| Halbreich number | 
		Title | 
		Subtitle | 
		Year of origin | 
	
 
			
			 | 
		
		
			| 119 | 
			Magic Nights [auth.] | 
			three songs for soprano and orchestra | 
			1918 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					119/A1
				 | 
				Autograph score | 
									 				 | 			
								
				| 					119/A2
				 | 
				Autograph score | 
									 				 | 			
								
				| 					119/D
				 | 
				Draft | 
									 				 | 			
								
				| 					M 011a–e/Varia
				 | 
				Varia | 
									 				 | 			
								
				| 					M 024a–d/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 120 | 
			Sonata in C Major for Violin and Piano | 
			 | 
			1919 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					120/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					120/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 122bis | 
			The Little Lullaby [auth.] | 
			 | 
			1919 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					122bis/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 122 | 
			The Cat's Procession in the Solstice Night | 
			 | 
			1919 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					122/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 123bis | 
			Foxtrot born “On the Corner” | 
			 | 
			1920 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					123bis/ARR
				 | 
				Arrangement | 
													 | 			
					
			 | 
		
		
			| 123 | 
			Little Dance Suite | 
			for large orchestra | 
			1919 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					123/A
				 | 
				Autograph | 
									 				 | 			
								
				| 					123/P
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					M 010a–c/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 124 | 
			A Dream of the Past | 
			for large orchestra | 
			1920 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					124/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 124ter | 
			Windows into the Mist | 
			 | 
			 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					124ter/AL1
				 | 
				Autograph libretto | 
									 				 | 			
								
				| 					124ter/AL2
				 | 
				Autograph libretto | 
													 | 			
								
				| 					M 014a-b/D
				 | 
				Draft | 
													 | 			
					
			 | 
		
		
			| 124bis | 
			Andante | 
			 | 
			1920 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					124bis/APR
				 | 
				Autograph piano reduction | 
									 				 | 			
					
			 | 
		
		
			| 125bis | 
			The Ceremonial March of "Kytara" | 
			 | 
			1920 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					125bis/RA
				 | 
				Mechanical copy | 
													 | 			
					
			 | 
		
		
			| 126 | 
			Slovak Songs | 
			30 songs in two sets | 
			1920 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					126/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 127 | 
			Butterflies and Birds of Paradise | 
			three pieces for piano | 
			1920 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					127/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 127bis | 
			One-step [auth.] | 
			for piano | 
			1921 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					127bis/RA
				 | 
				Mechanical copy | 
													 | 			
					
			 | 
		
		
			| 127ter | 
			The Spring | 
			small piano piece | 
			1921 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					127ter/A
				 | 
				Autograph | 
													 | 			
					
			 | 
		
		
			| 128 | 
			Evening at the Shore | 
			three little piano pieces | 
			1921 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					128/A
				 | 
				Autograph | 
													 | 			
					
			 | 
		
		
			| 129 | 
			Three Songs for the Cabaret "Red Seven" | 
			 | 
			1921 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					129/CS
				 | 
				Copy of the score | 
													 | 			
					
			 | 
		
		
			| 129bis | 
			Victory March | 
			of the R.U.R. Sports Club in Polička | 
			1921 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					129bis/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 130 | 
			Istar [auth.] | 
			ballet in 3 acts | 
			1921 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					130/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					130/AL
				 | 
				Autograph libretto | 
									 				 | 			
								
				| 					130/APR
				 | 
				Autograph piano reduction | 
									 				 | 			
								
				| 					130/CS
				 | 
				Copy of the score | 
									 				 | 			
								
				| 					130/D
				 | 
				Draft | 
									 				 | 			
								
				| 					130/L
				 | 
				Libretto | 
									 				 | 			
								
				| 					130/P
				 | 
				Parts in copyist’s hand | 
													 | 			
								
				| 					130/PR1–4
				 | 
				Klavírní výtah | 
													 | 			
								
				| 					130/PSYA
				 | 
				Synopsis | 
													 | 			
					
			 | 
		
		
			| 130 C | 
			Istar: The Dance of the Priestesses | 
			addition to the first act | 
			1923 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					130C/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 131 | 
			Vanishing Midnight | 
			cycle of symphonic poems for large orchestra | 
			1922 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					131/A
				 | 
				Autograph | 
									 				 | 			
								
