Page 7 of 20, showing 20 records out of 383 total
Halbreich number |
Title |
Subtitle |
Year of origin |
|
133 |
Who is the Most Powerful in the World |
ballet comedy in 1 act |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
133/CS
|
Copy of the score |
|
133/L1–L3
|
Libretto |
|
133/L4
|
Libretto |
|
133/PR
|
Klavírní výtah |
|
|
134 |
Folk Dances and Customs of the Slovácko Region |
music for the documentary film |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
134/CS
|
Copy of the score |
|
|
135 |
The Months |
three songs with piano |
1922 |
Call number at the BM Institute |
Type |
Digital copy |
135/A1
|
Autograph score |
|
135/A2, CSA
|
Autograph score |
|
135/TS
|
Textual source |
|
|
135bis |
Two Songs on Russian Poetry |
|
1922 |
Call number at the BM Institute |
Type |
Digital copy |
135bis/A1
|
Autograph |
|
135bis/A2
|
Autograph |
|
M 010a–c/D
|
Draft |
|
|
136 |
String Trio No. 1 |
for violin, viola and violoncello |
1923 |
Call number at the BM Institute |
Type |
Digital copy |
136/A
|
Autograph |
|
136/AP
|
Autograph parts |
|
|
137 |
Puppets I |
five pieces for piano |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
137/A
|
Autograph score |
|
137/ARR
|
Arrangement |
|
M 013a–c/ARR
|
Arrangement |
|
|
138bis |
Scherzo [auth.] |
for piano |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
138bis/A
|
Arrangement |
|
|
139 |
Quartet for Clarinet, French Horn, Violoncello and Snare Drum |
in C major |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
139/A
|
Autograph score |
|
|
140 |
Prelude [auth.] |
|
1924 |
Call number at the BM Institute |
Type |
Digital copy |
140/A
|
Autograph |
|
|
141 |
Piano piece (without title) |
|
1924 |
Call number at the BM Institute |
Type |
Digital copy |
141/A
|
Autograph |
|
|
142 |
Half-time |
rondo for large orchestra |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
142/ARR
|
Arrangement |
|
142/CS
|
Copy of the score |
|
|
143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
Call number at the BM Institute |
Type |
Digital copy |
143/A
|
Autograph score |
|
143/CS
|
Score in copyist's hand |
|
|
144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
144/A
|
Autograph |
|
144/D
|
Draft |
|
144/P
|
Parts in copyist’s hand |
|
144/P(Pf)
|
Part in copyist's hand |
|
|
146bis |
Three Lullabies |
|
1925 |
Call number at the BM Institute |
Type |
Digital copy |
146bis/A
|
Autograph score |
|
|
148 |
Film en Miniature |
cycle of piano pieces |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
148/A
|
Autograph score |
|
148/CSA
|
Score in copyist's hand |
|
|
149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
Call number at the BM Institute |
Type |
Digital copy |
149/ASP
|
Autograph solo part |
|
149/CS
|
Copy of the score |
|
149/PR
|
Klavírní výtah |
|
149/RCS
|
Mechanical copy |
|
|
150 |
String Quartet No. 2 |
|
1925 |
Call number at the BM Institute |
Type |
Digital copy |
150/A1
|
Autograph score |
|
150/A2
|
Autograph score |
|
150/AP (Vl I)
|
Autograph part |
|
150/PSA1
|
Printed score |
|
150/PSA2
|
Printed score |
|
|
151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1926 |
Call number at the BM Institute |
Type |
Digital copy |
151/A
|
Autograph score |
|
151/APR
|
Autograph piano reduction |
|
151/ASY
|
Autograph synopsis |
|
151/CS
|
Copy of the score |
|
151/D
|
Draft |
|
151/PR
|
Klavírní výtah |
|
|
152 |
Sonata in D Minor for Violin and Piano |
|
1926 |
Call number at the BM Institute |
Type |
Digital copy |
152/A
|
Autograph |
|
|
153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
Call number at the BM Institute |
Type |
Digital copy |
153A/CS
|
Score in foreign hand |
|