This content was automatically translated from the original language. The original content is available by clicking the link below.
Děkuje za dopis, je rád, že ho dílo zaujalo (Tre Ricercari); partituru nemá zde, ale dílo bude vydáno u Boosey and Hawkes; pan Robertson by se mohl obrátit přímo na vydavatele; složení orchestru: 1fl, 2 ob, 2 fg, 2 tp, 2 pf, 6 vl, 3 vlc; má ještě další dílo se dvěma klavíry: Concerto Grosso, bude vydáno v UE ve Vídni během léta, složení orchestru: 1fl, 3 ob, 3klar, 3 cor, 2 pf a smyčce; pošle seznam svých děl, ale na ty nejmladší si nevzpomíná, spoustu jich také zahodil; Rádio pro něj vůbec nic nedělá, nemá rád Ingelbrechta, mnohem raději by pracoval s Rosenthalem, kterému navrhl dát výtah z Julietty, ale moc se to vleče; chtěl by ho o něco požádat: má u sebe ještě nějaké rukopisy, které by rád viděl vydané; jak by se dalo zaujmout vydavatelství Chester?; jedná se o Dvojkoncert, je to dílo, které má moc rád a které bude mít jistě velký ohlas, příští sezónu má premiéru na koncertě Paula Sachera (9. 2.1940), nemohl by informovat Chestera?, rukopis je u Boosey and Hawkes, který má ale od něj několik jiných věcí, dílo by bylo volné; ohledně článku to bude složitější, myslel na José Bruyra nebo na J.P. Jouveho, ale chce ještě hledat.
Show AI translation
Thanks for the letter, glad he was interested in the work (Tre Ricercari); he does not have the score here, but the work will be published by Boosey and Hawkes; Mr Robertson could contact the publisher directly; orchestra composition: 1fl, 2 ob, 2 fg, 2 tp, 2 pf, 6 vl, 3 vlc; he has another work with two pianos: Concerto Grosso, to be published by UE in Vienna during the summer, orchestra composition: 1fl, 3 ob, 3 clar, 3 cor, 2 pf and strings; he sends a list of his works, but he can't remember the youngest ones, he threw away a lot of them too; Radio does nothing for him, he doesn't like Ingelbrecht, he would much rather work with Rosenthal, whom he suggested to give him an extract from Juliette, but it's dragging on too long; he would like to ask him for something: does he still have any manuscripts he would like to see published; how could the Chester publishing house be approached?; it is a Double Concerto, a work he likes very much and which will certainly have a great response; it is to be premiered at Paul Sacher's concert next season (9 February 1940); could he inform Chester, the manuscript is with Boosey and Hawkes, who have several other things from him, the work would be free; it's more difficult about the article, he thought of José Bruyr or J.P. Jouve, but he wants to look further.
Show original