				| 					131/D
				 | 
				Sketch | 
									 				 | 			
								
				| 					131/P
				 | 
				Parts in copyist’s hand | 
													 | 			
								
				| 					M 011a–e/Varia
				 | 
				Varia | 
									 				 | 			
					
			 | 
		
		
			| 133 | 
			Who is the Most Powerful in the World | 
			ballet comedy in 1 act | 
			1922 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					133/CS
				 | 
				Copy of the score | 
													 | 			
								
				| 					133/L1–L3
				 | 
				Libretto | 
									 				 | 			
								
				| 					133/L4
				 | 
				Libretto | 
									 				 | 			
								
				| 					133/PR
				 | 
				Klavírní výtah | 
													 | 			
					
			 | 
		
		
			| 134 | 
			Folk Dances and Customs of the Slovácko Region | 
			music for the documentary film | 
			1922 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					134/CS
				 | 
				Copy of the score | 
									 				 | 			
					
			 | 
		
		
			| 135 | 
			The Months | 
			three songs with piano | 
			1922 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					135/A1
				 | 
				Autograph score | 
									 				 | 			
								
				| 					135/A2, CSA
				 | 
				Autograph score | 
									 				 | 			
								
				| 					135/TS
				 | 
				Textual source | 
									 				 | 			
					
			 | 
		
		
			| 135bis | 
			Two Songs on Russian Poetry | 
			 | 
			1922 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					135bis/A1
				 | 
				Autograph | 
									 				 | 			
								
				| 					135bis/A2
				 | 
				Autograph | 
									 				 | 			
								
				| 					M 010a–c/D
				 | 
				Draft | 
									 				 | 			
					
			 | 
		
		
			| 136 | 
			String Trio No. 1 | 
			for violin, viola and violoncello | 
			1923 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					136/A
				 | 
				Autograph | 
													 | 			
								
				| 					136/AP
				 | 
				Autograph parts | 
													 | 			
					
			 | 
		
		
			| 137 | 
			Puppets I | 
			five pieces for piano | 
			1925 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					137/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					137/ARR
				 | 
				Arrangement | 
													 | 			
								
				| 					M 013a–c/ARR
				 | 
				Arrangement | 
													 | 			
					
			 | 
		
		
			| 138bis | 
			Scherzo [auth.] | 
			for piano | 
			1924 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					138bis/A
				 | 
				Arrangement | 
													 | 			
					
			 | 
		
		
			| 139 | 
			Quartet for Clarinet, French Horn, Violoncello and Snare Drum | 
			in C major | 
			1924 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					139/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 140 | 
			Prelude [auth.] | 
			 | 
			1924 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					140/A
				 | 
				Autograph | 
													 | 			
					
			 | 
		
		
			| 141 | 
			Piano piece (without title) | 
			 | 
			1924 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					141/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 142 | 
			Half-time | 
			rondo for large orchestra | 
			1924 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					142/ARR
				 | 
				Arrangement | 
									 				 | 			
								
				| 					142/CS
				 | 
				Copy of the score | 
									 				 | 			
					
			 | 
		
		
			| 143 | 
			Concertino for violoncello, brass, piano and battery | 
			in C minor | 
			1924 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					143/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					143/CS
				 | 
				Score in copyist's hand | 
													 | 			
					
			 | 
		
		
			| 144 | 
			Nonet No.1 | 
			for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano | 
			1925 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					144/A
				 | 
				Autograph | 
									 				 | 			
								
				| 					144/D
				 | 
				Draft | 
									 				 | 			
								
				| 					144/P
				 | 
				Parts in copyist’s hand | 
									 				 | 			
								
				| 					144/P(Pf)
				 | 
				Part in copyist's hand | 
									 				 | 			
					
			 | 
		
		
			| 146bis | 
			Three Lullabies | 
			 | 
			1925 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					146bis/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 148 | 
			Film en Miniature | 
			cycle of piano pieces | 
			1925 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					148/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					148/CSA
				 | 
				Score in copyist's hand | 
													 | 			
					
			 | 
		
		
			| 149 | 
			Concerto for Piano and Orchestra No. 1 | 
			in D major | 
			1925 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					149/ASP
				 | 
				Autograph solo part | 
									 				 | 			
								
				| 					149/CS
				 | 
				Copy of the score | 
													 | 			
								
				| 					149/PR
				 | 
				Klavírní výtah | 
									 				 | 			
								
				| 					149/RCS
				 | 
				Mechanical copy | 
									 				 | 			
					
			 | 
		
		
			| 150 | 
			String Quartet No. 2 | 
			 | 
			1925 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					150/A1
				 | 
				Autograph score | 
									 				 | 			
								
