| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 212 |
Partita (Suite No. 1) |
for string orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 212/A
|
Autograph score |
|
| 212/PR
|
Klavírní výtah |
|
|
| 213 |
Sonata for Two Violins and Piano |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 213/PS
|
Printed score |
|
|
| 213bis |
Two Songs |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 213bis/R
|
Mechanical copy |
|
|
| 214 I |
The Chap-Book, 1st version |
ballet with singing in 3 acts |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 I/A1
|
Autograph score |
|
| 214 I/A2
|
Autograph score |
|
| 214 I/A3
|
Autograph score |
|
| 214 I/A4
|
Autograph score |
|
| 214 I/APR1
|
Autograph piano reduction |
|
| 214 I/APR2
|
Autograph piano reduction |
|
| 214 I/APR3
|
Autograph piano reduction |
|
| 214 I/APR4
|
Autograph piano reduction |
|
| 214 I/ASY
|
Synopsis |
|
| 214 I/CHS1
|
Choral score |
|
| 214 I/CHS2
|
Choral score |
|
| 214 I/P1
|
Parts in copyist’s hand |
|
| 214 I/P2
|
Parts in copyist’s hand |
|
| 214 I/PR1
|
Klavírní výtah |
|
| 214 I/PR2
|
Klavírní výtah |
|
| 214 I/PR3
|
Klavírní výtah |
|
|
| 214 II |
The Chap-Book, 2nd version |
ballet with singing in 3 acts |
1940 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 II/A
|
Autograph score |
|
| 214 II/ASY
|
Synopsis |
|
| 214 II/CS
|
Score in foreign hand |
|
| 214 II/PR1
|
Klavírní výtah |
|
| 214 II/PR2
|
Klavírní výtah |
|
| 214 II/PR3
|
Klavírní výtah |
|
|
| 214 I A |
The Spectre´s Bride |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 214 I/A4
|
Autograph score |
|
| 214 I/ASY
|
Synopsis |
|
| 214 I/CHS1
|
Choral score |
|
| 214 I/CHS2
|
Choral score |
|
| 214 I/P1
|
Parts in copyist’s hand |
|
| 214 I/P2
|
Parts in copyist’s hand |
|
| 214 I/PR1
|
Klavírní výtah |
|
| 214 I/PR2
|
Klavírní výtah |
|
| 214 I/PR3
|
Klavírní výtah |
|
|
| 215 |
Divertimento (Serenade No. 4) |
for chamber orchestra |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 215/A
|
Autograph |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 216 |
Serenade No. 2 |
for two violins and viola |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 216/A
|
Autograph |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 217 |
Serenade No. 1 |
for clarinet, french horn, three violins and viola |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 217/A
|
Autograph score |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 218 |
Serenade No. 3 |
for oboe, clarinet, four violins and violoncello |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 218/A
|
Autograph score |
|
| 218/PR
|
Klavírní výtah |
|
| M 015a-d/P
|
Parts in copyist’s hand |
|
|
| 219 |
Sinfonia Concertante |
for two orchestras |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 219/A
|
Autograph score |
|
| M 016a-b/D
|
Draft |
|
|
| 220 |
Dance Sketches |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 220/A
|
Autograph |
|
| 220/PSA
|
Printed score |
|
|
| 221 |
To Božánek and Sonička |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 221/A
|
Autograph |
|
|
| 222 |
Note into a Scrapbook |
(No. 1) |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 222/A
|
Autograph |
|
|
| 224 |
String Sextet |
for two violins, two violas and two violoncellos |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 224/A
|
Autograph |
|
| 224/AP
|
Autograph parts |
|
| 224/P
|
Parts in copyist’s hand |
|
| 224/RA
|
Reproduction of the autograph score |
|
| M 016a-b/D
|
Draft |
|
|
| 224 A |
String Sextet |
arrangement for string orchestra |
|
| Call number at the BM Institute |
Type |
Digital copy |
| 224/AP
|
