General information
Type of the document Letter
SenderSacher, Paul
Sender (corporation)
Sender‘s locationSchönenberg - Pratteln
Note on Sender‘s location[Schönenberg - Pratteln]
Send date02.05.1955
Recipient
Recipient (corporation)Universal Edition
Recipient‘s locationVienna
LanguageGerman
AcquiredTranscript by Jana Franková, 08/2017; the original letter is in Paul Sacher Stiftung
Owner of the sourcePaul Sacher Stiftung
Call number at IBMUE 1955-05-02
Content and physical description
ContentThanks for the letter from 26.04.1955, where Universal Edition answered to his request for some new compositions of contemporary composers which they had offered in their new catalogue, between them Bohuslav Martinů and his CONCERTO DA CAMERA, H 285. It will come into print in the autumn of this year and he will get a copy.
Transcription of the letter

                                                                                                                                                                          2. Mai 1955



Sehr geehrte Herren,



                Besten Dank für Ihren Brief vom 26. April. Wie sieht ein Amoniak-Abzug aus, und was würde die Partitur des Harfenkonzertes von Krenek in dieser Hersellungsart kosten? Ich habe davon Kenntnis genommen, dass mir die Partitur der „Passacaille“ von Martin durch Jecklin zugestellt wird, und dass Sie mir die Partituren Martin „Athalie“ und Martinu „Concerto da camera“ nach Erscheinen liefern werden.



                Mit bestem Dank und freundlichen Grüssen



 



An die UNIVERSAL EDITION A.G., Karlsplatz 6, WIEN / I

Orchesterabteilung


Total number of leaves1
Number of pages bearing text1
NoteA carbon copy of the sent letter; only transcription of the letter available at Bohuslav Martinu Institute. The original is stored in the Arnold Schönberg Center in Vienna. IBM transcription of part of the letter from the Arnold Schönberg Center in Vienna (Universal Edition depository), by Karolína Böhmová, 12/2019
FixationCarbon copy of the typescript
Person as subject
Corporation as subject
Composition as subject
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