				| 					150/A2
				 | 
				Autograph score | 
													 | 			
								
				| 					150/AP (Vl I)
				 | 
				Autograph part | 
									 				 | 			
								
				| 					150/PSA1
				 | 
				Printed score | 
													 | 			
								
				| 					150/PSA2
				 | 
				Printed score | 
									 				 | 			
					
			 | 
		
		
			| 151 | 
			The Revolt [auth.] | 
			ballet sketch in 1 act | 
			1926 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					151/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					151/APR
				 | 
				Autograph piano reduction | 
									 				 | 			
								
				| 					151/ASY
				 | 
				Autograph synopsis | 
									 				 | 			
								
				| 					151/CS
				 | 
				Copy of the score | 
									 				 | 			
								
				| 					151/D
				 | 
				Draft | 
									 				 | 			
								
				| 					151/PR
				 | 
				Klavírní výtah | 
									 				 | 			
					
			 | 
		
		
			| 152 | 
			Sonata in D Minor for Violin and Piano | 
			 | 
			1926 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					152/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 153 A | 
			Orchestral suite from the ballet The Butterfly that Stamped | 
			 | 
			1926 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					153A/CS
				 | 
				Score in foreign hand | 
									 				 | 			
					
			 | 
		
		
			| 153 | 
			The Butterfly that Stamped [auth.] | 
			ballet in 1 act | 
			1926 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					153/A1
				 | 
				Autograph score | 
									 				 | 			
								
				| 					153/A2
				 | 
				Autograph score | 
									 				 | 			
								
				| 					153/APR
				 | 
				Autograph piano reduction | 
									 				 | 			
					
			 | 
		
		
			| 154 | 
			Three Czech Dances | 
			for piano | 
			1926 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					154/A1
				 | 
				Autograph | 
													 | 			
								
				| 					154/A2-1
				 | 
				Autograph | 
									 				 | 			
								
				| 					154/A2-2
				 | 
				Autograph | 
													 | 			
								
				| 					154/A3
				 | 
				Autograph | 
									 				 | 			
								
				| 					154/PSA
				 | 
				Arrangement | 
													 | 			
					
			 | 
		
		
			| 155 | 
			La Bagarre (The Tumult) | 
			Allegro for large orchestra | 
			1926 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					155/A1
				 | 
				Autograph | 
									 				 | 			
								
				| 					155/A2
				 | 
				Autograph | 
													 | 			
								
				| 					155/CS
				 | 
				Copy of the score | 
													 | 			
								
				| 					155/PS
				 | 
				Printed score | 
													 | 			
					
			 | 
		
		
			| 157bis | 
			The Hands | 
			 | 
			1927 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					157bis/P
				 | 
				Parts in copyist’s hand | 
									 				 | 			
					
			 | 
		
		
			| 157 | 
			Duo for Violin and Violoncello No. 1 | 
			 | 
			1927 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					157/A
				 | 
				Autograph score | 
									 				 | 			
								
				| 					157/CSA
				 | 
				Copy of the score | 
													 | 			
								
				| 					157/PSA1
				 | 
				Printed score | 
													 | 			
								
				| 					157/PSA2
				 | 
				Printed score | 
													 | 			
					
			 | 
		
		
			| 159 | 
			The Amazing Flight | 
			a mechanical ballet | 
			1927 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					159/A
				 | 
				Autograph score | 
													 | 			
								
				| 					159/AL
				 | 
				Autograph libretto | 
									 				 | 			
					
			 | 
		
		
			| 160 | 
			Three Sketches | 
			 | 
			1927 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					160/A
				 | 
				Autograph | 
									 				 | 			
					
			 | 
		
		
			| 161 | 
			The Kitchen Revue | 
			jazz ballet in one act | 
			1927 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					161/A
				 | 
				Autograph | 
													 | 			
								
				| 					161/L1
				 | 
				Libretto | 
													 | 			
								
				| 					161/L2
				 | 
				Libretto | 
									 				 | 			
								
				| 					161/LA
				 | 
				Libretto | 
									 				 | 			
					
			 | 
		
		
			| 161 A | 
			The Kitchen Revue | 
			jazz-suite from the ballet | 
			1927 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					161A/A
				 | 
				Autograph score | 
									 				 | 			
					
			 | 
		
		
			| 161 B | 
			The Kitchen Revue | 
			for piano | 
			 | 
		
		
			| Call number at the BM Institute | 
			Type | 
			Digital copy | 
		
								
				| 					161B/A
				 | 
				Autograph | 
									 				 |