| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 1 |
Three Riders |
|
1902 |
| Call number at the BM Institute |
Type |
Digital copy |
| 001/AP
|
Autograph parts |
|
| 001/CS
|
Copy of the score |
|
| 001/D
|
Draft |
|
|
| 2 |
The Village Feast |
for flute and string orchestra |
1907 |
| Call number at the BM Institute |
Type |
Digital copy |
| 002/A
|
Autograph score |
|
| 002/AP
|
Autograph parts |
|
|
| 3 |
Elegy |
for violin and piano |
1909 |
| Call number at the BM Institute |
Type |
Digital copy |
| 003/A
|
Autograph |
|
|
| 4bis |
Piano Sketch of an Orchestral Composition |
|
1909 |
| Call number at the BM Institute |
Type |
Digital copy |
| 004bis/D
|
Sketch |
|
|
| 5 |
Five Waltzes |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 005/A
|
Autograph |
|
|
| 6 |
Before You Know |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 006/A, 010/A
|
Autograph |
|
|
| 8 |
The Pastel |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 008/A
|
Autograph |
|
|
| 10 |
When We Are Old |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 006/A, 010/A
|
Autograph |
|
|
| 11 |
Workmen of the Sea |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 011/D
|
Draft |
|
|
| 13 |
Concerto |
for violin and piano |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 013/A, ASP
|
Autograph |
|
|
| 14 |
Two Little Songs in the Folk Tone |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 014/A1
|
Autograph score |
|
| 014/A2
|
Autograph score |
|
| M 001a–b/A
|
Autograph |
|
|
| 15 |
Death of Tintagiles |
music to the puppet drama by Maurice Maeterlinck |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 015/A
|
Autograph |
|
|
| 17 |
Angel of Death |
symphonic poem for large orchestra |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 017/A
|
Autograph |
|
| M 002a–d/D
|
Draft |
|
|
| 17bis |
Entry into My Sister’s Album |
Oh, Come to Me |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 017bis/A1
|
Autograph |
|
| 017bis/A2
|
Autograph |
|
| M 002a–d/D
|
Draft |
|
|
| 19 |
The Sleeper |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 019/A
|
Autograph |
|
| M 002a–d/D
|
Draft |
|
|
| 21 |
Two Songs |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 021/A
|
Autograph |
|
|
| 22 |
Maiden`s Dreams |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 022/A
|
Autograph |
|
|
| 24 |
Ballade |
for piano |
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 25 |
Sousedská |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 26 |
A Winter Night |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 009a-b/D
|
Sketch |
|
|
| 27 |
Kiss, My Sweetheart, Kiss |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 28 |
A Fairy-Tale of Goldilocks |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 028/A
|
Autograph |
|
| M 003a–i/D
|
Sketch |
|
|
| 29 |
Moody Picture |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 029/A
|
Autograph |
|
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 009a-b/D
|
Sketch |
|
|
| 30 |
At Night |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 030/A1
|
Autograph |
|
| 030/A2
|
Autograph |
|
| 030/A3
|
Autograph score |
|
| M 002a–d/D
|
Draft |
|
|
| 31 |
Two Songs |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 031/A1
|
Autograph score |
|
| M 001a–b/A
|
Autograph |
|
|
| 34 |
Three Little Songs |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 034/A1
|
Autograph score |
|
| 034/A2
|
Autograph score |
|
| 034/CS
|
Manuscript in foreign hand |
|
| M 003a–i/D
|
Sketch |
|
|
| 35 |
Piano Quintet |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 035/A
|
Autograph score |
|
| 035/AP
|
Autograph parts |
|
|
| 36 |
Chanson Triste |
in d minor |
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 036/A
|
Autograph |
|
|
| 37 |
Jašek’s Song |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 037/A
|
Autograph score |
|
| M 005a–m/D
|
Sketch |
|
|
| 41 |
Tears |
|
1911 |
| Call number at the BM Institute |
Type |
Digital copy |
| 041/A
|
Autograph |
|
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 005a–m/D
|
Sketch |
|
|
| 42 |
From Andersen’s Fairy-Tales |
six piano pieces |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 042/A1
|
Autograph |
|
| 042/A2
|
Autograph |
|
| M 005a–m/D
|
Sketch |
|
|
| 43 |
The End of All |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 44 |
Dead Love |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 044/A
|
Autograph score |
|
| M 005a–m/D
|
Sketch |
|
