| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 323 |
Bagatelle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 323/R
|
Reproduction of the autograph score |
|
|
| 324 |
Three Czech Dances [auth.] |
for two pianos [auth.] |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 324/A
|
Autograph |
|
| 324/R
|
Reproduction of the autograph score |
|
|
| 325 |
Mazurka – Nocturne |
for oboe, two violins and violoncello |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 325/A
|
Autograph score |
|
| 325/CS, P
|
Manuscript in foreign hand |
|
|
| 326 |
Barcarolle |
for piano |
1949 |
| Call number at the BM Institute |
Type |
Digital copy |
| 326/A
|
Autograph score |
|
|
| 327 |
Piano Trio No. 2 |
for violin, violoncello and piano |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 327/A
|
Autograph score |
|
| 327/D
|
Draft |
|
| 327/PFPA
|
Proofs of parts |
|
| 327/R
|
Reproduction of the autograph score |
|
|
| 328 |
Sinfonietta La Jolla [auth.] |
for chamber orchestra [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 328/A
|
Autograph score |
|
| 328/PP
|
Printed parts |
|
| 328/PS
|
Printed score |
|
| 328/PSA
|
Printed score |
|
| 328/R1
|
Reproduction of the autograph score |
|
| 328/R2
|
Reproduction of the autograph score |
|
| 328/RA
|
Reproduction of the autograph score |
|
|
| 329 |
Concerto for Two Violins and Orchestra [auth.] |
|
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 329/A
|
Autograph score |
|
| 329/RA
|
Reproduction of the autograph score |
|
|
| 330 |
Intermezzo |
for large orchestra |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 330/R
|
Reproduction of the autograph score |
|
|
| 331 |
Duo No. 2 [auth.] |
for violin and viola [auth.] |
1950 |
| Call number at the BM Institute |
Type |
Digital copy |
| 331/A
|
Autograph score |
|
|
| 332 |
Piano Trio No. 3 |
for violin, violoncello and piano |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 332/A
|
Autograph score |
|
| 332/D
|
Draft |
|
| 332/RA1
|
Reproduction of the autograph score |
|
| 332/RA2
|
Reproduction of the autograph score |
|
| 332/RA3
|
Reproduction of the autograph score |
|
|
| 334 |
Serenade [auth.] |
for two clarinets, violin, viola and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 334/A
|
Autograph score |
|
| 334/R
|
Reproduction of the autograph score |
|
|
| 335 |
Stowe Pastorals [auth.] |
for five recorders, clarinet, two violins and violoncello |
1951 |
| Call number at the BM Institute |
Type |
Digital copy |
| 335/A
|
Autograph score |
|
| 335/P
|
Parts in copyist’s hand |
|
| 335/R1
|
Reproduction of the autograph score |
|
| 335/R2
|
Reproduction of the autograph score |
|
| 335/RA
|
Reproduction of the autograph score |
|
|
| 336 |
What Men Live by [auth.] |
Opera-pastoral in one act [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 336/A
|
Autograph score |
|
| 336/AL
|
Autograph libretto |
|
| 336/AVS
|
Autograph vocal score |
|
| 336/PPR
|
Printed piano reduction |
|
| 336/PPRA
|
Printed piano part |
|
| 336/R
|
Reproduction of the autograph score |
|
| 336/RAVS1
|
Reproduction of the autograph vocal score |
|
| 336/RAVS2
|
Reproduction of the autograph vocal score |
|
| 336/RP
|
Reproduction of handwritten parts |
|
| M 021/D
|
Draft |
|
|
| 337 |
Rhapsody-Concerto [auth.] |
for viola and orchestra [auth.] |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 337/APR
|
Autograph piano reduction |
|
| 337/P1
|
Parts in copyist’s hand |
|
| 337/P2
|
Parts in copyist’s hand |
|
| 337/P3
|
Parts in copyist’s hand |
|
| 337/R(APR)
|
Reproduction of the autograph piano reduction |
|
| 337/RA1
|
Reproduction of the autograph score |
|
| 337/RA2
|
Reproduction of the autograph score |
|
| 337/RA3
|
Reproduction of the autograph score |
|
|
| 338 |
Three Part-Songs |
for female voices |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 338/A1
|
Autograph |
|
| 338/R(A2)
|
Reproduction of the autograph score |
|
|
| 339 |
Three Sacred Songs (Three Legends) |
for female choir and violin |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 339 A |
Virgin Mary Walked around the World |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| M 023a–b/A
|
Autograph |
|
|
| 340 |
Sonata for Violoncello and Piano No. 3 |
|
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 340/A
|
Autograph score |
|
| 340/D
|
Draft |
|
| 340/R
|
Reproduction of the autograph score |
|
| 340/RA
|
Reproduction of the autograph score |
|
| 340/SP1
|
Part in copyist's hand |
|
| 340/SP2
|
Part in copyist's hand |
|
|
| 341 |
The Marriage [auth.] |
comic opera in two acts |
1952 |
| Call number at the BM Institute |
Type |
Digital copy |
| 341/A
|
Autograph score |
|
| 341/Aa
|
Autograph |
|
| 341/D
|
Draft |
|
| 341/L
|
Libretto |
|
| 341/RA
|
Reproduction of the autograph score |
|
| 341/TSA1
|
Textual source |
|
| 341/TSA2, LA
|
Textual source |
|
| 341/VS
|
Vocal score |
|
|
| 342 |
Concerto for Violin, Piano and Orchestra [auth.] |
|
1953 |
| Call number at the BM Institute |
Type |
Digital copy |
| 342/A
|
Autograph score |
|