| Halbreich number |
Title |
Subtitle |
Year of origin |
|
| 163 |
On Tourne! |
ballet in 1 act |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 163/A
|
Autograph score |
 |
| 163/AL
|
Autograph libretto |
|
| 163/APR, Aa
|
Autograph piano reduction |
|
|
| 164 |
String Quintet for Two Violins, Two Violas and Violoncello |
for Two Violins, Two Violas and Violoncello |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 164/A1
|
Autograph |
|
| 164/A2
|
Autograph |
|
| 164/D
|
Draft |
|
| 164/PSA
|
Printed score |
|
| 164/R(A1)A
|
Reproduction of the autograph score |
|
|
| 165 |
Black Bottom |
|
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 165/A
|
Autograph |
|
|
| 166 |
Impromptu |
three compositions for violin and piano |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 166/A
|
Autograph score |
|
|
| 167 |
Christmas |
three pieces for piano |
1927 |
| Call number at the BM Institute |
Type |
Digital copy |
| 167/A
|
Autograph |
|
| 167/PSA
|
Printed score |
|
|
| 168 |
Le Jazz |
|
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 168/A
|
Autograph |
|
|
| 169 |
Tears of the Knife |
opera in one act |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 169/A
|
Autograph score |
|
| 169/APR
|
Autograph piano reduction |
|
| 169/ASY
|
Synopsis |
|
| 169/L1
|
Libretto |
|
| 169/L2
|
Libretto |
|
| 169/SY
|
Synopsis |
|
|
| 170 |
Four Movements |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 170/A
|
Autograph |
|
|
| 171 |
Rhapsody |
for large orchestra |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 171/A1
|
Autograph |
|
| 171/A2
|
Autograph |
|
| 171/P
|
Parts in copyist’s hand |
|
|
| 172 |
Jazz Suite |
for small orchestra |
1928 |
| Call number at the BM Institute |
Type |
Digital copy |
| 172/A
|
Autograph |
|
| 172/D
|
Sketch |
|
|
| 173 |
Divertimento (Concertino) |
for piano left hand and orchestra in G |
1926 |
| Call number at the BM Institute |
Type |
Digital copy |
| 173/A
|
Autograph |
|
| 173/PR
|
Klavírní výtah |
|
|
| 173bis |
Par T.S.F. |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 173bis/A
|
Autograph |
|
|
| 174 |
Sextet |
for wind instruments and piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 174/A
|
Autograph |
|
|
| 175 |
Three Wishes or Inconstancy of the Life |
Film-opera in 3 acts |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 175/A
|
Autograph |
|
| 175/APR
|
Autograph piano reduction |
|
| 175/ARR
|
Arrangement |
|
| 175/ASY1
|
Synopsis |
|
| 175/ASY2
|
Synopsis |
|
| 175/D
|
Draft |
|
| 175/L1
|
Libretto |
|
| 175/L2
|
Libretto |
|
| 175/L3
|
Libretto |
|
| 175/LA
|
Libretto |
|
| 175/P
|
Parts in copyist’s hand |
|
| 175/R
|
Reproduction of the autograph score |
|
| 175/SY1
|
Synopsis |
|
| 175/SY2
|
Synopsis |
|
| 175/SY3
|
Synopsis |
|
| 175/SY4
|
Synopsis |
|
| 175/SYA1
|
Synopsis |
|
| 175/SYA2
|
Synopsis |
|
|
| 177 |
The Dance |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 177/A
|
Autograph |
|
|
| 178 |
Prelude |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 178/A
|
Autograph |
|
|
| 180 |
Fantasia |
for two pianos |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 180/A
|
Autograph score |
|
| 180/CS
|
Manuscript in foreign hand |
|
|
| 181 |
Eight Preludes |
for piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 181/A
|
Autograph |
|
| 181/ARR(P,PR)
|
Arrangement |
|
| 181/PS
|
Printed score |
|
|
| 181bis |
Tango and Allegretto |
for piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 181bis/A
|
Autograph |
|
|
| 182 |
Sonata for Violin and Piano No. 1 |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 182/A
|
Autograph |
|
| 182/ASP
|
Autograph solo part |
|
| 182/D
|
Draft |
|
| 182/PS
|
Printed score |
|
| 182/PSA
|
Printed score |
|
|
| 183 |
String Quartet No. 3 |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 183/A
|
Autograph |
|
| 183/PSA
|
Printed score |
|
|
| 184bis |
Three Christmas Songs |
|
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 184bis/A
|
Autograph score |
|
|
| 184 |
Five Short Pieces |
for violin and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 184/A
|
Autograph |
|
| 184/ASP
|
Autograph solo part |
|
| 184/D
|
Draft |
|
| 184/PSA
|
Printed score |
|
|
| 185 |
With One Finger |
piano piece for three hands |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 185/A
|
Autograph |
|
|
| 186bis |
Romance |
for violin and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 186bis/A
|
Autograph |
|
|
| 186 |
Check to the King |
jazz-ballet in 1 act |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 186/APR