|
| 45 |
Symphony for Orchestra (1st movement) |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 045/APR
|
Autograph piano reduction |
|
|
| 46 |
Song without Words |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 046–7/A
|
Autograph |
|
|
| 47 |
Nocturne |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 046–7/A
|
Autograph |
|
|
| 48 |
You Write to Me |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 007a–c/A1,D
|
Autograph |
|
|
| 49 |
Early in the Morning, I Weed the Grain |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 50 |
Lucie |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 51 |
From Childhood |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 52 |
Hoarfrost Fell on the Field |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 007a–c/A1,D
|
Autograph |
|
|
| 53 |
Marry Me, Mother |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 54 |
The Rose |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 55 |
That's All What Remains |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 56 |
Ballad |
to the Krzesz's picture Last Chords of Chopin |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 056/A1
|
Autograph |
|
| 056/A2
|
Autograph |
|
|
| 57 |
I See You Every Night, My Dear |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 057/A
|
Autograph |
|
| M 006a-k/D
|
Sketch |
|
|
| 58 |
Offertorium [auth.] |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 59bis |
Five Piano Pieces for Easter 1912 |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 65 |
Ballad of Miss Vilma’s Umbrella |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 65bis |
Chanson |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 005a–m/D
|
Sketch |
|
|
| 66 |
Keep Talking to Me |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 066/A
|
Autograph |
|
|
| 67 |
Abandoned Sweetheart |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 008a–d/A
|
Autograph |
|
|
| 68 |
Nipponari |
seven songs for female voice and small orchestra |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 068/A
|
Autograph |
|
| 068/P
|
Parts in copyist’s hand |
|
|
| 68 A |
Nipponari |
version for voice and piano |
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 068A/A1
|
Autograph |
|
| M 004a-d/CS
|
Manuscript in foreign hand |
|
| M 008a–d/A
|
Autograph |
|
|
| 69 |
Once upon a Time |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 008a–d/A
|
Autograph |
|
|
| 70 |
About Blue Eyes |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| 070/A
|
Autograph |
|
| M 003a–i/D
|
Sketch |
|
|
| 71 |
The Fiery Man |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 071/A
|
Autograph |
|
|
| 72 |
Song of the 1st November |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 072/A
|
Autograph |
|
|
| 73 |
Three Maidens on a Bright Night |
|
1910 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 003a–i/D
|
Sketch |
|
|
| 74 |
An Old Song |
|
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 074/A1
|
Autograph |
|
| 074/A2
|
Autograph |
|
| 074/D
|
Draft |
|
|
| 75 |
The Gnat`s Wedding |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 76 |
Let the Dawn Come, Oh God |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 77 |
In the Garden at the Roost |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 78 |
The Swans |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 006a-k/D
|
Sketch |
|
|
| 79 |
I Like Old Parks |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 079/A
|
Autograph |
|
| M 006a-k/D
|
Sketch |
|
|
| 80 |
The Song about Hanička |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 008a–d/A
|
Autograph |
|
|
| 81 |
Enough of Happiness |
|
1912 |
| Call number at the BM Institute |
Type |
Digital copy |
| 081/A2
|
Autograph |
|
| 081/CS
|
Copy of the score |
|
| M 007a–c/A1,D
|
Autograph |
|
|
| 82 |
Three Melodramas |
Evening |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 082–4/A1
|
Autograph score |
|
| 082–4/A2
|
Autograph score |
|
| 082–4/AL
|
Autograph libretto |
|
|
| 83 |
Three Melodramas |
Dragonfly |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 082–4/A1
|
Autograph score |
|
| 082–4/A2
|
Autograph score |
|
| 082–4/AL
|
Autograph libretto |
|
| 083–4/AP
|
Autograph parts |
|
|
| 84 |
Three Melodramas |
Dancers from Java |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 082–4/A1
|
Autograph score |
|
| 082–4/A2
|
Autograph score |
|
| 082–4/AL
|
Autograph libretto |
|
| 083–4/AP
|
Autograph parts |
