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BM se vrací k historce o českých filmařích, kdy je p. Pešek pozval na večeři, ale nezaplatil ji potom; básník [Vítězslav Nezval] je zavezl zpět do Nice taxíkem; básník a "pán z legace" se u BM "nabaštili"; BM byl rád, že potkal starého kamaráda.
Opravoval VIOLONCELLOVÝ KONCERT. Když ho totiž slyšel z Paříže, objevil tam honě chyb; u Schotta bude vydána nová partitura, kde bude vše opraveno; je to "stará věc" asi z 1934 [první verze 1930, druhá 1939]; partitura se ztratila 1940 a Fournier ji pak našel v jednom obchodě; někdo ji asi domněle "opravil"; nechal si partituru poslat "a celou ji přepsal a změnil";
Nápad na balet [Noc] byl asi malíře [Aloise] Kohouta, který dal do novin, že byl balet přijat k provedení v Národním divadle, což nebyla pravda; BM měl potom trapný výstup s [Karlem] Kovařovicem; Kohout je teď někde v Chicagu; o [Františku] Bergerovi nic neví, dělal jednou návrhy na scénu; chtěl se zřejmě dostat do baletu.
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BM returns to the story about the Czech filmmakers, when Mr. Pesek invited them to dinner but did not pay for it afterwards; the poet [Vítězslav Nezval] took them back to Nice in a taxi; the poet and the "gentleman from the legation" "fed" at BM's place; BM was glad to meet an old friend.
He was correcting VIOLONCELL'S CONCERT. For when he heard it from Paris, he discovered a hunt for mistakes; a new score will be published by Schott, with everything corrected; it is an "old thing" from about 1934 [first version 1930, second 1939]; the score was lost 1940 and Fournier found it in a shop afterwards; someone must have supposedly "corrected" it; he had the score sent to him "and rewrote and changed the whole thing";
The idea for the ballet [Night] was probably the painter [Alois] Kohout's, who put in the paper that the ballet had been accepted for performance at the National Theatre, which was not true; BM then had an embarrassing performance with [Karel] Kovařovic; Kohout is now somewhere in Chicago; he knows nothing about [František] Berger, he once made designs for the set; he probably wanted to get into ballet.
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