|
Autograph piano reduction |
|
| 186/R
|
Reproduction of the autograph score |
|
| 186/SY
|
Synopsis |
|
|
| 188 |
Vocalise |
étude for middle voice and piano |
1929 |
| Call number at the BM Institute |
Type |
Digital copy |
| 188/A
|
Autograph |
|
|
| 189 |
Nocturnes |
four études for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 189/A
|
Autograph |
|
|
| 190 |
Pastorals |
six pieces for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 190/A
|
Autograph |
|
| 190/D
|
Draft |
|
|
| 191 |
Easy Etudes for Two Violins |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 191/A
|
Autograph |
|
| 191/D
|
Draft |
|
|
| 192 |
Miniature Suite |
seven easy pieces for violoncello and piano |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 192/A
|
Autograph score |
|
|
| 193 |
Piano Trio No. 1 (Five short pieces) |
for violin, violoncello and piano |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 193/A
|
Autograph score |
|
| 193/AP
|
Autograph parts |
|
| 193/PS, PP
|
Printed score |
|
|
| 194 |
The Day of Good Deeds |
Opera in 3 acts |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 194/A
|
Autograph |
|
| 194/APR
|
Autograph piano reduction |
|
| 194/L
|
Libretto |
|
|
| 195 A |
Borová (Czech Dance No. 1) |
for small orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 195A/CS
|
Score in foreign hand |
|
|
| 195 |
Borová |
seven Czech dances |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 195/A
|
Autograph score |
|
| 195/PS
|
Printed score |
|
| 195/PSA
|
Printed score |
|
|
| 196 I |
Concerto for Violoncello and Orchestra No. 1, 1st version |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 I/A
|
Autograph |
|
| 196 I/APR
|
Autograph piano reduction |
|
| 196 I/ASP1
|
Autograph solo part |
|
| 196 I/ASP2
|
Autograph solo part |
|
| 196 I/D
|
Draft |
|
| 196 I/PPR
|
Printed piano reduction |
|
| 196 I/PSP1
|
Printed solo part |
|
| 196 I/PSP2
|
Printed solo part |
|
|
| 196 II |
Concerto for Violoncello and Orchestra No. 1, 2nd version |
|
1939 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 II/A
|
Autograph |
|
| 196 II/P
|
Parts in copyist’s hand |
|
| 196 II/PPR
|
Printed piano reduction |
|
|
| 196 III |
Concerto for Violoncello and Orchestra No. 1, 3rd version |
|
1955 |
| Call number at the BM Institute |
Type |
Digital copy |
| 196 III/A
|
Autograph score |
|
| 196 III/PFPR, PFSP
|
Mechanical copy |
|
| 196 III/PPRA
|
Printed piano reduction |
|
| 196 III/PR
|
Klavírní výtah |
|
| 196 III/PSPA
|
Printed solo part |
|
| 196 III/R([R])
|
Mechanical copy |
|
| 196 III/RA
|
Reproduction of the autograph score |
|
|
| 197 |
Three Songs after Poems by Guillaume Apollinaire |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 197/A
|
Autograph |
|
| 197/TS
|
Textual source |
|
|
| 198 |
Sonatina for Two Violins and Piano |
|
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 198/A
|
Autograph |
|
|
| 199 |
Serenade |
for chamber orchestra |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 199/A
|
Autograph score |
|
|
| 200 |
Les Rondes |
Suite of dances for oboe, clarinet, bassoon, trumpet, piano and two violins |
1930 |
| Call number at the BM Institute |
Type |
Digital copy |
| 200/A
|
Autograph score |
|
| 200/AP
|
Autograph parts |
|
|
| 202 |
Rhythmic Etudes |
for violin and piano |
1932 |
| Call number at the BM Institute |
Type |
Digital copy |
| 202/A
|
Autograph |
|
|
| 203 |
Sketches |
first series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 203/A
|
Autograph |
|
|
| 205 |
Four Pieces without a Title |
Games, first series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 205/A
|
Autograph |
|
|
| 206 |
Games |
six easy pieces for piano, second series |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 206/A
|
Autograph |
|
|
| 207 |
String Quartet with Orchestra |
|
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 207/A
|
Autograph score |
|
| 207/PP
|
Printed parts |
|
| 207/PS
|
Printed score |
|
| 207/PSP1
|
Printed solo parts |
|
| 207/PSP2
|
Printed parts |
|
| 207/SP
|
Manuscript in foreign hand |
|
|
| 208 |
Sonata for Violin and Piano No. 2 |
|
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 208/PSA
|
Printed score |
|
|
| 209 |
Czech Nursery Rhymes |
six female choruses |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 209/CHS1
|
Choral score |
|
| 209/CHS2
|
Mechanical copy |
|
|
| 212 |
Partita (Suite No. 1) |
for string orchestra |
1931 |
| Call number at the BM Institute |
Type |
Digital copy |
| 212/A
|
Autograph score |
|
| 212/PR
|
Klavírní výtah |
|