General information
Title CZRitornely
Subtitle CZšest klavírních kusů
Title ENRitornellos
Subtitle ENsix piano pieces
Title DELes Ritournelles
Subtitle DEsechs Klavierstücke
Title FRLes Ritournelles
Subtitle FRsix pièces pour piano
CategoryWorks for Keyboards
SubcategoryPiano
Halbreich number227
Parts of the composition (movements)1. Andante - Poco allegro; 2. Andante moderato - Allegro moderato; 3. Intermezzo I. Andantino; 4. Andante - Poco allegro; 5. Intermezzo II. Andante; 6. Allegro vivo
Durata12'
InstrumentsPf
Origin
Place of compositionParis
Year of origin1932
Initiation of composition1932
Completion of composition15.12.1932
First performance
Performer Šolc, Karel
Date of the first performance26.11.1935
Location of the first performancePrague, Umělecká beseda
Autograph deposition
Owner of the sourceStaatsbibliothek zu Berlin
Copyright
CopyrightSchott Music GmbH & Co.
Purchase linkbuy
First edition
PublisherSchott Music GmbH & Co.
Place of issueMohuč
Year of publication1933
Editions available at the BM Institute
Schott Music GmbH & Co., Mainz, 1933
Call number at the BM Institute: 1044, 1044b
Specification of the edition: 1st edition
Details of this edition
Schott Music GmbH & Co., Mainz, 1961
Call number at the BM Institute: 1044a
Specification of the edition: Reprint of the 1st edition
Details of this edition
Schott Music GmbH & Co., Mainz, 1961
Call number at the BM Institute: 1044c
Specification of the edition: Reprint of the 1st edition
Details of this edition
Schott Music GmbH & Co., Mainz, 2009
Call number at the BM Institute: 1343a-c
Specification of the edition: Collection of selected piano pieces
Details of this edition
Sources
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About the composition

Les Ritournelles, H 227, for piano is one of a total of fifteen compositions written by Martinů in 1932, including “Four Serenates” for different sets of instruments (H 215, H 216, H 217, H 218), Sinfonia concertante No.1 for two orchestras, String sextet, H 224, which received first prize at the American Elizabeth Sprague – Coolidge Competition, and Four Children Songs and Rhymes (Čtyři dětské písně a říkadla, H 225). By then Martinů was slowly getting over his experimental phase and finally finding his own style; he composed rapidly and with ease, encouraged by the interest of publishers. Charlotte, the author’s widow, says in her book, “My Life with Bohuslav Martinů,” that at the time of their wedding (1931) her husband  was writing rapidly in order to be able to buy at least some furniture for their new household. The outcome, in this case, is higly playful composition.

Aleš Březina, programme of the Bohuslav Martinů Festival, 14 December 1995.

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