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Obdržel od něj zásilku - Quartett [pravděpodobně KVARTET PRO KLARINET, LESNÍ ROH, VIOLONCELLO A BUBÍNEK, H. 139] a souhlasí s tím, že si [adresát] nechal jeho kompozici opsat; dále píše o konkurzu - nebude se o místo (po Janáčkovi) ucházet, má moc jiné práce; zadal do Brna do konkurzu o Smetanovu cenu svoji I. symfonii (se záhlavím Darney 1918) [zde rukou přípis "la baggare", jedná se ovšem o skladbu LA RHAPSODIE (Allegro symphonique) H. 171], která má mít premiéru ještě tentýž rok (1928) v Bostonu, jelikož se domníval, že je konkurz anonymní, nepodepsal se pod ní a poslal ji mezitím do Filharmonie kvůli rozpisu materiálu a poté do Brna, [adresáta] prosí, pokud by měl k partituře přístup, zda by ji jeho jménem nemohl podepsat; bude-li [adresát] sám v komisi, bude BM potěšen, přidělí-li mu svůj hlas; Symfonii přijal pro vůbec 1. provedení (v Bostonu) S. Koussevitzky, což by mělo být pro skladbu dobrým doporučením.
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He has received a package from him - Quartett [probably QUARTET FOR CLARINET, FOREST CORNER, VIOLONCELLO AND BUBINEK, H. 139] and agrees to have [the addressee] copy his composition; he also writes about the audition - he will not apply for the position (after Janáček), he has too much other work; he has entered his I. symphony (with the title Darney 1918) [here he writes "la baggare" in his hand, but it is the composition LA RHAPSODIE (Allegro symphonique) by H. 171], to be premiered the same year (1928) in Boston; as he thought the audition anonymous, he did not sign his name to it and sent it in the meantime to the Philharmonic for a schedule of material and then to Brno; [addressee] asks if he has access to the score if he could sign it on his behalf; if [addressee] himself is on the committee, BM will be pleased to give him his vote; he accepted the symphony for ever 1. performance (in Boston) by S. Koussevitzky, which should be a good recommendation for the piece.
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