| Halbreich number | 
		Title | 
		Subtitle | 
		Year of origin | 
	
 
			
			 | 
		
		
			| 304 | 
			Concerto for violoncello and orchestra No. 2 | 
			 | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					304/APR
				 | 
				Autograph piano reduction | 
									 				 | 			
								
				| 					304/ASP
				 | 
				Autograph solo part | 
									 				 | 			
								
				| 					304/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					M 021/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 304bis | 
			Berceuse | 
			 | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					304bis/A
				 | 
				Autograph | 
													 | 			
								
				| 					M 021/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 305 | 
			Symphony No. 4 [auth.] | 
			 | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					305/A
				 | 
				Autograph score | 
													 | 			
								
				| 					305/CS
				 | 
				Copy of the score | 
									 				 | 			
								
				| 					305/D1
				 | 
				Draft | 
									 				 | 			
								
				| 					305/D2
				 | 
				Draft | 
									 				 | 			
								
				| 					305/D4
				 | 
				Draft | 
									 				 | 			
								
				| 					305/P2
				 | 
				Parts in copyist’s hand | 
													 | 			
								
				| 					305/R4
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					305/RA1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					305/RA2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					305/RA3
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 306 | 
			Sonata for Flute and Piano [auth.] | 
			 | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					306/R(ASP)
				 | 
				Reproduction of the autograph solo part | 
													 | 			
								
				| 					306/R(ASP)A
				 | 
				Reproduction of the solo part | 
									 				 | 			
								
				| 					306/RA1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					306/RA2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					306/SP
				 | 
				Solo part in copyist’s hand | 
													 | 			
					
			 | 
		
		
			| 307 | 
			Czech Rhapsody [auth.] | 
			for violin and piano | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					307/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					307/ARR
				 | 
				Arrangement | 
													 | 			
								
				| 					307/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 308 | 
			Etudes and Polkas [auth.] | 
			sixteen piano pieces in three books | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					308/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					308/ARR
				 | 
				Arrangement | 
									 				 | 			
								
				| 					308/PS
				 | 
				Printed score | 
													 | 			
					
			 | 
		
		
			| 309 | 
			Thunderbolt P-47 [auth.] | 
			scherzo for orchestra | 
			1945 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					309/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					309/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 310 | 
			Symphony No. 5 [auth.] | 
			 | 
			1946 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					310/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 311 | 
			Toccata e due canzoni | 
			for small orchestra | 
			1946 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					311/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					311/PS
				 | 
				Printed score | 
													 | 			
								
				| 					311/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					311/R2
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					311/RP
				 | 
				Reproduction of handwritten parts | 
									 				 | 			
					
			 | 
		
		
			| 312 | 
			String Quartet No. 6 | 
			 | 
			1946 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					312/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					312/PA
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					312/R(PA)
				 | 
				Reproduction of handwritten parts | 
									 				 | 			
								
				| 					312/R(R2)
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					312/R3
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 313 | 
			Three Madrigals (Duo No. 1) | 
			for violin and viola [auth.] | 
			1947 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					313/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					313/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 314 | 
			String Quartet No. 7 (Concerto da camera) | 
			 | 
			1947 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					314/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					314/PA
				 | 
				Parts in copyist’s hand | 
													 | 			
								
				| 					314/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					314/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 315 | 
			Quartet for Oboe, Violin, Violoncello and Piano | 
			 | 
			1947 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					315/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					315/AP
				 | 
				Autograph parts | 
									 				 | 			
								
				| 					315/D
				 | 
				Draft | 
													 | 			
								
				| 					315/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 316 | 
			Concerto for Piano and Orchestra No. 3 | 
			 | 
			1948 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					316/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					316/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 317 | 
			The Strangler [auth.] | 
			A Rite of Passage [auth.] | 
			1948 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					317/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					317/L1
				 | 
				Libretto | 
									 				 | 			
								
