This content was automatically translated from the original language. The original content is available by clicking the link below.
Premiéra [HER O MARII] dopadla dobře; poznali, že pracuje "s určitými úmysly"; byl na Hradě u p. Říhy a doufá, "že zase něco udělí pro tento rok"; psal mu "nějaký pan Challiot" [Chaillot?] o "nějaké hudbě k českému filmu, folklor"; vrátil by se do Paříže dříve, aby mu to neušlo; Šafránek nechť vezme s sebou do Prahy Les rondes - partituru i materiál a Larmes de couteau - partituru a klavírní výah; dostal partituru a výtah "koncertu pro klavír"; MŠ ať nezapomene na Bagarre, jestli ČF pojede do Paříže, ČF by jinak dala na program jen Smetanu a Dvořáka; pokusil se umístit Špalíček do Jugoslávie.
Show AI translation
The premiere [of HER O MARIA] went well; they knew that he was working "with certain intentions"; he was at the Castle with Mr. Říha and hoped "that he would do something again for this year"; "a certain Mr. Challiot" [Chaillot?] about 'some music for a Czech film, folklore'; he would return to Paris sooner, so as not to miss it; Šafránek should take Les rondes with him to Prague - the score and material, and Larmes de couteau - the score and the piano score; he got the score and an excerpt of the "piano concerto"; he told the MŠ not to forget Bagarre if the ČF went to Paris, otherwise the ČF would put only Smetana and Dvořák on the programme; he tried to place the Spalice in Yugoslavia.
Show original