |
Digital copy |
342/A
|
Autograph score |
|
|
343 |
Symphony No. 6 (Fantaisies Symphoniques) |
|
1953 |
Call number at the BM Institute |
Type |
Digital copy |
343/A
|
Autograph score |
|
343/D
|
Draft |
|
343/PF
|
Proof of score |
|
343/PS, LC
|
Printed score |
|
343/R
|
Reproduction of the autograph score |
|
343/RA1
|
Reproduction of the autograph score |
|
343/RA2
|
Reproduction of the autograph score |
|
343/RA3
|
Reproduction of the autograph score |
|
343/RA4
|
Reproduction of the autograph score |
|
|
344 |
Accusation Against the Unknown |
opera in three acts |
1953 |
Call number at the BM Institute |
Type |
Digital copy |
344/AL
|
Autograph libretto |
|
344/R
|
Reproduction of the autograph score |
|
344/R(AVS)
|
Reproduction of the vocal score |
|
344/R(Sk)
|
Sketch |
|
344/TS
|
Textual source |
|
|
345 |
Overture [auth.] |
for orchestra [auth.] |
1953 |
Call number at the BM Institute |
Type |
Digital copy |
345/A
|
Autograph score |
|
|
346 |
Mirandolina |
comic opera in three acts |
1954 |
Call number at the BM Institute |
Type |
Digital copy |
346/A
|
Autograph score |
|
346/ATS
|
Textual source |
|
346/L
|
Libretto |
|
346/LA
|
Libretto |
|
346/P, PR
|
Performance material |
|
346/PRA1
|
Klavírní výtah |
|
346/PRA2
|
Klavírní výtah |
|
346/R
|
Reproduction of the autograph score |
|
346/R(PRA1)
|
Reproduction of the autograph score |
|
346/RA
|
Reproduction of the autograph score |
|
346/SP
|
Solo parts in copyist’s hand |
|
346/TS
|
Textual source |
|
346/TSA1
|
Textual source |
|
346/TSA2
|
Textual source |
|
|
347 |
Hymn to St. James |
for soli, mixed chorus, organ and instrumental accompaniment |
1954 |
Call number at the BM Institute |
Type |
Digital copy |
347–8/D
|
Draft |
|
347/R1
|
Reproduction of the autograph score |
|
347/R2
|
Reproduction of the autograph score |
|
347/R3
|
Reproduction of the autograph score |
|
|
348 |
Primrose |
duets after lyrics of Moravian folk poetry |
1954 |
Call number at the BM Institute |
Type |
Digital copy |
347–8/D
|
Draft |
|
348/A
|
Autograph score |
|
348/R
|
Reproduction of the autograph score |
|
|
349 |
Mount of Three Lights [auth.] |
for male choir and organ [auth.] |
1954 |
Call number at the BM Institute |
Type |
Digital copy |
349/A
|
Autograph score |
|
349/CS1
|
Score in foreign hand |
|
349/CS2
|
Score in foreign hand |
|
349/CS3
|
Score in foreign hand |
|
349/CS4
|
Score in foreign hand |
|
349/CHS
|
Choral score |
|
349/R1
|
Reproduction of the autograph score |
|
349/R2
|
Reproduction of the autograph score |
|
|
350 |
Sonata for Piano |
|
1954 |
Call number at the BM Institute |
Type |
Digital copy |
350/A
|
Autograph |
|
350/RA1
|
Reproduction of the autograph score |
|
350/RA2
|
Arrangement |
|
|
351 |
The Epic of Gilgamesh [auth.] |
oratorio for soli, mixed choir and orchestra |
1955 |
Call number at the BM Institute |
Type |
Digital copy |
351/A
|
Autograph score |
|
351/D
|
Draft |
|
351/PFA
|
Proof of score |
|
351/PFPRA
|
Proofs of piano reduction |
|
351/PS2
|
Printed score |
|
351/RA2
|
Reproduction of the autograph score |
|
|
352 |
The Frescoes of Piero della Francesca |
for large orchestra |
1955 |
Call number at the BM Institute |
Type |
Digital copy |
352/A
|
Autograph score |
|
352/D
|
Draft |
|
352/PFA1
|
Proof of score |
|
352/PFA2
|
Proof of score |
|
352/PFP
|
Proofs of parts |
|
352/PS1 (& PS2, PP)
|
Printed score |
|
352/RA
|
Reproduction of the autograph score |
|