				| 					317/L2
				 | 
				Libretto | 
									 				 | 			
								
				| 					317/L3
				 | 
				Libretto | 
													 | 			
								
				| 					317/P
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					317/PR
				 | 
				Klavírní výtah | 
									 				 | 			
								
				| 					317/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					317/R2
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					317/RP
				 | 
				Reproduction of handwritten parts | 
									 				 | 			
								
				| 					317/RPR1
				 | 
				Reproduction of the piano reduction | 
									 				 | 			
								
				| 					317/RPR2
				 | 
				Reproduction of the piano reduction | 
									 				 | 			
					
			 | 
		
		
			| 318 | 
			The Fifth Day of the Fifth Moon [auth.] | 
			 | 
			1948 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					318/A
				 | 
				Autograph | 
													 | 			
					
			 | 
		
		
			| 319 | 
			The Bouquinistes from the Quai Malaquais | 
			 | 
			1948 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					319/A
				 | 
				Autograph | 
													 | 			
								
				| 					319/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 320 | 
			Greeting to Sokols and Sokol Gathering | 
			Festive fanfare for wind instruments | 
			1948 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					320/ARR
				 | 
				Arrangement | 
													 | 			
					
			 | 
		
		
			| 321 | 
			Five Czech Madrigals | 
			for mixed voices | 
			1948 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					321/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					M 022a-b/D
				 | 
				Sketch | 
									 				 | 			
					
			 | 
		
		
			| 322 | 
			Sinfonia Concertante [auth.] No. 2 | 
			for oboe, basson, violin, violoncello and small orchestra | 
			1949 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					322/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					322/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					322/R3
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					322/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 323 | 
			Bagatelle | 
			for piano | 
			1949 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					323/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 324 | 
			Three Czech Dances [auth.] | 
			for two pianos [auth.] | 
			1949 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					324/A
				 | 
				Autograph | 
													 | 			
								
				| 					324/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 325 | 
			Mazurka – Nocturne | 
			for oboe, two violins and violoncello | 
			1949 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					325/A
				 | 
				Autograph score | 
													 | 			
								
				| 					325/CS, P
				 | 
				Manuscript in foreign hand | 
													 | 			
					
			 | 
		
		
			| 326 | 
			Barcarolle | 
			for piano | 
			1949 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					326/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 327 | 
			Piano Trio No. 2 | 
			for violin, violoncello and piano | 
			1950 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					327/A
				 | 
				Autograph score | 
													 | 			
								
				| 					327/D
				 | 
				Draft | 
									 				 | 			
								
				| 					327/PFPA
				 | 
				Proofs of parts | 
													 | 			
								
				| 					327/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 328 | 
			Sinfonietta La Jolla [auth.] | 
			for chamber orchestra [auth.] | 
			1950 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					328/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					328/PP
				 | 
				Printed parts | 
													 | 			
								
				| 					328/PS
				 | 
				Printed score | 
													 | 			
								
				| 					328/PSA
				 | 
				Printed score | 
									 				 | 			
								
				| 					328/R1
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					328/R2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					328/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 329 | 
			Concerto for Two Violins and Orchestra [auth.] | 
			 | 
			1950 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					329/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					329/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 330 | 
			Intermezzo | 
			for large orchestra | 
			1950 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					330/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 331 | 
			Duo No. 2 [auth.] | 
			for violin and viola [auth.] | 
			1950 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					331/A
				 | 
				Autograph score | 
													 | 			
					
			 | 
		
		
			| 332 | 
			Piano Trio No. 3 | 
			for violin, violoncello and piano | 
			1951 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					332/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					332/D
				 | 
				Draft | 
													 | 			
								
				| 					332/RA1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					332/RA2
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					332/RA3
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 334 | 
			Serenade [auth.] | 
			for two clarinets, violin, viola and violoncello | 
			1951 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					334/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					334/R
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 335 | 
			Stowe Pastorals [auth.] | 
			for five recorders, clarinet, two violins and violoncello | 
			1951 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					335/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					335/P
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					335/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					335/R2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					335/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 336 | 
			What Men Live by [auth.] | 
			Opera-pastoral in one act [auth.] | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					336/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					336/AL
				 | 
				Autograph libretto | 
									 				 | 			
								