|
|
| 85 |
Prelude |
(on the theme of Marseillaise) |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 085/A
|
Autograph |
|
|
| 86 |
Prelude No. 2 |
in F Minor |
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 086/A
|
Autograph |
|
| 086/D
|
Sketch |
|
|
| 86bis |
Prelude |
|
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 086bis/A
|
Autograph |
|
|
| 87 |
Song to an Old Spanish Text |
for alto and piano |
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 087/A
|
Autograph |
|
| 087/D
|
Draft |
|
|
| 88 |
Three Songs to French Texts |
|
1913 |
| Call number at the BM Institute |
Type |
Digital copy |
| 088/D
|
Draft |
|
|
| 89 |
The Night |
Nocturne. Meloplastic scene in 1 act |
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 089/A
|
Autograph score |
|
|
| 90 |
Composition for Large Orchestra |
|
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 090/A
|
Autograph |
|
|
| 91 |
Nocturne No. 1 |
|
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 091/A
|
Autograph |
|
|
| 92 |
Puppets III |
four pieces for piano |
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| 092/A1
|
Autograph |
|
| 092/A2
|
Autograph score |
|
| M 012a–c/D
|
Draft |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 93 |
Dances with Veils |
|
1914 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 012a–c/D
|
Draft |
|
|
| 94 |
Four Little Songs to Goethe`s Text |
|
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 094/D
|
Draft |
|
|
| 95 |
Nocturne |
to the picture 'Přečtený román" by J. Mánes |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 095/A
|
Autograph |
|
|
| 96 |
Nocturne (Roses in the Night) |
symphonic dance No. 2 |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 96/A
|
Autograph |
|
|
| 97 |
Ballad on Böcklin´s Painting “Villa by the Sea” |
Symphonic dance No. 4 |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 097/A
|
Autograph |
|
| 097/CS
|
Copy of the score |
|
|
| 98 |
Three Lyric Pieces |
for piano |
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 098/A
|
Autograph |
|
|
| 99 |
Spring song |
|
1915 |
| Call number at the BM Institute |
Type |
Digital copy |
| 099/CS
|
Copy of the score |
|
|
| 100 |
Ruyana |
Sea Phantasy |
1916 |
| Call number at the BM Institute |
Type |
Digital copy |
| 100/A1, D
|
Autograph |
|
| 100/A2
|
Autograph |
|
|
| 101 |
Six Polkas |
|
1916 |
| Call number at the BM Institute |
Type |
Digital copy |
| 101/A1
|
Autograph |
|
| 101/A2
|
Autograph |
|
| 101/A3
|
Autograph |
|
| 101/CS
|
Copy of the score |
|
| 101/D
|
Sketch |
|
|
| 102 |
The Shadow |
ballet in one act |
1916 |
| Call number at the BM Institute |
Type |
Digital copy |
| 102/A
|
Autograph score |
|
| 102/D
|
Sketch |
|
|
| 103 |
String Quartet in E flat major |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 103/A1
|
Autograph |
|
| 103/A2
|
Autograph |
|
| 103/D
|
Draft |
|
|
| 106 |
What a Nice Time |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 106/A
|
Autograph |
|
| 106/D
|
Draft |
|
|
| 107 |
Valse Capriccio |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 107/A
|
Autograph |
|
| M 010a–c/D
|
Draft |
|
|
| 109 |
Furiant |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 109/D
|
Draft |
|
|
| 110 |
Six Simple Songs |
|
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 110/A
|
Autograph |
|
| M 024a–d/D
|
Draft |
|
|
| 112 |
Christmas Carol |
ballet in four acts with singing, dancing and recitation |
1917 |
| Call number at the BM Institute |
Type |
Digital copy |
| 112/AL
|
Autograph libretto |
|
| 112/D1
|
Draft |
|
| 112/D2
|
Draft |
|
| 112/L1
|
Libretto |
|
| 112/L2
|
Libretto |
|
|
| 114 |
Lullabies |
|
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 024a–d/D
|
Draft |
|
|
| 115 |
Three Songs |
|
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 024a–d/D
|
Draft |
|
|
| 116 |
Puppets II |
five pieces for piano |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 116/A1
|
Autograph |
|
| 116/A2
|
Autograph |
|
| 116/A3
|
Autograph |
|
| 116/PSA
|
Printed score |
|
| M 012a–c/D
|
Draft |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 117 |
String Quartet No. 1 |
|
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 117/A1
|
Autograph |
|
| 117/A2
|
Autograph |
|
| 117/AP
|
Autograph parts |
|
|
| 118 |
Czech Rhapsody |
for baritone, mixed choir, orchestra and organ |
1918 |
| Call number at the BM Institute |
Type |
Digital copy |
| 118/A
|
Autograph score |
|
| 118/D
|
Draft |
|