Page 7 of 20, showing 20 records out of 383 total
| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 133 |
Who is the Most Powerful in the World |
ballet comedy in 1 act |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 133/CS
|
Copy of the score |
|
| 133/L1–L3
|
Libretto |
|
| 133/L4
|
Libretto |
|
| 133/PR
|
Klavírní výtah |
|
|
| 134 |
Folk Dances and Customs of the Slovácko Region |
music for the documentary film |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 134/CS
|
Copy of the score |
|
|
| 135 |
The Months |
three songs with piano |
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135/A1
|
Autograph score |
|
| 135/A2, CSA
|
Autograph score |
|
| 135/TS
|
Textual source |
|
|
| 135bis |
Two Songs on Russian Poetry |
|
1922 |
| Call number at the BM Institute |
Type |
Digital copy |
| 135bis/A1
|
Autograph |
|
| 135bis/A2
|
Autograph |
|
| M 010a–c/D
|
Draft |
|
|
| 136 |
String Trio No. 1 |
for violin, viola and violoncello |
1923 |
| Call number at the BM Institute |
Type |
Digital copy |
| 136/A
|
Autograph |
|
| 136/AP
|
Autograph parts |
|
|
| 137 |
Puppets I |
five pieces for piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 137/A
|
Autograph score |
|
| 137/ARR
|
Arrangement |
|
| M 013a–c/ARR
|
Arrangement |
|
|
| 138bis |
Scherzo [auth.] |
for piano |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 138bis/A
|
Arrangement |
|
|
| 139 |
Quartet for Clarinet, French Horn, Violoncello and Snare Drum |
in C major |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 139/A
|
Autograph score |
|
|
| 140 |
Prelude [auth.] |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 140/A
|
Autograph |
|
|
| 141 |
Piano piece (without title) |
|
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 141/A
|
Autograph |
|
|
| 142 |
Half-time |
rondo for large orchestra |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 142/ARR
|
Arrangement |
|
| 142/CS
|
Copy of the score |
|
|
| 143 |
Concertino for violoncello, brass, piano and battery |
in C minor |
1924 |
| Call number at the BM Institute |
Type |
Digital copy |
| 143/A
|
Autograph score |
|
| 143/CS
|
Score in copyist's hand |
|
|
| 144 |
Nonet No.1 |
for flute, clarinet, oboe, bassoon, french horn, violin, viola, violoncello and piano |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 144/A
|
Autograph |
|
| 144/D
|
Draft |
|
| 144/P
|
Parts in copyist’s hand |
|
| 144/P(Pf)
|
Part in copyist's hand |
|
|
| 146bis |
Three Lullabies |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 146bis/A
|
Autograph score |
|
|
| 148 |
Film en Miniature |
cycle of piano pieces |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 148/A
|
Autograph score |
|
| 148/CSA
|
Score in copyist's hand |
|
|
| 149 |
Concerto for Piano and Orchestra No. 1 |
in D major |
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 149/ASP
|
Autograph solo part |
|
| 149/CS
|
Copy of the score |
|
| 149/PR
|
Klavírní výtah |
|
| 149/RCS
|
Mechanical copy |
|
|
| 150 |
String Quartet No. 2 |
|
1925 |
| Call number at the BM Institute |
Type |
Digital copy |
| 150/A1
|
Autograph score |
|
| 150/A2
|
Autograph score |
|
| 150/AP (Vl I)
|
Autograph part |
|
| 150/PSA1
|
Printed score |
|
| 150/PSA2
|
Printed score |
|
|
| 151 |
The Revolt [auth.] |
ballet sketch in 1 act |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 151/A
|
Autograph score |
|
| 151/APR
|
Autograph piano reduction |
|
| 151/ASY
|
Autograph synopsis |
|
| 151/CS
|
Copy of the score |
|
| 151/D
|
Draft |
|
| 151/PR
|
Klavírní výtah |
|
|
| 152 |
Sonata in D Minor for Violin and Piano |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 152/A
|
Autograph |
|
|
| 153 A |
Orchestral suite from the ballet The Butterfly that Stamped |
|
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 153A/CS
|
Score in foreign hand |
|