				| 					336/AVS
				 | 
				Autograph vocal score | 
									 				 | 			
								
				| 					336/PPR
				 | 
				Printed piano reduction | 
									 				 | 			
								
				| 					336/PPRA
				 | 
				Printed piano part | 
									 				 | 			
								
				| 					336/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					336/RAVS1
				 | 
				Reproduction of the autograph vocal score | 
									 				 | 			
								
				| 					336/RAVS2
				 | 
				Reproduction of the autograph vocal score | 
									 				 | 			
								
				| 					336/RP
				 | 
				Reproduction of handwritten parts | 
									 				 | 			
								
				| 					M 021/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 337 | 
			Rhapsody-Concerto [auth.] | 
			for viola and orchestra [auth.] | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					337/APR
				 | 
				Autograph piano reduction | 
									 				 | 			
								
				| 					337/P1
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					337/P2
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					337/P3
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					337/R(APR)
				 | 
				Reproduction of the autograph piano reduction | 
									 				 | 			
								
				| 					337/RA1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					337/RA2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					337/RA3
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 338 | 
			Three Part-Songs | 
			for female voices | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					338/A1
				 | 
				Autograph | 
									 				 | 			
								
				| 					338/R(A2)
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 339 | 
			Three Sacred Songs (Three Legends) | 
			for female choir and violin | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					M 023a–b/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 339 A | 
			Virgin Mary Walked around the World | 
			 | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					M 023a–b/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 340 | 
			Sonata for Violoncello and Piano No. 3 | 
			 | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					340/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					340/D
				 | 
				Draft | 
													 | 			
								
				| 					340/R
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					340/RA
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					340/SP1
				 | 
				Part in copyist's hand | 
													 | 			
								
				| 					340/SP2
				 | 
				Part in copyist's hand | 
													 | 			
					
			 | 
		
		
			| 341 | 
			The Marriage [auth.] | 
			comic opera in two acts | 
			1952 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					341/A
				 | 
				Autograph score | 
													 | 			
								
				| 					341/Aa
				 | 
				Autograph | 
									 				 | 			
								
				| 					341/D
				 | 
				Draft | 
													 | 			
								
				| 					341/L
				 | 
				Libretto | 
									 				 | 			
								
				| 					341/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					341/TSA1
				 | 
				Textual source | 
													 | 			
								
				| 					341/TSA2, LA
				 | 
				Textual source | 
													 | 			
								
				| 					341/VS
				 | 
				Vocal score | 
									 				 | 			
					
			 | 
		
		
			| 342 | 
			Concerto for Violin, Piano and Orchestra [auth.] | 
			 | 
			1953 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					342/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 343 | 
			Symphony No. 6 (Fantaisies Symphoniques) | 
			 | 
			1953 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					343/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					343/D
				 | 
				Draft | 
									 				 | 			
								
				| 					343/PF
				 | 
				Proof of score | 
									 				 | 			
								
				| 					343/PS, LC
				 | 
				Printed score | 
									 				 | 			
								
				| 					343/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					343/RA1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					343/RA2
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					343/RA3
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					343/RA4
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 344 | 
			Accusation Against the Unknown | 
			opera in three acts | 
			1953 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					344/AL
				 | 
				Autograph libretto | 
													 | 			
								
				| 					344/R
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					344/R(AVS)
				 | 
				Reproduction of the vocal score | 
													 | 			
								
				| 					344/R(Sk)
				 | 
				Sketch | 
													 | 			
								
				| 					344/TS
				 | 
				Textual source | 
													 | 			
					
			 | 
		
		
			| 345 | 
			Overture [auth.] | 
			for orchestra [auth.] | 
			1953 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					345/A
				 | 
				Autograph score | 
													 | 			
					
