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Pisatel děkuje Vojtěchu Strnadovi za dopis z 31. 5. 1957. Salome od Richarda Strausse se obvykle neuvádí v kombinaci s jiným dílem v rámci jednoho večera. Proto je s ní nakládáno jako s celovečerní operou, co se týče půjčovného a provozovacích poplatků. Dilia o tom má informovat olomoucké divadlo.
MIRANDOLINA není majetkem B&H. Bohužel nemohou Dilii poradit, jak materiál sehnat.
B&H Dilii na její žádost posílají pro Brno klavírní výtah Prokofjevova baletu Marnotratný syn.
Honeggerovu Janu z Arku na hranici vydal pařížský Salabert, Dilia se má obrátit na něj.
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The writer thanks Vojtěch Strnad for his letter of 31 May 1957. Richard Strauss's Salome is not usually performed in combination with another work on the same evening. It is therefore treated as a full-length opera in terms of rental and performance fees. Dilia is to inform the Olomouc theatre of this.
MIRANDOLINA is not the property of B&H. Unfortunately they cannot advise Dilia on how to obtain the material.
At Dilia's request, B&H are sending Dilia a piano extract of Prokofiev's ballet The Prodigal Son for Brno.
Honegger's Joan of Arc at the Border has been published by Salabert in Paris, and Dilia should contact him.
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