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Popisuje svou představu hudební adaptace. Rozvrhuje operu do čtyř dějství, uvádí, co musí vynechat, které charaktery nemůže rozvinout, na co se soustřeďuje. Bude to opravdová pašijová hra. Chce znát názor Kazantzakise na jeho úpravy, potom mu pošle podrobnější náčrt.
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He describes his idea of musical adaptation. He arranges the opera into four acts, states what he has to leave out, which characters he cannot develop, what he concentrates on. It's going to be a real Passion Play. He wants Kazantzakis' opinion on his adaptations, then sends him a more detailed outline.
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