			 | 
		
		
			| 346 | 
			Mirandolina | 
			comic opera in three acts | 
			1954 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					346/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					346/ATS
				 | 
				Textual source | 
									 				 | 			
								
				| 					346/L
				 | 
				Libretto | 
													 | 			
								
				| 					346/LA
				 | 
				Libretto | 
									 				 | 			
								
				| 					346/P, PR
				 | 
				Performance material | 
													 | 			
								
				| 					346/PRA1
				 | 
				Klavírní výtah | 
									 				 | 			
								
				| 					346/PRA2
				 | 
				Klavírní výtah | 
									 				 | 			
								
				| 					346/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					346/R(PRA1)
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					346/RA
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					346/SP
				 | 
				Solo parts in copyist’s hand | 
													 | 			
								
				| 					346/TS
				 | 
				Textual source | 
													 | 			
								
				| 					346/TSA1
				 | 
				Textual source | 
													 | 			
								
				| 					346/TSA2
				 | 
				Textual source | 
													 | 			
					
			 | 
		
		
			| 347 | 
			Hymn to St. James | 
			for soli, mixed chorus, organ and instrumental accompaniment | 
			1954 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					347–8/D
				 | 
				Draft | 
									 				 | 			
								
				| 					347/R1
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					347/R2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
								
				| 					347/R3
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 348 | 
			Primrose | 
			duets after lyrics of Moravian folk poetry | 
			1954 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					347–8/D
				 | 
				Draft | 
									 				 | 			
								
				| 					348/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					348/R
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 349 | 
			Mount of Three Lights [auth.] | 
			for male choir and organ [auth.] | 
			1954 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					349/A
				 | 
				Autograph score | 
													 | 			
								
				| 					349/CS1
				 | 
				Score in foreign hand | 
													 | 			
								
				| 					349/CS2
				 | 
				Score in foreign hand | 
													 | 			
								
				| 					349/CS3
				 | 
				Score in foreign hand | 
									 				 | 			
								
				| 					349/CS4
				 | 
				Score in foreign hand | 
									 				 | 			
								
				| 					349/CHS
				 | 
				Choral score | 
									 				 | 			
								
				| 					349/R1
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					349/R2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 350 | 
			Sonata for Piano | 
			 | 
			1954 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					350/A
				 | 
				Autograph | 
									 				 | 			
								
				| 					350/RA1
				 | 
				Reproduction of the autograph score | 
													 | 			
								
				| 					350/RA2
				 | 
				Reproduction of the autograph score | 
													 | 			
					
			 | 
		
		
			| 351 | 
			The Epic of Gilgamesh [auth.] | 
			oratorio for soli, mixed choir and orchestra | 
			1955 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					351/A
				 | 
				Autograph score | 
													 | 			
								
				| 					351/D
				 | 
				Draft | 
									 				 | 			
								
				| 					351/PFA
				 | 
				Proof of score | 
									 				 | 			
								
				| 					351/PFPRA
				 | 
				Proofs of piano reduction | 
									 				 | 			
								
				| 					351/PS2
				 | 
				Printed score | 
													 | 			
								
				| 					351/RA2
				 | 
				Reproduction of the autograph score | 
									 				 | 			
					
			 | 
		
		
			| 352 | 
			The Frescoes of Piero della Francesca | 
			for large orchestra | 
			1955 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					352/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					352/D
				 | 
				Draft | 
									 				 | 			
								
				| 					352/PFA1
				 | 
				Proof of score | 
									 				 | 			
								
				| 					352/PFA2
				 | 
				Proof of score | 
									 				 | 			
								
				| 					352/PFP
				 | 
				Proofs of parts | 
													 | 			
								
				| 					352/PS1 (& PS2, PP)
				 | 
				Printed score | 
													 | 			
								
				| 					352/RA
				 | 
				Reproduction of the autograph score | 
									 				 |