Autograph parts |
|
| 224/RA
|
Reproduction of the autograph score |
|
|
| 225 |
Four children`s songs and rhymes |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 225/A
|
Autograph |
|
|
| 226 |
Concerto for Violin and Orchestra No. 1 |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 226/A1
|
Autograph |
|
| 226/A2
|
Autograph |
|
| 226/D1
|
Sketch |
|
| 226/D2
|
Sketch |
|
| 226/P
|
Parts in copyist’s hand |
|
| 226/SP
|
Solo part in copyist’s hand |
|
|
| 227 |
Ritornellos |
six piano pieces |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 227/A
|
Autograph |
|
| 227/PS
|
Printed score |
|
| 227/PSA
|
Printed score |
|
|
| 228 |
Two Ballads to Folk Poetry Lyrics |
for alto and piano |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 228/A
|
Autograph |
|
|
| 229 |
Piano Quintet No. 1 |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 229/A
|
Autograph |
|
|
| 230 |
Easter Song |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 230/R
|
Reproduction of the autograph score |
|
|
| 231 |
Concerto for Piano Trio and String Orchestra |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 231/R
|
Reproduction of the autograph score |
|
|
| 232 |
Concertino for Piano Trio and String Orchestra |
|
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 232/A
|
Autograph score |
|
|
| 232bis |
Two Songs to the Texts of Negro Folk-Poetry |
|
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 232bis/CS
|
Score in foreign hand |
|
|
| 233 |
Marijka the Unfaithful |
music for the film |
1933 |
| Call number at the BM Institute |
Type |
Digital copy |
| 233/D
|
Draft |
|
|
| 234 |
Inventions [auth.] |
for large orchestra |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 234/A
|
Autograph score |
|
|
| 235 |
Four Songs About Mary |
for mixed chorus |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 235/A
|
Autograph |
|
| 235/D
|
Draft |
|
|
| 236/2 I |
Mariken of Nimègue |
first version of the 2nd act from the Miracles of Mary |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 236/2_I/A
|
Autograph score |
|
| 236/2_I/APR
|
Autograph piano reduction |
|
| 236/2_I/ASY
|
Synopsis |
|
| 236/2_I/L
|
Libretto |
|
| 236/2_I/SY
|
Synopsis |
|
| 236/2_I/TS1
|
Textual source |
|
| 236/2_I/TS2
|
Textual source |
|
| 236/2_I/TSA
|
Textual source |
|
|
| 236 |
The Plays of Mary |
|
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 236/A1
|
Autograph |
|
| 236/A2
|
Autograph |
|
| 236/APR1
|
Autograph piano reduction |
|
| 236/APR2
|
Autograph piano reduction |
|
| 236/CS
|
Copy of the score |
|
| 236/D1
|
Draft |
|
| 236/D2
|
Draft |
|
| 236/DLA
|
Textual source |
|
| 236/L
|
Libretto |
|
| 236/PR1
|
Klavírní výtah |
|
| 236/PR2
|
Klavírní výtah |
|
| 236/PR4
|
Klavírní výtah |
|
| 236/R(PR3)
|
Reproduction of the piano reduction |
|
| 236/SY
|
Synopsis |
|
|
| 237 |
Concerto for Piano and Orchestra No. 2 |
|
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 237/A1
|
Autograph |
|
| 237/A2
|
Autograph |
|
| 237/APR1
|
Autograph piano reduction |
|
| 237/ASP
|
Autograph solo part |
|
| 237/D, APR2
|
Draft |
|
| 237/PA, R(PA)
|
Parts in copyist’s hand |
|
|
| 238 |
String Trio No. 2 |
for violin, viola and violoncello |
1934 |
| Call number at the BM Institute |
Type |
Digital copy |
| 238/A
|
Autograph |
|
| 238/CS
|
Score in foreign hand |
|
|
| 239 |
Lady's Shoe |
music for a documentary and promotional film |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 239/A
|
Autograph |
|
|
| 240 |
City of the Water of Life: Mariánské Lázně |
music for the documentary film |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 240/A
|
Autograph |
