General information
Type of the document Letter
SenderMartinů, Bohuslav
Sender (corporation)
Send date07.03.1958
RecipientRoth, Ernst
Recipient (corporation)Boosey & Hawkes, London
Recipient‘s locationLondon
Note on Recipient‘s location[London]
LanguageEnglish
AcquiredCopy from British Library, Boosey & Hawkes Archives, 12/2019
Owner of the sourceBritish Library
Former ownerBoosey & Hawkes, London
Owner‘s call numberMs Mus. 1813/2/1/73/5. Martinu, 1958
Call number at IBMBH 1958-03-07a
Content and physical description
ContentBohuslav Martinů thanks for the previous letter (March 3, 1958). Not all the explanations contained in it were digested by BH well, so he would like to propose his own solution. BM sees that ER (Boosey & Hawkes, London) is not very interested in MIRANDOLINA, so he asks for it to be relieved and returned. He decides how to deal with it further. Anyway, he would like to see the vocal score, which he never saw. He asks for it to be sent together with Rossini's Variations for Cello and Piano.
BM asks why only two copies of SYMPHONY No. 6 were sent to him.
BM is willing to wait for the release of SYMPHONY Nos. 2 and 3 (even though they were supposed to be ready a long time ago). He wants to have all the symphonies released by B&H.
BM can also take back PIANO CONCERT No. 3 if B&H is not able to release it soon.
BM writes that the ER should not contact Karel Šebánek in matters of his compositions. BM is able to find editors himself and would like to find some solutions for his older compositions, he does not want to waste time, which he already has little.
BM does not know how KŠ found out that he should go to Prague. There were more opportunities, but BM never went.
Total number of leaves1
Number of pages bearing text1
FixationTypescript; handwritten signature
Letter

Preview only available at the Institute.

Digitisation
Quality of digitisationNot professional colour
Digitized atBritish Library
Date of digitisation12/2019
Location as subject
Prague
Person as subject
Corporation as subject
Composition as subject
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