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BMI call number Former call number

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General information

Type of the document	Letter
Sender	Sacher, Paul
Sender (corporation)
Note on Sender‘s location	[?]
Send date	24.02.1940
Recipient	Martinů, Bohuslav
Recipient (corporation)
Recipient‘s location	Paris
Note on Recipient‘s location	[Paris]
Language	French
Acquired	Paul Sacher Stiftung
Owner of the source	Paul Sacher Stiftung
Former call number at IBM	49/64
Call number at IBM	Sac 1940-02-24

Content and physical description

Content	Paul Sacher thanks Bohuslav Martinů for his letter to him and to BKO. He is delighted that the Triton Society wants to perform this orchestral concert [among other things, a DOUBLE CONCERT]. Today he received a telegram with a proposed date for the concert on 20 March. Unfortunately it does not suit him, he would rather prefer a period between 6 and 14 April to allow time for rehearsals. PS gives details of the programme for the concert: Willy Burkhard - Concerto for String Orchestra, Op. 50 (25 mins); Igor Stravinsky - Dumbarton Oaks (12 mins 30 secs); from the original French work, the writer suggests a ten-minute piece by Jean Françaix, which he discussed with BM [Sérénade pour petit orchestre? see ID 920], or Jacques Ibert (Divertissement), or Albert Roussel (Concerto for small orchestra, Op. 34). PS could supply material for the WB piece; material for the IS piece should be in Éditions Max Eschig. PS also sends his regards to Charlotte Martinů. He transcribes the text of his telegram regarding the date of the planned concert. Is the descriptive number in BM's address 14 or 17?
Total number of leaves	1
Number of pages bearing text	2
Fixation	typescript

Digitisation

Quality of digitisation	Not professional black-and-white
Digitized at	Bohuslav Martinů Institute
Date of digitisation	2017

Preview only available at the Institute.

Person as subject

Burkhard, Willy

Françaix, Jean

Ibert, Jacques

Martinů, Charlotte

Roussel, Albert

Stravinskij, Igor

Corporation as subject

Basler Kammerorchester

Éditions Max Eschig

Triton

Composition as subject

Double Concerto, H 271

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