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Bohuslav Martinů chce zjistit, kolik má v bance. Karlu Šebánkovi pošle nějaké skladby z New Yorku. Kopii SYMFONIE č. 6 nemá a musí to vyjednat u Boosey & Hawkes, což by neměl být problém. Partitura bude do podzimu vydána. Na festivalu v Brně SYMFONII č. 6 vůbec neměli hrát. Nebude to fiasko, protože jim BM pošle novou skladbu, která bude mít premiéru v Poličce [OTVÍRÁNÍ STUDÁNEK]. Teď, když je smlouva s B&H by od nich, měli dostat vše. Komorní věci u A.M.S. pošle z New Yorku, nemá je s sebou. Z OSA nedostal žádný dopis, který by vysvětloval, zda žádali po Londýně peníze za rok 1952, nebo ne. Co se týče Miloše Šafránka, do toho se BM plést nebude. Karel Šebánek píše, že si MŠ vzal nějaké rukopisy odněkud, ale nepíše, jaké rukopisy a odkud. V Poličce si to mohou vyřídit sami.
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Bohuslav Martinů wants to find out how much he has in the bank. He's going to send Karel Šebánek some songs from New York. He doesn't have a copy of SYMPHONY No. 6 and has to arrange it with Boosey & Hawkes, which shouldn't be a problem. The score will be published by the fall. SYMPHONY No. 6 should not have been played at the Brno festival at all. It won't be a fiasco because BM will send them a new piece which will be premiered in Polička [OPENING OF THE STUDIOS]. Now that the contract is with B&H they should get everything from them. The chamber stuff at A.M.S. he sends from New York, he doesn't have it with him. He has not received any letter from OSA explaining whether they asked London for money for 1952 or not. As far as Milos Safranek is concerned, BM will not interfere. Karel Šebánek writes that BM took some manuscripts from somewhere, but does not say what manuscripts and from where. In Polička they can sort it out themselves.
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