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Ani jeden KONCERT PRO KLAVÍR A ORCH. [č. 1, 2, 3, 4] nemá klavírní výtah, Rudolf Firkušný je studoval z partitury. Bohuslav Martinů se o to s Boosey & Hawkes zatím hádat nebude, má s nimi důležitější věci. EPOS O GILGAMEŠOVI nemůže Praha dávat před premiérou Paula Sachera v lednu. BM poslal Karlu Šebánkovi nový kvintet [? SERENÁDA pro 2 klarinety, housle, violu a violoncello]. Karel Ančerl bude dávat FRESKY PIERA DELLA FRANCESCA. Na KONCERT PRO DVA KLAVÍRY A ORCH. by si na festival mohli pozvat belgické Duo Reding-Piette. Přivezli by si vlastní materiál. BM nemůže nikoho zvát z ČSR, snad by pomohl Ricordi & Co nebo Ernst Roth. SYMFONIE č. 6 se v Rusku nehrála, což je snad lépe. Vydávání v SNKLHU BM omezil.
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Not one CONCERT FOR PIANO AND ORCH. [Nos. 1, 2, 3, 4] has no piano excerpt, Rudolf Firkušný studied them from the score. Bohuslav Martinů is not going to argue with Boosey & Hawkes about it yet, he has more important things to do with them. EPOS ON GILGAMES cannot be given in Prague before the premiere of Paul Sacher in January. BM has sent Karel Šebánek a new quintet [? SERENADA for 2 clarinets, violin, viola and cello]. Karel Ančerl will give FRESKY PIERA DELLA FRANCESCA. For the CONCERT FOR TWO PIANOS AND ORCHESTRA the Belgian Duo Reding-Piette could be invited to the festival. They would bring their own material. BM can't invite anyone from Czechoslovakia, perhaps Ricordi & Co or Ernst Roth could help. SYMPHONY No. 6 has not been played in Russia, which is perhaps better. BM limited the publication in SNKLHU.
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