|
| M 021/D
|
Draft |
|
|
| 240 A |
Interlude |
from the film City of the Water of Life: Mariánské Lázně |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 240 A/A
|
Autograph |
|
|
| 242 |
Composition for Little Evas |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 242/A
|
Autograph |
|
|
| 243 |
The Voice of the Forest |
radio-opera in 1 act |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 243/A1
|
Autograph score |
|
| 243/A2
|
Autograph |
|
| 243/L
|
Libretto |
|
|
| 244 |
Two Pieces for Harpsichord |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 244/A
|
Autograph |
|
| 244/CS
|
Copy of the score |
|
|
| 246 |
Concerto for Harpsichord and Small Orchestra |
|
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 246/A
|
Autograph score |
|
| 246/D
|
Draft |
|
| 246/PR
|
Klavírní výtah |
|
| 246/RA
|
Reproduction of the autograph score |
|
| 246/SP
|
Solo part in copyist’s hand |
|
| 246/SPA
|
Solo part in copyist’s hand |
|
|
| 247 |
Comedy on the Bridge |
radio-opera in 1 act |
1935 |
| Call number at the BM Institute |
Type |
Digital copy |
| 247/A
|
Autograph score |
|
| 247/CS1
|
Copy of the score |
|
| 247/CS2
|
Copy of the score |
|
| 247/CS3, P
|
Performance material |
|
| 247/D
|
Sketch |
|
| 247/L
|
Libretto |
|
| 247/LC
|
List of corrections |
|
| 247/PR1, PR2
|
Klavírní výtah |
|
| 247/R(PR3), RALC, LC
|
Reproduction of the piano reduction |
|
|
| 247 A |
Little Suite |
from the Opera "Comedy on the Bridge" |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 247 A/ARR
|
Arrangement |
|
| 247 A/RAP
|
Reproduction of handwritten parts |
|
|
| 248 |
Oidipus |
stage music to the play by André Gide |
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 248/A
|
Autograph |
|
| 248/TS1
|
Textual source |
|
| 248/TS2
|
Textual source |
|
|
| 250 |
Dumka (No. 2) |
|
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 250/ARR
|
Arrangement |
|
|
| 251 |
Theatre Behind the Gate |
opera-ballet in 3 acts |
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 251/A
|
Autograph score |
|
| 251/APR
|
Autograph piano reduction |
|
|
| 252 |
Concerto for Flute, Violin and Orchestra |
|
1936 |
| Call number at the BM Institute |
Type |
Digital copy |
| 252/A
|
Autograph |
|
| 252/CS
|
Copy of the score |
|
|
| 253 |
Juliette (The Key to Dreams) |
lyric opera in 3 acts |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 253/A
|
Autograph score |
|
| 253/APR
|
Autograph piano reduction |
|
| 253/D
|
Draft |
|
| 253/L1
|
Libretto |
|
| 253/L2
|
Libretto |
|
| 253/PF
|
Proof of score |
|
| 253/PPR1
|
Printed piano reduction |
|
| 253/PPR2
|
Printed piano reduction |
|
| 253/PPR3
|
Printed piano reduction |
|
| 253/PRA
|
Klavírní výtah |
|
| 253/TS
|
Textual source |
|
| 253/TSA
|
Textual source |
|
|
| 253 A |
Three Fragments from the Opera Juliette |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 253 A/A1
|
Autograph |
|
| 253 A/A2
|
Autograph |
|
| 253 A/APR
|
Autograph piano reduction |
|
| 253 A/ASP
|
Autograph solo part |
|
|
| 254 |
Sonata for Flute, Violin and Piano |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 254/A
|
Autograph score |
|
| M 017a-b/D
|
Draft |
|
|
| 255 |
Alexander Bis |
opera buffa in 1 act |
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 255/A
|
Autograph score |
|
| 255/Aa
|
Autograph score |
|
| 255/APR
|
Autograph piano reduction |
|
| 255/D
|
Draft |
|
| 255/L
|
Libretto |
|
|
| 256 |
String Quartet No. 4 |
|
1937 |
| Call number at the BM Institute |
Type |
Digital copy |
| 256/A
|
Autograph |
|
| 256/D1
|
Draft |
|
| 256/R
|
Reproduction of the autograph score |
|
| M 017a-b/D
|
Draft |
|