- pisatel praví, že se hotoví k odjezdu do ???, kde se setká s ??? (...); poděkování za list adresátův (...); - pisatel adresátovi pro komorní orchestr doporučuje svoji skladbu "Suite de Karageuz" (1926) pro flétnu, hoboj, klarinet, fagot, roh, trubku, trombón a klavír (...); pisatel poznamenává, že partituru a materiál vydal Eschig (...); pisatel dodává, že u stejného nakladatele lze dostat skladbu "La Danse de la Sorciere" od Tansmana pro dechový orchestr (pisatel upozorňuje adresáta, že skladba má versi i pro velký orchestr) (...); dále uvádí Stravinského "Oktet", Kuchyňskou revue B. Martinů (u Leduca) (...); - pisatel poznamenává, že u Leduca lze najít velké množství skladeb pro obsazení požadované adresátem (...)

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- the writer says that he is ready to leave for ???, where he will meet ??? (...); thanks for the addressee's letter (...); - the writer recommends to the addressee for chamber orchestra his composition 'Suite de Karageuz' (1926) for flute, oboe, clarinet, bassoon, horn, trumpet, trombone and piano (...); the writer notes that the score and material were published by Eschig (...).); the writer adds that by the same publisher it is possible to obtain Tansman's 'La Danse de la Sorciere' for wind orchestra (the writer informs the addressee that the piece has a version for large orchestra as well) (...); he also mentions Stravinsky's 'Octet', the Kitchen Revue B. Martinů (at Leduc) (...); - the writer notes that in Leduc's works one can find a large number of compositions for the scoring requested by the addressee (...)

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