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Neví, jak se rozhodně „s tou kompozicí pro kostel“ (1954 HYMNUS KE SV. JAKUBU, H. 347 podle Jaroslava Daňka), v NY ho čeká mnoho práce; neví, zda by nemusel mít souhlas Paula Claudela; rád by však vyhověl, odpoví z NY podle situace; jedou zpět 29.9.; Charlotte Martinů je už ve Vieux-Moulin, on tam pojede ještě na týden; „skoro lituji, že jsem sem jel… to už není ta Francie, co já jsem znal, lidi myslí jen na peníze“; čeká „tento týden“ Šebánka, chce se dovědět, „jak to zařídit s těmi penězi, co tam mám“; „kompozice jim ovšem dáti nemohu, protože jenom vydělávají, ale neplatí“; jeho skladba oceněna jako nejlepší v Edinburghu na festivalu, dirigoval Kubelík (31.8.1949 hrán DVOJKONCERT v Usher Hall Edinburgh, Philharmonia orchestra); také v Luzernu úspěch.
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He doesn't know how to decide "about the composition for the church" (1954 HYMNUS TO ST.JAMES, H. 347 after Jaroslav Daňek), he has a lot of work ahead of him in NY; he doesn't know whether he might not have Paul Claudel's consent; he would be happy to comply, however, he will reply from NY according to the situation; they are going back on 29.9.; Charlotte Martinů is already in Vieux-Moulin, he will go there for another week; "I almost regret having come here... it's not the France I used to know anymore, people only think about money"; he is waiting "this week" for Šebánek, he wants to know "how to arrange it with the money I have there"; "I can't give them compositions, of course, because they only make money, but they don't pay"; his composition is awarded the best at the Edinburgh Festival, conducted by Kubelík (31.8.1949 played in the Usher Hall Edinburgh, Philharmonia orchestra); also in Lucerne a success.
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