General information
Type of the document Letter
SenderKaprálová, Vítězslava
Sender (corporation)
Sender‘s locationParis
Note on Sender‘s location[Paris]
Send date04.02.1940
Send date noteSunday [February 4, 1940] - originally dated by VK, but the original date was not a Sunday in calendar, so the correct date is probably February 4, 1940
RecipientKaprálová, Vítězslava st.
Recipient (corporation)
Note on Recipient‘s location[Brno?]
LanguageCzech
AcquiredCopy from Karla Hartl edition: Vítězslava Kaprálová, Dopisy domů. Korespondence rodičům z let 1935-1940; 2019
Call number at IBMKapV 1940-02-04a
Content and physical description
Content

This content was automatically translated from the original language. The original content is available by clicking the link below.

She also received correspondence from Magdenka [Kapral], who encrypts a message for Bohumil Kapral [about to join the foreign resistance] in a letter. He is looking forward to the launch of his Symfonietta [on the Brno radio schedule]. Last Sunday [28.1.1940] [Rudolf Firkušný] played her April Preludes in Triton with success. He is now writing two more dances for the RF. The Great Master [Bohuslav Martinů] is now going to Switzerland for a festival [for the premiere of TWO CONCERTS FOR TWO SINGERS. ORCHESTRA, CLAVIER AND TYMPANS, Basel, 9.2:1940, BSO, P. Sacher]. He will probably not marry. He is in a hurry with a letter for BM to take with him as he is leaving in an hour. He regrets that someone has already written a cantata on the poem "Singing to the Motherland" by Joseph Hora. They often listen to the Prague radio, they sometimes play nice things there.

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NotePublished in: HARTL, Karla (ed.): Vítězslava Kaprálová, Dopisy domů. Korespondence rodičům z let 1935-1940, The Kapralova Society, Toronto 2015, ISBN 978-0-9940425-0-7, pg. 273
FixationTranscript of the letter
Digitisation
Quality of digitisationNot professional black-and-white
Date of digitisation2019

Preview only available at the Institute.

Location as subject
Prague
Person as subject
Corporation as subject
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