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- pisatel děkuje za list z 11.4. zaslaný z Cap d'Antibes (...);
- pisatel praví, že podepsal smlouvu s Biennale a bude 10.9. dirigovat premiéru skladby Rake¨s Progress na Benátském festivalu (...); jisté komplikace se Scalou - nakladatel pistelův (Boosey and Hawkes) už započal jednání s nimi (...);
- pisatel potvrzuje, že se již doslechl o úspěchu, který měl Markevitch se Svěcením jara, a dodává, že ovšem nevěděl o tom, že provedl také Mavru a Persefonu, a také dodává, že o jeho provedení Orfea na Benátském bienále roku 1949 věděl (...);
- pisatel praví, že opera (?) je již hotova, až na krátké Preludium (...); dodává, že nebude zahrnovat předehru (...);
- pisatel vyjadřuje naději, že se s adresátkou setká v Benátkách (...); poznamenává, že to bude rušné a podává výčet známých, kteří tam také budou (...)
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- the writer thanks for the letter of 11.4. sent from Cap d'Antibes (...);
- the writer says that he has signed a contract with the Biennale and will conduct the premiere of Rake¨s Progress at the Venice Festival on 10.9 (...); some complications with Scala - the publisher of Pistel (Boosey and Hawkes) has already begun negotiations with them (...);
- the writer confirms that he had already heard of the success Markevitch had had with The Rite of Spring, and adds that he was of course unaware that he had also performed Mavra and Persephone, and also adds that he knew of his performance of Orfeo at the 1949 Venice Biennale (...);
- the writer says that the opera (?) is already finished, except for a short Prelude (...); he adds that it will not include an overture (...);
- the writer expresses the hope that he will meet the addressee in Venice (...); he notes that it will be busy and gives a list of acquaintances who will also be there (...)
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