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GN píše zklamaným a znepokojeným tónem. Ptá se ho, jak to skutečně dopadlo s jeho hrou v inscenaci Radoka [Zlodějka z města Londýna, premiéra 29. 6. 1962 v Divadle komedie, Praha], neboť z dopisu MŠ má pocit, že to bylo neúspěšné. Radok mu psal o úspěchu a že inscenace budou pokračovat od září. GN se obává, co Radok provedl s jeho hrou - posilal mu žádost, aby mohl provést obšírné úpravy. GN mu pod stálým zážitkem z bruselské inscenace přestavení [Laterna magika, 1958] povolil dělat, co chce. GN se cítí ukřivděný, neboť on se snažil podřídit svou vůli k úspěchu.
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GN writes in a disappointed and concerned tone. She asks him how things really went with his play in the Radok production [The Thief of the City of London, premiered 29 June 1962 at the Comedy Theatre, Prague], as she feels from MS's letter that it was a failure. Radok wrote to him about the success and that the productions would continue from September. GN is worried about what Radok has done to his play - he has sent him a request to make extensive alterations. GN, under the constant experience of the Brussels production of the play [Laterna magika, 1958], allowed him to do what he wanted. GN feels wronged because he has tried to bend his will to success.
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