General information
Title CZTři písně pro Červenou sedmu
Title ENThree Songs for the Cabaret "Red Seven"
Title DEDrei Lieder für das Kabarett "Červená sedma"
CategoryVocal Music
SubcategoryWorks for Solo Voice and Piano
Halbreich number129
Author of lyrics/libretto Dréman, Jiří
Gellner, František
Herold, Jiří
Parts of the composition (movements)1. Summer Ballad
2. Bar
3. Miners' Song
Textual incipit1. Juchej! Jako ke čtverylce seřazeny stojí břízky, bílé panny na hrázi
2. Sem lidé přišli napít se, zpíti se, zpívat a žít
3. Hluboko pod zemí jsem rval a trhal skalní stěnu
InstrumentsV Pf
Origin
Place of compositionPrague
Year of origin1921
Initiation of composition1921
Completion of composition1921
First performance
Autograph deposition
Note on the autograph depostition• Autograph missing.
• Copy of the song No. 3 in Jiří Červený's hand deposited at the Czech Museum of Music in Prague; 2nd copy owned by BM Foundation deposited at the BM Centre in Polička; copy of all three songs owned by ČHF (Czech Music Fund)
Copyright
CopyrightBoosey & Hawkes
Purchase linkbuy
First edition
PublisherTempo
Place of issuePraha
Year of publication1993
Editions available at the BM Institute
Tempo, Prague, 1993
Call number at the BM Institute: 1040, 1040a
Specification of the edition: 1st edition
Details of this edition
Sources
References Related writings
Documents in the Library
Note • Lyrics by Jiří Herold (1), Jiří Dréman (2), František Gellner (3).
• Title of the composition on printed score: "Three Chansons for the Cabaret "Red Seven".
About the composition

Three Songs for the Cabaret “Red Seven”, H 129, fall into the category of occasional music, and show that the composer, having allowed himself to be enticed into the sphere of light music, was equally happy to experiment there. His reasons for taking on this task were of a purely prosaic nature: he needed the money.

Martinu composed all three songs in 1921 in response to a commission from Jiří Červený (1887–1962), the founder and leading spirit of the famous satirical cabaret group Červená sedma [Red Seven]. […]  According to an article by Jiří Červený, the composer himself called them chansons. After all, the songs were originally intended to be sung with in the context of a cabaret, and this is reflected in their character.

The authors of the texts were writers, journalists and poets who were in close contact with Červená sedma and had a hand in shaping its repertoire: Jiří Dréman (the pen-name of Josef Nerad, 1892–1946) was the author of several plays and became known for his charming performances as a member of the Červená sedma ensemble. František Gellner (1881–1914) began his literary career as a journalist. He was an editor on the Brno paper Lidové noviny and made a name for himself as an ironic commentator with an anarchist view point and as a writer of sentimental verses. Some of his verses were set to music by Jiří Červený for Červená sedma, including three poems from the collection Radosti života [Joys of Life]. Jiří Herold (the pen-name of František Sadecký, 1895–1966) worked as an editor for Lidové listy and Tribuna. He was also known as a writer of one-act plays and cabaret songs.

From the formal point of view, these compositions belong to the kind of cabaret song in which the music is developed out of a text that is rich in ideas and expression. In them, Martinů succeeded in giving a variety of texts a truthful musical characterisation. His musical language may not be complicated, but it is melodically, harmonically and rhythmically resourceful; nor is it lacking humour and an element of satirical exaggeration.

Kateřina Maýrová, Bohuslav Martinů: Tři šansony pro Červenou sedmu. Prague: Tempo, 1993.

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